Tears For Fear / Rule The World : The Greatest Hits

Rule The World: The Greatest Hits

Tears for Fears are an English pop rock band formed in Bath in 1981 by Roland Orzabal and Curt Smith. Founded after the dissolution of their first band, the mod-influenced Graduate, they were initially associated with the new wave synthesiser bands of the early 1980s but later branched out into mainstream rock and pop, which led to international chart success. They were part of the MTV-driven Second British Invasion of the US.

Their debut album, The Hurting, released in 1983, reached number one on the UK Albums Chart, while their second album, Songs from the Big Chair, released in 1985, reached number one on the US Billboard 200, achieving multi-platinum status in both the UK and the US. Their second album contained two Billboard Hot 100 number ones: “Shout” and “Everybody Wants to Rule the World“‘, the latter winning the Brit Award for Best British Single in 1986.

Smith and Orzabal parted company in 1991, after the release of their third platinum-selling album The Seeds of Love (1989), though Orzabal retained the Tears for Fears name throughout the remainder of the 1990s. The duo re-formed in 2000 and released an album of new material, Everybody Loves a Happy Ending, in 2004. Since 2013, the duo have been working on their seventh album. Tears for Fears have sold over 30 million albums worldwide

The Analysis—-

Everybody Wants To Rule The World—-It is always interesting to look back at the music that helped to form your teen years and see how it stands the test of time in your adult brain. I was disappointed at yet another Greatest Hits record from this band…but it is always nice to hear the classics again. This track is monstrous…melodic and really does manage to stand the test of time. The two voices when joined together are a force. Roland has that remarkable upper register. The synth drive of the song screams 80’s…it is brilliant.

Shout [7″ Edit]—-Laden with every trademark gimmick of classic 80’s pop music, this song..in it’s heyday was an absolute monster. I assure you….it still plays with exquisite flavor in 2017. That classic vocal…the long notes from Roland that adds depths of emotion to the song…still can give you goosebumps even now. This is a remarkable reminder of why the 80’s still live on with a bit of success.

 

I Love You, But I’m Lost—-One of the new offerings that are offered on this release. I listen to this very carefully…looking for the magic that served as the propulsion for the band in the early years. The sound at the onset is dense, giving way to a synth laden happiness that captures my attention. The vocal is a bit odd for me….they sound more like MGMT to me. the chorus is not the huge affair I expected…but the track does not let me down. There is a catchy element to the song that makes me smile somewhere inside my self…I don’t profess pure love…but I don’t hate it either.

Mad World—-I think the key elements of this track were meant to burrow into your cerebellum and just stay there. this is a recipe laden pop song that hits a perfect 10 on every mark. The jungle drums…the static synth line…the guitar line…the beautiful and perfectly clear vocal…the intermittent horns….how can you go wrong here. This is, for me. pure pop perfection.

Sowing the Seeds Of Love—-This for me, was one of the best tracks the band ever produced. the track shows a progression of sound…while still retaining the trademarks that made the band a huge hit. The slight psychedelic feel of the song propelled them further…while the vocal harmonies were stronger and more intact than ever. The horns at the end of the track were incredible. This is a pure masterpiece…a song I never really ever tire of hearing.

 

Advice For The Young At Heart—-I remember when I first heard this song, I though maybe i was hearing a new song from Icehouse or Icicle Works….I was surprised. This is wonderfully layered with that magic emotion the band was able to produce…as well as a chorus that will live with you…even twenty plus years on. This still sounds great…still sounds important as ever…and still plays in my brain like the very first time. Those voices…it’s like magic.

Head Over Heels—-Perhaps the biggest selling single for the band…and the one that sent them way over the top in the 80’s and the video driven world, this still plays as well as it did from day one. The vocals are so strong…the way the band plays off of each other is just pure magic…there is an almost pulley system between the two….where the voice and the guitar strive to be the best. The synth lines are so strong…producing a magical melody that will never leave you alone…this was a pure magical time.

Woman In Chains [feat. Oleta Adams]—-Funny to hear this song with the climate of the nation today. It seems right in line with all of the stuff that seems t be going on. And the vocal guest from the fantastic Oleta Adams is literally heartbreaking and wrenching. This is timely…and should be played everywhere. the soaring vocals give me goosebumps…this is brilliant…way before it’s time.

Change [Radio Edit]—-Another one of those tracks that carries so many familiar sounds of the times. At certain times, the synth line sounds like a pure rip off of Rio from Duran Duran…..but the vocal kicks in and you know this is classic. The long drawn out vocal sounds from Roland gives the song a remarkable emotional quality….even while the instrumentation plays right up in the front of the song. This is brilliant.

Stay—-The second of the two new tracks on this compilation, I find this rather flat and a bit uninspired for my ears. The trademark sounds of the band seem to be largely missing…where is the play of the back and forth between the members. The vocal sounds almost foreign to me….I really do not like this very much….but I’m still glad to have it.

Pale Shelter [2nd US Version]—-This has that nice synth driven sound that is actually aided by the guitar base of the song. I love the vocal…even though it seems almost hollow in this mix. The voice is one of the key elements of this band…and the way they play back and forth with each other. I wonder what would have happened if a band like INXS would have recorded this…..wow….

Mothers Talk [US Remix]—-This has never been a very favorite track of mine….it seemed like the band was really coming apart during this period…adding all kinds of back drop vocals…nor heavy guitars and a distant between Kurt and Roland…you could smell the dissonance between the two here.

Break It Down Again—-Perhaps one of the most aggressive sounding tracks from the band, it is remarkable in melody and truism. The band offers a new bolder sound…but still managed to keep the base of the sound in the song at the same time. this has a nice anthemic quality to it. I really still love hearing this track. Really a nice memory.

I Believe—-Ghostly and full of a magical sadness that still can raise the hairs on your arms, the vocal is so pre and without any effect. The instrumentation has a slight underlying jazz edge to it that lulls you into the lyric of the track…this is so nice to hear….a magical moment.

Raoul And the Kings Of Spain—-Never a favorite track of mine…..I found nothing that was released around this particular period…out side of Sowing that appealed to me. This is so noisy and unorganized to be…like a smash and haberdasher track to satisfy an obligation….ummm….no……

Closet Thing To Heaven—-Again, there are certain elements of this track i really like. but the band seems to have lost a bit of direction here. The sound…the huge sound they always managed to produce…seems to be missing. The chorus is very nice…but the drums are too loud…the vocal sounds a bit weird as well. I like the melody…but where is the key element we love…the back and forth of the vocal and the guitar…..this is not a favorite….

**** out of 5

 

 

 

 

 

Pet Shop Boys / Release: Further Listening 2001-2004

 

Release: Further Listening 2001 - 2004 (2017 Remastered Version)

‘Release’, featuring Johnny Marr on guitar, entered the top ten in the UK album charts on its release in 2002. This remastered edition comes with two ‘Further listening’ albums of additional tracks, including unreleased songs ‘Motoring’, ‘The night is a time to explore who you are’, ‘Run, girl, run’ and ‘Reunion’, as well as previously-unreleased John Peel versions of ‘A powerful friend’ and ‘If looks could kill’ and a previously-unreleased cover version of Gilbert O’Sullivan’s ‘Alone again, naturally’ featuring Elton John.

The Analysis—-

Disc One:

Home And Dry—-It was obvious, from the first strains of this track, that this was release going in a somewhat different direction…but change is good for the soul right? The synths are very understated and the guitar playing is very present…something never really heard on a PSB release. It took me awhile to truly embrace this song…but the beautiful voice of Tennant made it easier. This has grown on me over the years.

I Get Along—-For me, this track was perfect from the very first listen. This was, for me, the Boys attempt to embrace the Oasis crowd so prevalent at the moment. This would have been a perfect song for that entity. There is a remarkable brightness to the piano synth line….accompanied by an underbelly of sadness that sucks you in. Neil delivers a wonderful vocal…where he actually sings his way through an entire song. The crescendo on the chorus is just fantastic.

 

Birthday Boy—-A somewhat quaint and touching track. I love the gentle swells of music and the present but understated guitar strums. Neil again delivers a stellar vocal…the man never seems to age…his voice as crisp and clear as the day I first heard him sing. The melody line that runs through the song brings a melancholy feel to the listener…it is very easy to lose yourself in the feeling. The closest they came, at the time, to a Christmas song. Marr delivers a wonderful soaring guitar solo to the song….

London—-For me, this is classic PSB. The vocal play…a slight vocoder delivery is fantastic. I love when Neil really lets his voice soar and sings in that perfect clear voice of his. The song begins subtle but then becomes more lively…helping the fans to feel more at home with the classic Lowe synth sound. I love this track.

E-Mail—-A track that shows it’s age a bit…at the time we were all just becoming so dependent on E-mail for everything. This was timely at the moment…but evolution has dated it. I suppose the sentiment of the song still holds true today. The synth is so understated and simple of this entire CD…but still manages to carry the trademark feel of the band. This is nice to hear again..it’s been awhile.

The Samurai In Autumn—-Right from the onset, the listener feels a bit more comfortable with this track…it has that remarkable Lowe sound to it that literally defines the sound…just as important as Tennant’s vocal. There is always that remarkable sad feeling that runs through the underbelly of every PSB composition. This is a beautifully constructed track…with odd ebbs and flows…but a damn addictive melody line.

Love Is A Catastrophe—-Dense and layered with an emotional melody line that takes place from the first notes. Neil sings with an almost dis-embodied voice at first…then seems to allow his pain to show through. The track has an incredibly lonely feel to it…making you fall right into the despair that is lyrically produced. I really love bands that make me FEEL something. This is brilliant!

Here—-Again, this has a more pleasant and upbeat synth line that is contagious and damn poppy! Tennant phrases his words with such clarity and emotion you truly feel his emotions. The chorus is breath-taking….staying in your head and allowing you to look back on what was a really under-appreciated release at the time. This is a brilliant track. It makes me feel happy.

The Night I Fell In Love—-A wonderfully controversial song at the time it was released, as you know this was an ode to Eminem…without actually coming out and saying so. Tennant delivers a vocal that is almost giddy with enthusiasm….truly speaking of how we all feel about meeting our heroes or whatever..lol. This goes a bit further…but the sentiment is remarkable…I love this memory.

You Choose—-Rounding out the proper release with a track that carries another load of emotional feeling and lyrics. Tennant seems to have been going through something…lol. I like that he is never shy about using the proper pronouns and pretending these intense emotional songs are about women….this is gentle..layered in emotion…but left me wanting something more synth heavy on this release. But it holds up well…after all this time.

Disc Two:

Between Two Islands—-Classic in sound, there is something about the Boys and the sound they have perfected. You can never be mistaken when you hear this band. The somewhat jaunty feel to the synth is really nice. The keyboard produced horns add a body to the song..the lyrical and vocal delivery is the same fare as the proper release….love….wanting love…losing love. This is brilliant.

Searching For The Face Of Jesus—-Sounding a bit more like material from the Release album, there is guitar here…perfectly blended with the synth line that comes and goes. Tennant delivers another higher pitched vocal that to me is remarkable to look back on…it can’t be easy to sing like that. But he is…MASTERFUL…as always.

 

Time On My Hands—-Already included on the Disco 3 release, it is nice to hear this again…simply because it is a huge track. The synth line, the bass…the tempo of the song. This is what the fans crave from this band. This has one of those rare vocal snips from Chris Lowe…and it is addictive as hell. This is a huge romp through Acid House inspired dance…this is a brilliant song. When Tennant adds his voice….it becomes even better!!!

Motoring/Demo—-For me, right from the onset, this is a noisy and somewhat unorganized track. The music that lies underneath the vocal is so erratic and distracting it is hard to pay attention to the lyrics. The chorus…addictive and melodic, saves the track from obscurity. Not a favorite…and that is saying something. This is a band that rarely makes a mis-step.

Love Life—-Fantastic….this has a throwback sound that brings a smile to my face no matter how hard I try to deter it. The music that Lowe supplies is so damn addictive. Tennant seems to float right on top of the synth line…and the back drop vocals gives the song a huge feel. The break in the middle of the song is brilliant….filling the dance-floor in my brain with beautiful boys and wild girls. Magnificent!

Transparent—-Bringing out the vocoder on the vocal again. for me it does work as well on this track. You can hear Sylvia in the backdrop providing a vocal. The music is static and a little erratic. Not a bad song…but the inspiration does not seem sincere.

Sexy Northerner—-Also included on Disco 3, this track is acceptable…at least compared to the previous song. I don’t really understand the British concept of Northerners and such….so this kind of goes over my head. The pace of the song is brilliant…and the magical break in the track makes it standout as it is really unexpected. This is fantastic.

The Night Is A Time To Explore Who You Are/Demo—-I really don’t think I have heard this track before…it has a feeling of unfamiliarity. The vocal is very odd…at the onset it sounds so filtered that you would not even guess it was Neil singing. When the proper vocal comes through, it is a nice melancholy feeling track that breeds an emotional response in my psyche. I like it…but would not pay a lot of attention to it usually.

Closer To Heaven/Slow Version—-A track from the Nightlife release, this has been floating around for a really long time…not sure the necessity of it being included here. I like this version…the subtle piano synths are addictive as hell. The vocal is brilliant…to me the entire Nightlife release was a damn masterpiece. Just not sure why this is on here…..

Run, Girl, Run/Demo—-This track sounds perfectly at home on this collection. The synth lines are familiar and the vocal from Neil is literally breathtaking. There is perfection in this band, and generally they never make a mis-step. This is a brilliant, melancholy, emotion layered track that suck me right in. Masterful!

I Didn’t Get Where I Am Today—-When I listen to this, I automatically think of The Beatles right from the onset…that guitar line is right out of the sound book. When the chorus breaks in…I promise you…you will be singing this song for days. it is a perfect recipe of PSB sounds and a throwback joyous feel of shiny pop mastery. This is brilliant!

 

Always—-Falling back into the more ambient feel of the Release mood B-sides, this is moody has has a lot of dark corners. Tennant delivers a sad and lonely vocal that lies on top of the Lowe synth line and wraps around you like a warm blanket. It is easy to get wrapped up in the emotion of these songs….the ability to transport emotion is remarkable.

Home And Dry/Ambient Mix—-This version of the song is less guitar based and much darker and moody in tone. I actually prefer this version over the original..it falls easily into the PSB catalog than the other. This has a lot of ‘air’ to it…it allows for more emotion and layers of feeling. This is brilliant.

Bright Young Things/Demo—-You can tell….from the very first strains of the song, that this was recorded during the proper sessions of Release. It carries a very familiar synth line…and a familiar emotional feel to the track. This is really nice…not sure that I have heard this…this is spectacular. I have often said…some of the B-sides this band produces are even better than the A-sides…how do you choose? This is wonderful.

Kazak—-This is much needed at this point! This song travels! The speed of the synth line is spectacular…making me want to jump up and lose control. This is brilliant…the energy is literally infectious. I love it. This is a Lowe masterpiece…he always delivers these odd romping tracks that Neil tries to wrap his vocal around…this needs nothing else….just the joyous romp through abandon!

A Powerful Friend/John Peel Version—-This as well…contains an infectious 80’s inspired synth line that fills me with joy and youthful abandon. Tennant delivers such a strong vocal….this is a fantastic surprise. I love the energy…the lyrics…well…we can all relate to that. This is brilliance!

If Looks Could Kill/John Peel Version—-I think this original is also included on Disco 3….but this is different enough to recapture my attention. The feel of the song is different than other versions I have heard before. I love the high vocal and the flowing and romping synth line that Lowe produces. This is wonderfully delivered. I love these guys.

Disc Three:

Try It [I’m In Love With A Married Man]—-ALSO taken from Disco 3….why did I buy it? This is a wonderful track…but I don’t need all of these copies of the same song. The sentiment is almost hilarious…but very relatable to anyone who has been in this position. Kudos to Neil for singing such a blatant track.

Here/PSB New Extended Mix—-Huge addictive synth lines…the kind of ‘remix’ that is a DJ’s wet dream, this has many opportunities to mix…remix….and bring everyone crashing back down in a sopping sweat filled pile. This is brilliant….I love the energy…I love that the melody line NEVER disappears….wish the vocal was more fore front. Mid track the classic vocal lines appear…I love that phrasing.

If Looks Could Kill—-I’m not going to say it again…yes this is a redux…fans already have this. Its pleasant enough…it fit perfectly in the hyper-kinetic energy of Disco 3…I would prefer something else besides redux music. I’m OK with it though…or not.

A Powerful Friend—-Huge swirls of atmosphere…..a wonderful vocal all come together out of the silence and tell a tale of something many of us can relate to. When the swirls of dark fog swirl around the song it just fills me with awe. The slight beat emerges from the dank feel…but never loses the feelings of disdain and helplessness…..this is brilliant!

Party Song—-Hyper-kinetic synth lines with a slight distortion added clear the way for Tennant to come out and invite you to the party. The way he sings/talks is phenomenal here. There are nice back tracks that fill out the track. This is fun and perfect as a filler song late at nite…I love this.

No Excuse/Demo—-i’m not so sure I’m too familiar with this track. This is dark at the onset…but seems to beg to open up as it progresses. Neil enters with a static vocal…it slowly takes shape as it develops. I like this…but this is really a bit odd for me. I like the chorus part of the song…but I would pass this up.

Blue On Blue—-With a intro synth line that sounds like Love To Love You Baby, this captured my attention right away…the familiar line comes and goes but drives the song. The vocal seems pushed to the back and comes across as ‘removed’ from the song…it is the music that is the star of this track….really great.

Jack And Jill Party/Demo—-This has a very familiar feel to it…at the onset it reminds me of If Looks Could Kill…..then it becomes a bit more static. I really dislike the vocal on this song….it is too high…removed from the front of the song and falls flat for me.

Baby/Demo—-Swirling around your head and filled with that classic trademark vocal from Neil, this is a perfect song. I love the Erasure style synth line…and how the beat and energy never drowns out the voice. This is wonderful…I’m smiling again.

Flamboyant/Original Demo—-Outside of the B-side Screaming, I believe this may be my favorite PSB track ever. Why this was never released as a proper single is beyond me. It has everything…an irresistible melody…a remarkable lyric and vocal…this for me is a pure masterpiece of music.

 

Miracles—-I enjoy this track…but it was really a mystery why this was released as a single instead of Flamboyant. I guess the content and the lyrics are more acceptable. The song…after numerous listens has become a nice part of my playlist..it does indeed contains that magical hook and synth line…the construction of a perfect pop song.

Flamboyant/7″ Mix—-There is little to add to what I consider one of the most perfect PSB songs ever recorded. There is a great musical line…a vocal that is beyond compare…lyrics full of irony and hilarity…and realism. This for me is a masterful song.

Numb/Demo—-A track that would find it’s perfect place on the Fundamental release, the demo version is as dark and magnificent as the version that landed on the album. This is a masterful song…allowing you to really feel everything that you might be feeling currently in your life. This can make me cry at the right time…or happy as well…that is the sign of a masterpiece.

In Private/featuring Elton John—-Perhaps one of the most brilliant pairings in pop music, this is a perfect storm of talent. The sentiment of the song is clear…the delivery is cataclysmic. These two phenomenal musical entities created a masterpiece I will never stop listening to. This is brilliant!

Alone Again, Naturally/ featuring Elton John—-Anyone who grew up in the 70’s can easily recognize this song….to consider these two artists tackling it is momentous. I love this version…the emotion…the feeling…the new fresh synth feeling from Lowe…this is a magical moment.

Reunion/Electro Mix—-Not really what I would call Electro, the song is still pleasant and addictive in delivery. I love the vocal…as always….Neil sounds masterful. I consider the music a slight bit downbeat…but it is addictive none the less. Really like having this.

Bright Young Things—-Really dense and intense in tone, I like the intricate synth lines that wrap around the vocal from Tennant. This is wonderfully delivered….the mood swings are subtle enough to provide interest that never ebbs. A favorite of mine…it has an epic feel.

We’re The Pet Shop Boys—-This song has been floating around for a bit…so it is not new and fresh for me….but I like the delivery here…the deep and dense feel of the synth is like the sun coming out in a storm…it develops right before your eyes. This is almost perfect…I love how Neil literally croons….magical.

It’s A Sin/Electro Mix—-I am surprised…I don’t recall ever hearing this version before! This is incredibly fresh and sounds updated…I love this. I love the swirls of music…the slight crashes and the escalating synth line…Brilliant.

*****out of 5

 

 

 

Mike Score / Zeebratta

Zeebratta

Michael Gordon “Mike” Score (born 5 November 1957)[1] is an English musician. He is best known as the keyboardistguitarist and lead singer of the new wave bandA Flock of Seagulls. He released a solo album on 1 March 2014 titled Zeebratta.

The Analysis—-

All I Wanna Do—-Let me say right out of the gate, I just ‘discovered’ this solo release the other day…..I was really blown away. I never even knew it existed but since obtaining it, I have indulged at least 50 times. I will never understand why this did not get ANY attention. This opening track is by far what I consider the masterpiece of the release.  This contains every element that made AFOS such a hit in the 80’s. Score delivers a timeless vocal that belies his age. The melody line of the song is contagious as hell. I can’t gush enough about this song…this is pure perfection. Check out the video at the end of the post.

Somebody Like You—-This 2nd track is almost as magnificent as the first. such a strong melody line…aided by the synth from Score produces a classic throwback sound that takes me right into the glorious 80’s. The vocal is clean and crisp and full of emotion. This is a spectacular track that is released back in the band’s heyday would have been a bona fide smash hit. This is brilliant.

Angel—-A fabulous synth line that reminds me of the opening strains of Safety Dance, I still sit here amazed at how crystal clear and perfect Score’s vocal delivery is. This is upbeat…very reminiscent of the glory days…but fresh and showing all the advances in technology.  This is fantastic. There is even a quasi-bagpipe interlude!!!

Xtacy—-Atmospheric and deeper in tone, the synth lines swirls around your head. The vocal is less melodic…almost a spoken word delivery that reminds me of a 80’s Industrial Starter track. Dark and dense….but still fantastic. A great actual guitar solo mid point in the song….Excellent.

The Girl With Black Eyes—-The intro to this track is a bit irritating….the high pitched synth line could easily be omitted. Score delivers a stellar vocal that is magical…once the high pitch disappears and the melody line becomes more apparent, I found myself sucked right back in the mastery of the vocal. The lyrics are intense..the mood dark….just wonderful!

Poor Boy—-More straight forward in the ‘rock sense’, the guitar introduces that song right from the onset. The vocal is WAY removed from the front of the song….placed way back in the mix of shuffling synth lines. This has a lot of layers…which is why I like it so much. This is really nice.

Take Your Time—-A bit of a weaker track, but every release has those right? I love the synth line that runs through the song…the voice is a bit too mellow fro me…I wanted that stronger delivery that attracts me so much. This is still contagious in chorus and melody…and we do get some forceful vocals as the track continues.

I Call Your Name Out—-Delivering an almost trance like feel to the song as it opens up, Score is back in the forefront of the track. This reminds me of material from Story Of A Young Heart. The pulsating beat…mixed with the shuffling synth line gives the song a lot of variety. I like this a lot.

Catsong—-With a gentle reverb filled intro, the vocal is quiet and delivered with a bit of humor to me. This is an odd song for me..it really gives me a different feel…I really think this is about a cat…lol

Home—-This is just brilliant! The swirls of emotions that the synth line produces are incredible…then Score begins to sing…delivering that magnificent dis-embodied feel that makes you feel like he is removed and cold. This has an infectious shuffling quality to the music…and the voice is fantastic. I love this.

Love In—-This has a really nice jaunty feel to it…hand claps and an upbeat flavor that makes you smile. the vocal is a throwback style that reminds me of something I can’t quite put my finger on. This is fantastic…Score seems to be really enjoying this music…that makes everything even better. This has a definite 60’s feel to it…and many references as well.

Money—-A fantastic programmed keyboard line runs through the entire track…giving a very consistent feel to the song. I love that voice…I am just amazed how fresh and wonderful he sounds. This reminds me a lot of classic Depeche Mode…the strange synth and the escalating chorus…I love it.

Valentine—-Again, jaunty and delivery a contagious melody line, this track fits well with the rest of the material on this release. I like the vocal delivery…of course. Score has a way of singing that sounds so sincere…but has a purity to it. The bass line in the song propels it…and the revolving synth line provides the miraculous melody line. The occasional beat breaks in the song keeps everything interesting.

Wasteland—-Sorry to see this release end, hoping that maybe someday, there is still fresh new music inside of the man. This leaves me a bit empty…the song has a desolate and lonely feel to it…but it is still wonderful. There is a bit more guitar noise on this track…a nice surprise….the vocal slow and steady…matching the feel of the lyrics.

****3/4 out of 5

 

 

 

 

 

 

Pet Shop Boys / Fundamental: Further Listening 2005-2007 [2017 Remastered Version]

Fundamental: Further Listening 2005 - 2007 (2017 Remastered Version)

Fundamental is the ninth studio album by English synthpop duo Pet Shop Boys. It was released in May 2006 in the United Kingdom, Europe, Japan and Canada. It was released in late June 2006 in the United States. The album entered the UK Albums Chart at number five on 28 May 2006 (see 2006 in British music). In the US the album peaked at #150 selling 7,500 copies in its first week. As of April 2009 it had sold 46,000 copies in the US and 66,000 copies in the UK. Fundamental earned two Grammy nominations at the 2007 Grammy Awards for Best Dance/Electronic Album and Best Dance Recording with “I’m with Stupid”.

The album was produced by the Pet Shop Boys and Trevor Horn and it features eleven new Pet Shop Boys compositions, and “Numb”, written by Diane Warren (Neil Tennant and Chris Lowe originally planned to have “Numb” be one of two new tracks on PopArt, but opted instead for “Miracles” and “Flamboyant”).

The liner notes show that the album is dedicated to two executed Iranian gay teenagers, Mahmoud Asgari and Ayaz Marhoni, who were hanged on 19 July 2005. Some reports have suggested the two may have been executed for engaging in homosexual behaviour, though the official Iranian report was that they were hanged for raping a 13-year-old boy. The album was very well received by critics, some considering it to be their best album since Very, but its sales failed to improve much on the sales of their last two albums.

The Analysis—-

Disc One:

Psychological—-Of course, any fan can tell you that there is never a doubt when you hear the opening strains to a PSB track who they are….this is no exception. Lowe has his trademark sound and the vocal of Tennant can never be confused with anyone except perhaps Al Stewart. This track is magnificent….dark..and with a layer of eerie warning to it almost. But the brightness is there as well. This is wonderful.

The Sodom And Gomorrah Show—-Beginning a bit mundane, this track explodes into a huge stomper that sucks you in and encourages you to dance your ass off. The progression of the keyboard is remarkable…and the voice from Neil never seems to age. This is huge…an over-whelming chorus that elicits joy and wild abandon. A classic PSB track.

 

I Made My Excuses And Left—-Underneath all of the synth, the glam and the joyous dancing, there is always a sadness that lies underneath of the brilliance of PSB. For me…this brings it a bit more to the forefront. Neil delivers a vocal that gives me goosebumps…even still today. This has an intense lyrical line….a poignant and sad synth base….all adding up to an unforgettable journey of introspection. This is brilliant!!!

Minimal—-One of my favorite tracks on this release. I even have a software embeded single that allows you to make your own version of the song. I love the energy…the remarkable ability to match all the letters with the beats…lol. The message of the song…and the brilliant vocal…this is a standout. Such a joyful synth line.

Numb—-Penned by the famed Diane Warren, this was a perfect match for the brilliance of The Boys. This is so sad…intense…but has a joy to it I can’t explain. The huge orchestrated intro is just fantastic…..seemingly to be built around the vocal that Tennant would produce for the song. The gentle piano….not overdone…but present…adds to the sadness of the song. This is a magical moment for me in the career of The Boys….just as good if not better than October Symphony.

God Willing—-With that brilliant flowing synth line that just seems to meld right around Neil’s vocal cords, this is another song that literally defines the band, Rarely on any disc is there a single throw away track….although not lauded…..this track is phenomenal. The energy flows throughout the whole song….this is like a song from a huge soundtrack.

Luna Park—-Sounding to me, like a continuation of Numb, this is another one of those tracks that will make you sit back and reflect. The bass heavy synth line is missing…but the keyboard Orchestration guides you through the line after line of intense lyric. This is beautiful and brilliant.

I’m With Stupid—-The context of the song rumored to be about George W. and Tony Blair, you have to…at this point sit back and laugh at the British-ness of it all. Delivered with the same irony you would expect from Morrissey, this was wonderfully brilliant…still makes me chuckle.

Casanova In Hell—-Again….full of irony and classic British humor, I love this track…although I much prefer the live version on Concrete with Rupert Wainwright…..I still look back on this with fondness…just because it is so funny and so damn true!

Twentieth Century—-Returning to the classic sometimes creaking synth line of Lowe, Neil always seems to find a perfect balance for his sardonic lyric wrapped around the swirls of synths that Chris can’t help but provide. These two are a match made in heaven…this is sheer brilliance.

Indefinite Leave To Remain—-Another track that is maybe…provided to allow you another chance to look inside yourself and determine if everything is as it should be. This is a truly brilliant track….the songwriting…combined with the instrumentation…just reminds me what an unstoppable force these two are.

Integral—-An incredibly dark and timely song set to brilliant bright synth lines…just shows the contradiction of the band. Brilliant! Speaking….in my opinion of the nefarious actions that the Internet can bring…this is a very nice warning to the masses. A nice spoken word chorus that reminds me of Parinaro….this is just brilliant!

Disc Two:

Fugitive [Richard X Remix]—-I will never understand why this song was not issued on the original release or why it was not released as a single. The hyper-kinetic synth lines are fucking brilliant…everything about this track literally embodies the career of a band that has worked so hard. This is worth far ore than a B-side or casual listen…this is pure genius!

Ring Road [Demo]—-Almost an odd type of intro…the synth is almost noisy….but opens up a bit. the weird stringy style 80’s synth line does not gel with me. The bass overtakes things but Neil delivers a vocal that seems pushed to the back a bit. This is nice to own…but will never be a favorite!

The Performance Of My Life [Demo]—-Again, at the onset…I don’t gel with the off synth line…but Neil enters with a magical dead pan vocal that takes you on a magical journey. This develops a melody that is so addictive to me..it belongs on a proper release as well. This is a magical moment…I would love to see how something like this comes together between the two of them.

One-Way Street [Demo]—-Brilliant…swirling synths from the very first note. Neil delivers a higher tone that still amazes me with the ease he performs. This has a low reverberation through the underbelly of the song that is key to the sound. The chorus part of the track will live in your brain for sometime…another brilliant effort.

Girls Don’t Cry—-This track has kicked around for some time. I still believe it belonged on a proper release as well. It must be hard to decide what tracks to ‘throw away’ from the structure of an actual release. The sound of the synth line is deep and dark…the vocal is magical and soars with a brilliance only Neil can deliver…this is fantastic.

The Resurrectionist—-Brilliant!!!! A true dance floor stomper that makes me want to get up and dance with abandon. The chorus is this gigantic huge affair that lifts even the lowest spirit This is brilliant….why is this not a single? People have no idea of the genius of this duo!! That synth melody line is brilliant!

The Sodom And Gomorrah Show [Demo]—-Quite a bit more stripped down and under developed, the basic idea of the song still shines through. I feel like this really does not offer that much new as to the development of the finalized song…really just filler to me…this is basically a more naked version of the final cut.

Dancing In The Dusk [Demo]—-A bit down-tempo….nut still magical. Anytime I get to hear a bit of an unheard track from the duo is for me an adventure and pleasure. Neil actually sings at times on this track…and the vocal overlays really don’t sound like a demo….this is nice.

After The Event—-An almost horror movie piano line introduces the song…with that trademark low hum in the background that seems to travel through every song. The ‘noise’ clears for the introduction of the vocal. The song is pleasant…the delivery is stellar…the lyrics are a story….the chorus is the KEY to the entire thing…..the huge sound of it sucks my brain right in. Another winner.

The Former Enfant Terrible—-This, for me , is very reminiscent of The Sound Of An Atom Splitting. I don’t think it really offers any thing new or interesting…I could do without this….but still it is The Boys.

No Times For Tears [Orchestral Mix]—-Beautifully constructed and delivered with a vocal that I will remember for quite sometime, this is a bit of a lackluster track for me…I will accept anything the band has to offer with little criticism…but this does fall a bit flat for me.

God Willing [Original Full-length Mix ]—-Very, very, very slow intro and beginning of the track. Eventually, the sun does seem to burst through the convoluted instrumentation and the track becomes a bit livelier…but it takes a very long, tedious time. This was terrible….

I’m With Stupid [PSB Ma[xi-Mix]—-A bit more energized with the requisite DJ break points throughout the song for even longer mixing, I do like this version. The instrumentation is lively and very 90’s in sound….as said before…there are nice mixing interludes but also a healthy dose of the original vocal…this works for me.

Answer The Phone [Ringtone]—–Ok…whatever…kind of humerous

Where Are You? [Ringtone]—-People pay for this right?

Water [Ringtone]—-Bizarre……not getting it….

Numb [Single Edit]—-Really…..these ‘edits’ don’t offer much new to the die hard fan. There is little unique about this version. The harmonies seem a bit more pronounced to me….but this is just wasted space to me….

One Night—-Really nice vocally…the irritating high pitch synth line that runs through the song graciously disappears as the beautifully constructed chorus pen up and then seems to re-appear…much to my chagrin. I like the song…but the instrumentation is obnoxious. The vocal is beautifully presented.

A Certain ‘Je ne sais quoi’—-Literally brilliant from the very first note, this takes me back to the glorious 90’s period when the Boys produced dance floor classic after dance floor classic. This is just wonderfully put together…the synth is magical and modernly retro….the vocal is classic…this is a wonderful track….also on the Winner CD 5.

Transfer [Visionaire Mix]—-This, for me, has a rather dark edge to it from the very first note. the synth delivered is a flat consistent feel that is not even interrupted by the entrance of the vocal. Some beats emerge…but this snip is sad.

Integral [PSB Perfect Immaculate 7″ Mix]—-Offering little new except an abbreviated version of a masterful track, I suppose it was included to fill space. This is nice….but still offers little new to what we already knew was genius.

Integral [PSB Perfect Immaculate Mix]—-Really a DJ mix of the song that includes lots of breaks and mixing opportunities, this is not much different than the original…although it is nice to own.

****3/4 out of 5

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Gary Numan / Savage [Songs From A Broken World]

Savage (Songs from a Broken World)

Savage (Songs from a Broken World) is the twenty-first studio album by English musician Gary Numan. The album was first announced to be a part of a fan-backed Pledge Music Campaign on 12 November 2015.  As of May 2017, the campaign has reached 245% of its intended 100% goal. Gary initially intended Savage to have a 2016 release, but was delayed to the second half of 2017. As of 20 May 2017, mastering of the album has been completed as announced on Numan’s official Twitter account. The lead single, “My Name Is Ruin”, was released on 5 July 2017, followed by second single “What God Intended” on 4 August 2017 and third single “And It All Began with You” on 21 August 2017.

Savage (Songs from a Broken World) is a concept album centered around the blending of Western and Eastern cultures in a post-apocalyptic world that has become desertified as a result of global warming. “The songs are about the things that people do in such a harsh and terrifying environment,” Numan stated in an interview. “It’s about a desperate need to survive and they do awful things in order to do so, and some are haunted by what they’ve done. That desire to be forgiven, along with some discovered remnants of an old religious book, ultimately encourages religion to resurface, and it really goes downhill from there.”

The Analysis—-

Ghost Nation—-From the opening strains of the intro, I can feel my pulse race and the excitement level rise in my entire being. The layers of dark sounds hit me from every direction….although the sound is familiar it also manages to sound fresh and new with an intensity not felt in a while. Numan enters with his vocal…delivered in a slight higher pitch but still filled with the emotive whine that makes him a master of conveyance. The hook of the chorus is addictive and beautiful…threatening to live in your brain for days to come. Powerful…muscular yet incredibly beautiful.

Bed Of Thorns—-Again, familiar but fresh with added sounds and effects. The song has a nice mellow Middle Eastern flair to it that lulls you into the center of the sound of the song. Swirls of atmosphere make me feel so sad but exhilarated. Numan almost whispers his intro vocal….making everything sound more desperate and important. Then again, the hook of the chorus sweeps you up in this grand swirl of feelings and urgency. Numan delivers a stellar….emotional laden vocal that really makes you feel a desperation. This is brilliant.

My Name Is Ruin—-The lead-off single to this release offers a stellar guest vocal from Numan’s daughter Persia…..the incredible track was a brilliant choice. Much of the music is familiar territory…but it is still welcome and manages to sound fresh. Too my ears, this track has Fenton written all over it. That classic Numan whine that makes him so addictive is in fantastic form…intermixed with the croon from Persia adds up to a triumphant and incredible journey for the ears. There is not one misstep with this song….it is classic….and fresh….

 

The End Of All Things—-Atmospheric and delivered like an apocalyptic soundtrack o f doom, the sounds are fresh….full of synth strings and a sad vocal that emotes a sadness and desperation to the condition of mankind. The picture that the voice and the lyric paints is so dark and melancholy…it draws you into a whole new level of the understanding of desperation. Although the chorus is strong and contagious, it is the vocal that makes it magical….Numan has a voice that wraps around each word.

And It All Began With You—-Continuing in the full blown Soundtrack feel of the release, The higher synth tones give a brightness that rides over the dense underbelly of the song. The swirls of beautifully landscaped music bring you to a level of sadness and understanding….and when Numan sings….he delivers another wallop of intensity to the song. This is brilliantly constructed…..delivered and performed….I could never ask for anything more than this release has delivered.

When The World Comes Apart—-From the onset, the music has a slight aggression to it….but is interrupted by a string sound and then returned to an Industrial play land of driving synth. Numan enters with his vocal….fitting each word perfectly with each break in the beat and rhythm. This is spectacular. Again….we return to the incredibly addictive chorus that sucks you in and knocks you on your ass….living with the words and the tune in your cerebellum for hours after the first listen……it returns and ebbs but seems to come back to play in my brain even louder each time. This is wonderful!

Mercy—-I’ve read many people’s comments that this is a favorite track off this release. The dark and plodding intro to the song fits almost perfectly in the realm of the order of the record. The creaking and intense dark synth’s are accented by a reverberating echo to the vocal…giving the song a huge and full sound. The voice is so masterful….Numan sounds ageless with every word…making me pull out every recording he has made and allow it to become this month’s religion. There are ZERO missteps on this release.

What God Intended—-Seeming to meld right from the previous track, the swirls of synth lines and slight Eastern sounds draw me in right from the start. Numan almost begs as he seems to sing from the perspective of the Earth to the listener. This is music for a generation of believers and new styled Numanoids. The desperation in the music and the vocal is delivered in a fantastic manner……I just love this man!

Pray For The Pain You Serve—-I love the slight swirl of musical flavor that introduces the track…..then being hit with the escalating synth line that stays in one place even though it strains to rise up. Numan delivers his whine better than I have heard in years…..urgent and in need of attention. This is bright…new and different…..a favorite track of mine from this release.

Broken—-Ending way too soon, this track ushers out the journey with the same poignancy as it all began with. Delivered musically in pure Soundtrack style, the music literally wraps itself around your head and leaves you sad and yearning for more from the genius that is Numan. You can almost see the demise of the world through the swirls of music and the beautifully delivered string qualities of the song. The Industrial leaning become heavier mid song…..but the sadness pervades even accentuated with the intro of the vocal…..a delivered line after line of regret and warning to anyone who will listen. This is a literal masterpiece of a record!

***** out of 5

 

Bleachers / Gone Now

Gone Now

Bleachers is an American pop act based in New York City. It is the official stage name of songwriter and record producer Jack Antonoff, who is also part of the bands Steel Train and Fun. Bleachers’ pop music was heavily influenced by the late ’80s, early ’90s and the high school-based films of John Hughes while still using modern production techniques.

Gone Now is the second album by American indie pop act Bleachers, released on June 2, 2017.

The Analysis—-

Dream Of Mickey Mantle—-Drenched in a slight distortion and reverb, the promise of a huge track is there from the first note. When the track finally opens up, your ears are drenched in a quasi-80’s style synth line and a Springsteen like vocal delivery that is steeped with an Americana feel. This is a huge track….sounds coming at you from every direction…..sometimes very chaotic and exhausting.

Goodmorning—-Seeming to repeat the same melody line from the previous track, the chaos is settled somewhat. The vocal distortion and reverb is a bit distracting for me….the sounds taking away from the magical throwback sounds of the 80’s synth line. The vocal has just a perfect sound of angst and ire…..I like this.

Hate That You Know Me—-This is much more in the vein of 90’s pop sounds…..but again, I could do without the excessive use of reverb and distortion…it is very difficult to follow the melody line of the track with this going on. This is like a throwaway Sugar Ray track.

Don’t Take The Money—-Right from the first note, this track wrapped itself around my brain and took up residence for quite sometime. This has a huge sound….a classic throwback sound to days of yore…a vocal that is so damn pleasant. All of the makings of a standout track…this is MAGNIFICENT!!!

Everybody Lost Somebody—-Returning to sound effect heavy music, the song reaches a clarity with the chorus. The horns on the melodic sing a long chorus are damn addictive and bright. The song has a dark edge to the story….but the jaunty feel of the music and the highly addictive chorus creates, with the previous track, a centerpiece to the release.

All My Heroes—-Coming out of the silence with a Berlin style synth line, the vocal is high in tone and full of a melancholy feel. The chorus erupts and grows and grows….making it another unforgettable track. The driving synth line that runs underneath of the track makes this as wonderful as it is. A classic sound…..and an addictive unforgettable melody/chorus.

Let’s Get Married—-With a clear throwback sound to the 80’s bombast, the vocal is phenomenal on this track. The chorus of voices that are all entwined make the song so large and addictive….this is by far my favorite track on this release. Full of every ingredient that creates a perfect pop song, the recipe is mixed with expertise and finesse. Wonderful!

Goodbye—-Returning to what I call the Sugar Ray 90’s feel, I could take or leave this track. without a proper chorus that catches my ear, this leaves me a bit empty and wishing for that addictive big sound to return.

I Miss Those Days—-From the onset, the jangly pleasant feel of this track settles in with me and makes me smile. There seems to be just the right amount of angst to the voice to match the lyric and the sentiment. The song literally explodes into a bright sunny romp of E-Street style revelry that pleases me to no end. This is fantastic!

Nothing Is U—-Sedate and filled with an intricate lyric and melody line, the stark piano allows a slow synth line that gives the song an even deeper feel. This is beautifully sad and intense…..full of an emotional call of understanding and thanks for love given. this is beautifully constructed….the song seems to grow and grow as it progresses….becoming this huge incredible ode to love. I am addicted as hell to this.

I’m Ready To Move On/Mickey Mantle Reprise—-Not much different in offering than the opening track, I do love the play of the speakers in headphones. The style of this song does not serve the band well….the pop construction is missing and leaves me hollow.

Foreign Girls—-Ending the release with an odd track, the intro leaves me desperate for a return to the centerpiece sound of the record. The vocal is very high in tone and a bit annoying to the ear. The chorus enters and the track becomes a nice sing a long track that is addictive and catchy. I like this….but as an ending….I just want to return to the center of the release.

**** out of 5

Jean-Michel Jarre / Electronica 2: The Heart Of Noise

Electronica 2: The Heart of Noise

Jean-Michel André Jarre (pronounced: [ʒɑ̃ miʃɛl ɑ̃dʁe ʒaʁ], born 24 August 1948) is a French composer, performer, and record producer. He is a pioneer in the electronic, ambient, and new-age genres, and known as an organiser of outdoor spectacles of his music featuring lights, laser displays, and fireworks.

Jarre was raised in Lyon by his mother and grandparents, and trained on the piano. From an early age, he was introduced to a variety of art forms, including those of street performers, jazz musicians, and the artist Pierre Soulages. He played guitar in a band, but his musical style was perhaps most heavily influenced by Pierre Schaeffer, a pioneer of musique concrète at the Groupe de Recherches Musicales.

His first mainstream success was the 1976 album Oxygène. Recorded in a makeshift studio at his home, the album sold an estimated 12 million copies. Oxygène was followed in 1978 by Équinoxe, and in 1979, Jarre performed to a record-breaking audience of more than a million people at the Place de la Concorde, a record he has since broken three times. More albums were to follow, but his 1979 concert served as a blueprint for his future performances around the world. Several of his albums have been released to coincide with large-scale outdoor events, and he is now perhaps as well known as a performer as he is as a musician.

As of 2004, Jarre had sold an estimated 80 million albums. He was the first Western musician officially invited to perform in the People’s Republic of China, and holds the world record for the largest-ever audience at an outdoor event.

Electronica 2: The Heart of Noise is the eighteenth studio album of French electronic musician and composer Jean Michel Jarre, released on 6 May 2016 by Columbia Records. It is the second of a two-part album (the first being Electronica 1: The Time Machine) that is based around collaborations with other electronic musicians from a wide range of decades and styles.

Electronica 1 included artists such as Vince Clarke, Gesaffelstein, M83, Armin van Buuren, John Carpenter, 3D (of Massive Attack), Pete Townshend, Tangerine Dream, and others, while Electronica 2 includes collaborations with Pet Shop Boys, Rone, Julia Holter, Primal Scream, Gary Numan, Hans Zimmer, Edward Snowden, Peaches, Sébastien Tellier, The Orb, Siriusmo, Yello, Jeff Mills, Cyndi Lauper and Christophe. In all, the two-album collaboration has some 30 collaborators, and Jarre has described it as his “most ambitious project.”

The Analysis—-

The Heart Of Noise Pt. 1 featuring Rone—-At the onset, the sound of this recording is lush and deep. The synth lines literally wrap themselves around your body…often reminding me of later enigma recordings. The beautiful and unadorned synth line creates an almost visual landscape in your brain as you listen to the progression of the song…..beautifully constructed and delivered.

The Heart Of Noise Pt. 2 featuring Rone—-Continuing in the same vein, Pt. 2 delivers a bit more of a space filled experimentation that magically lulls you into your own thoughts and allows your brain to magically wander. There is a nice break when the rhythmic bass lines enters the song and allows it to become much bigger and ambient. This is truly brilliant!

Brick England featuring The Pet Shop Boys—-Fantastic…..that about sums this track up from the very first note. This is brilliant. Tenant delivers his distinctive trademark vocal and the synth line is right out of the Lowe playbook. The arrangement is lush and filled with that underlying sad hum found in most of The Boys recordings. This is classic electronica with a brilliant atmospheric twist I can’t seem to walk away from.

These Creatures featuring Julia Holter—-Wonderfully full of computerized synth bleeps and bursts of beautiful sounds, the vocal enters with a ghostly beautiful delivery that literally transports me somewhere else as I listen. Never overdone or overblown, this has the magical element of everything needed to create a masterpiece of a song. I love this vocal!!!

As One featuring Primal Scream—-Coming out of the calm like the opening credits to a masterful movie, this song is layered and textured with an ambiance that almost lulls you into a beautiful nothing. Then the strains from Primal Scream steer the song into an almost joyous romp that encourages you to shed inhibitions and dance like no one is looking. This is fantastic…..a step right back into 90’s Dance Floor masterpieces…..I’m in love!!!

Here For You featuring Gary Numan—-It is impossible for me to find the correct words for this track. How could it possibly go wrong….combing contemporary synth lines and the current direction of the Numan sound, this is a journey that encompasses everything wonderful and right in the world of music. This is simply brilliant….Numan sounds driven and haunted…..the music fits him perfectly. Just incredible! Numan sounds literally driven with emotion and the need to be there for someone……I love this!!!

Electrees featuring Hans Zimmer—-How could this brilliant pairing of two incredible talents possibly go wrong. This has wonderful stamped on it from the very first notes. Atmospheric and laden with dense beautiful sound effects, this takes me out of my very body every time I listen to it. Lush and wonderfully constructed…..this can make you happy as fuck or sleepy as hell…..wonderful!

Exit featuring Edward Snowden—-Perhaps the most interesting collaboration on this release, the music that is delivered here has the urgency that you would expect….making you lean forward on your chair as you are driven into the spy like element of the music. The Snowden vocal overlays are incredibly fascinating and a fantastic concept. This is yet another standout track…..I have to think Jarre is a pure genius.

What You Want featuring Peaches—- Combining a bass heavy sexy synth with the vocal of one of the ‘queens or sleaze’ is a magnificent journey though a trail of seductive vocals and electronics that seem to add to the sexy nature of the track….another brilliant collaboration…in both content and delivery.

Gisele featuring Sebastien Tellier—-Moving at an incredibly nice pace, the song has a Kraftwerk element for me….the feel of the mainstream type electronics are interspersed with a blip filled fun turn. The vocal enters and you are right back in the beginning era of electronica……filled with the best elements of Kraftwerk….with a modern contagious twist.

Switch On Leon featuring The Orb—-Bright and poppy with just the right elements of ambiance and experimentation, you would expect nothing less from this pairing. The effects and the heavy laden synth lines that combine background vocal effects and noises from all directions make you a little crazy……but it is incredible none the less.

Circus featuring Siriusmo—-Dense and epic in sound right from the onset, the music builds and builds and becomes a surprising romp through dance-land. This is full of jaunty dance synths and breaks in the music that keep you guessing where everything is going. Then a magical synth line enters and makes the track even larger….just fantastic.

Why This Why That And Why featuring Yello—-Beautifully constructed and filled with atmosphere, the vocal on this track reminds me so much of Leonard Cohen…..it just all comes together like a magnificent musical poem. I am in heaven with this experience…..I really need to investigate more of this man’s music…I am stunned by the beauty and genius of it all.

The Architect featuring Jeff Mills—-A bit eccentric and muted in delivery, it takes a bit for this song to take any shape or form. The bass keeps creeping on you…promising to explode but leaves me exhausted with the anticipation of joyous abandon. A weak track for me….but still nice.

Swipe To The Right featuring Cyndi Lauper —-Wonderfully full and energy filled from the first strains of the song, Lauper delivers a vocal that belies age and allows you to climb right back into the 80’s heyday. This is energy filled and upbeat with huge crashing synths and crashing timbres. Just fantastic….I am in love with this man. This is the best I have heard Cyndi sound since Bring Me To The Brink release.

Walking The Mile featuring Christope—-A bi dense and dark, the vocal enters and sounds muted and in a tunnel. The delivery is odd….trying to sound psychedelic over a rather bright synth line. Not a favorite…..but it seems to fit in the entire picture well.

Falling Down—-Filled with an undeniable melody line that runs underneath the synth line, the song is so well constructed and is contagious as hell. This has every right element included in it…you can’t escape the tune…it will live in your head…with a bit of throw back to the 80’s fun sound….but still modern, this is fantastic.

The Heart Of Noise [The Origin]—-A bit mundane and filled with much of the sound and melody we have heard thus far, it is a throwback to the opening strains of this release. I would have preferred another collab rather than a redux of something heard before. This is pleasant but tried.

Conquistador [JMJ RMX] featuring Gesaffelstein—-Nicely delivered with an urgent synth line, this song has a pace to it that begs you to pay attention. I like the higer pitched synth lines and the split second breaks that keep everything incredibly interesting before it all dives back into a bass heavy sea, Magnificent!

***** out of 5