Pet Shop Boys / Fundamental: Further Listening 2005-2007 [2017 Remastered Version]

Fundamental: Further Listening 2005 - 2007 (2017 Remastered Version)

Fundamental is the ninth studio album by English synthpop duo Pet Shop Boys. It was released in May 2006 in the United Kingdom, Europe, Japan and Canada. It was released in late June 2006 in the United States. The album entered the UK Albums Chart at number five on 28 May 2006 (see 2006 in British music). In the US the album peaked at #150 selling 7,500 copies in its first week. As of April 2009 it had sold 46,000 copies in the US and 66,000 copies in the UK. Fundamental earned two Grammy nominations at the 2007 Grammy Awards for Best Dance/Electronic Album and Best Dance Recording with “I’m with Stupid”.

The album was produced by the Pet Shop Boys and Trevor Horn and it features eleven new Pet Shop Boys compositions, and “Numb”, written by Diane Warren (Neil Tennant and Chris Lowe originally planned to have “Numb” be one of two new tracks on PopArt, but opted instead for “Miracles” and “Flamboyant”).

The liner notes show that the album is dedicated to two executed Iranian gay teenagers, Mahmoud Asgari and Ayaz Marhoni, who were hanged on 19 July 2005. Some reports have suggested the two may have been executed for engaging in homosexual behaviour, though the official Iranian report was that they were hanged for raping a 13-year-old boy. The album was very well received by critics, some considering it to be their best album since Very, but its sales failed to improve much on the sales of their last two albums.

The Analysis—-

Disc One:

Psychological—-Of course, any fan can tell you that there is never a doubt when you hear the opening strains to a PSB track who they are….this is no exception. Lowe has his trademark sound and the vocal of Tennant can never be confused with anyone except perhaps Al Stewart. This track is magnificent….dark..and with a layer of eerie warning to it almost. But the brightness is there as well. This is wonderful.

The Sodom And Gomorrah Show—-Beginning a bit mundane, this track explodes into a huge stomper that sucks you in and encourages you to dance your ass off. The progression of the keyboard is remarkable…and the voice from Neil never seems to age. This is huge…an over-whelming chorus that elicits joy and wild abandon. A classic PSB track.

 

I Made My Excuses And Left—-Underneath all of the synth, the glam and the joyous dancing, there is always a sadness that lies underneath of the brilliance of PSB. For me…this brings it a bit more to the forefront. Neil delivers a vocal that gives me goosebumps…even still today. This has an intense lyrical line….a poignant and sad synth base….all adding up to an unforgettable journey of introspection. This is brilliant!!!

Minimal—-One of my favorite tracks on this release. I even have a software embeded single that allows you to make your own version of the song. I love the energy…the remarkable ability to match all the letters with the beats…lol. The message of the song…and the brilliant vocal…this is a standout. Such a joyful synth line.

Numb—-Penned by the famed Diane Warren, this was a perfect match for the brilliance of The Boys. This is so sad…intense…but has a joy to it I can’t explain. The huge orchestrated intro is just fantastic…..seemingly to be built around the vocal that Tennant would produce for the song. The gentle piano….not overdone…but present…adds to the sadness of the song. This is a magical moment for me in the career of The Boys….just as good if not better than October Symphony.

God Willing—-With that brilliant flowing synth line that just seems to meld right around Neil’s vocal cords, this is another song that literally defines the band, Rarely on any disc is there a single throw away track….although not lauded…..this track is phenomenal. The energy flows throughout the whole song….this is like a song from a huge soundtrack.

Luna Park—-Sounding to me, like a continuation of Numb, this is another one of those tracks that will make you sit back and reflect. The bass heavy synth line is missing…but the keyboard Orchestration guides you through the line after line of intense lyric. This is beautiful and brilliant.

I’m With Stupid—-The context of the song rumored to be about George W. and Tony Blair, you have to…at this point sit back and laugh at the British-ness of it all. Delivered with the same irony you would expect from Morrissey, this was wonderfully brilliant…still makes me chuckle.

Casanova In Hell—-Again….full of irony and classic British humor, I love this track…although I much prefer the live version on Concrete with Rupert Wainwright…..I still look back on this with fondness…just because it is so funny and so damn true!

Twentieth Century—-Returning to the classic sometimes creaking synth line of Lowe, Neil always seems to find a perfect balance for his sardonic lyric wrapped around the swirls of synths that Chris can’t help but provide. These two are a match made in heaven…this is sheer brilliance.

Indefinite Leave To Remain—-Another track that is maybe…provided to allow you another chance to look inside yourself and determine if everything is as it should be. This is a truly brilliant track….the songwriting…combined with the instrumentation…just reminds me what an unstoppable force these two are.

Integral—-An incredibly dark and timely song set to brilliant bright synth lines…just shows the contradiction of the band. Brilliant! Speaking….in my opinion of the nefarious actions that the Internet can bring…this is a very nice warning to the masses. A nice spoken word chorus that reminds me of Parinaro….this is just brilliant!

Disc Two:

Fugitive [Richard X Remix]—-I will never understand why this song was not issued on the original release or why it was not released as a single. The hyper-kinetic synth lines are fucking brilliant…everything about this track literally embodies the career of a band that has worked so hard. This is worth far ore than a B-side or casual listen…this is pure genius!

Ring Road [Demo]—-Almost an odd type of intro…the synth is almost noisy….but opens up a bit. the weird stringy style 80’s synth line does not gel with me. The bass overtakes things but Neil delivers a vocal that seems pushed to the back a bit. This is nice to own…but will never be a favorite!

The Performance Of My Life [Demo]—-Again, at the onset…I don’t gel with the off synth line…but Neil enters with a magical dead pan vocal that takes you on a magical journey. This develops a melody that is so addictive to me..it belongs on a proper release as well. This is a magical moment…I would love to see how something like this comes together between the two of them.

One-Way Street [Demo]—-Brilliant…swirling synths from the very first note. Neil delivers a higher tone that still amazes me with the ease he performs. This has a low reverberation through the underbelly of the song that is key to the sound. The chorus part of the track will live in your brain for sometime…another brilliant effort.

Girls Don’t Cry—-This track has kicked around for some time. I still believe it belonged on a proper release as well. It must be hard to decide what tracks to ‘throw away’ from the structure of an actual release. The sound of the synth line is deep and dark…the vocal is magical and soars with a brilliance only Neil can deliver…this is fantastic.

The Resurrectionist—-Brilliant!!!! A true dance floor stomper that makes me want to get up and dance with abandon. The chorus is this gigantic huge affair that lifts even the lowest spirit This is brilliant….why is this not a single? People have no idea of the genius of this duo!! That synth melody line is brilliant!

The Sodom And Gomorrah Show [Demo]—-Quite a bit more stripped down and under developed, the basic idea of the song still shines through. I feel like this really does not offer that much new as to the development of the finalized song…really just filler to me…this is basically a more naked version of the final cut.

Dancing In The Dusk [Demo]—-A bit down-tempo….nut still magical. Anytime I get to hear a bit of an unheard track from the duo is for me an adventure and pleasure. Neil actually sings at times on this track…and the vocal overlays really don’t sound like a demo….this is nice.

After The Event—-An almost horror movie piano line introduces the song…with that trademark low hum in the background that seems to travel through every song. The ‘noise’ clears for the introduction of the vocal. The song is pleasant…the delivery is stellar…the lyrics are a story….the chorus is the KEY to the entire thing…..the huge sound of it sucks my brain right in. Another winner.

The Former Enfant Terrible—-This, for me , is very reminiscent of The Sound Of An Atom Splitting. I don’t think it really offers any thing new or interesting…I could do without this….but still it is The Boys.

No Times For Tears [Orchestral Mix]—-Beautifully constructed and delivered with a vocal that I will remember for quite sometime, this is a bit of a lackluster track for me…I will accept anything the band has to offer with little criticism…but this does fall a bit flat for me.

God Willing [Original Full-length Mix ]—-Very, very, very slow intro and beginning of the track. Eventually, the sun does seem to burst through the convoluted instrumentation and the track becomes a bit livelier…but it takes a very long, tedious time. This was terrible….

I’m With Stupid [PSB Ma[xi-Mix]—-A bit more energized with the requisite DJ break points throughout the song for even longer mixing, I do like this version. The instrumentation is lively and very 90’s in sound….as said before…there are nice mixing interludes but also a healthy dose of the original vocal…this works for me.

Answer The Phone [Ringtone]—–Ok…whatever…kind of humerous

Where Are You? [Ringtone]—-People pay for this right?

Water [Ringtone]—-Bizarre……not getting it….

Numb [Single Edit]—-Really…..these ‘edits’ don’t offer much new to the die hard fan. There is little unique about this version. The harmonies seem a bit more pronounced to me….but this is just wasted space to me….

One Night—-Really nice vocally…the irritating high pitch synth line that runs through the song graciously disappears as the beautifully constructed chorus pen up and then seems to re-appear…much to my chagrin. I like the song…but the instrumentation is obnoxious. The vocal is beautifully presented.

A Certain ‘Je ne sais quoi’—-Literally brilliant from the very first note, this takes me back to the glorious 90’s period when the Boys produced dance floor classic after dance floor classic. This is just wonderfully put together…the synth is magical and modernly retro….the vocal is classic…this is a wonderful track….also on the Winner CD 5.

Transfer [Visionaire Mix]—-This, for me, has a rather dark edge to it from the very first note. the synth delivered is a flat consistent feel that is not even interrupted by the entrance of the vocal. Some beats emerge…but this snip is sad.

Integral [PSB Perfect Immaculate 7″ Mix]—-Offering little new except an abbreviated version of a masterful track, I suppose it was included to fill space. This is nice….but still offers little new to what we already knew was genius.

Integral [PSB Perfect Immaculate Mix]—-Really a DJ mix of the song that includes lots of breaks and mixing opportunities, this is not much different than the original…although it is nice to own.

****3/4 out of 5

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Gary Numan / Savage [Songs From A Broken World]

Savage (Songs from a Broken World)

Savage (Songs from a Broken World) is the twenty-first studio album by English musician Gary Numan. The album was first announced to be a part of a fan-backed Pledge Music Campaign on 12 November 2015.  As of May 2017, the campaign has reached 245% of its intended 100% goal. Gary initially intended Savage to have a 2016 release, but was delayed to the second half of 2017. As of 20 May 2017, mastering of the album has been completed as announced on Numan’s official Twitter account. The lead single, “My Name Is Ruin”, was released on 5 July 2017, followed by second single “What God Intended” on 4 August 2017 and third single “And It All Began with You” on 21 August 2017.

Savage (Songs from a Broken World) is a concept album centered around the blending of Western and Eastern cultures in a post-apocalyptic world that has become desertified as a result of global warming. “The songs are about the things that people do in such a harsh and terrifying environment,” Numan stated in an interview. “It’s about a desperate need to survive and they do awful things in order to do so, and some are haunted by what they’ve done. That desire to be forgiven, along with some discovered remnants of an old religious book, ultimately encourages religion to resurface, and it really goes downhill from there.”

The Analysis—-

Ghost Nation—-From the opening strains of the intro, I can feel my pulse race and the excitement level rise in my entire being. The layers of dark sounds hit me from every direction….although the sound is familiar it also manages to sound fresh and new with an intensity not felt in a while. Numan enters with his vocal…delivered in a slight higher pitch but still filled with the emotive whine that makes him a master of conveyance. The hook of the chorus is addictive and beautiful…threatening to live in your brain for days to come. Powerful…muscular yet incredibly beautiful.

Bed Of Thorns—-Again, familiar but fresh with added sounds and effects. The song has a nice mellow Middle Eastern flair to it that lulls you into the center of the sound of the song. Swirls of atmosphere make me feel so sad but exhilarated. Numan almost whispers his intro vocal….making everything sound more desperate and important. Then again, the hook of the chorus sweeps you up in this grand swirl of feelings and urgency. Numan delivers a stellar….emotional laden vocal that really makes you feel a desperation. This is brilliant.

My Name Is Ruin—-The lead-off single to this release offers a stellar guest vocal from Numan’s daughter Persia…..the incredible track was a brilliant choice. Much of the music is familiar territory…but it is still welcome and manages to sound fresh. Too my ears, this track has Fenton written all over it. That classic Numan whine that makes him so addictive is in fantastic form…intermixed with the croon from Persia adds up to a triumphant and incredible journey for the ears. There is not one misstep with this song….it is classic….and fresh….

 

The End Of All Things—-Atmospheric and delivered like an apocalyptic soundtrack o f doom, the sounds are fresh….full of synth strings and a sad vocal that emotes a sadness and desperation to the condition of mankind. The picture that the voice and the lyric paints is so dark and melancholy…it draws you into a whole new level of the understanding of desperation. Although the chorus is strong and contagious, it is the vocal that makes it magical….Numan has a voice that wraps around each word.

And It All Began With You—-Continuing in the full blown Soundtrack feel of the release, The higher synth tones give a brightness that rides over the dense underbelly of the song. The swirls of beautifully landscaped music bring you to a level of sadness and understanding….and when Numan sings….he delivers another wallop of intensity to the song. This is brilliantly constructed…..delivered and performed….I could never ask for anything more than this release has delivered.

When The World Comes Apart—-From the onset, the music has a slight aggression to it….but is interrupted by a string sound and then returned to an Industrial play land of driving synth. Numan enters with his vocal….fitting each word perfectly with each break in the beat and rhythm. This is spectacular. Again….we return to the incredibly addictive chorus that sucks you in and knocks you on your ass….living with the words and the tune in your cerebellum for hours after the first listen……it returns and ebbs but seems to come back to play in my brain even louder each time. This is wonderful!

Mercy—-I’ve read many people’s comments that this is a favorite track off this release. The dark and plodding intro to the song fits almost perfectly in the realm of the order of the record. The creaking and intense dark synth’s are accented by a reverberating echo to the vocal…giving the song a huge and full sound. The voice is so masterful….Numan sounds ageless with every word…making me pull out every recording he has made and allow it to become this month’s religion. There are ZERO missteps on this release.

What God Intended—-Seeming to meld right from the previous track, the swirls of synth lines and slight Eastern sounds draw me in right from the start. Numan almost begs as he seems to sing from the perspective of the Earth to the listener. This is music for a generation of believers and new styled Numanoids. The desperation in the music and the vocal is delivered in a fantastic manner……I just love this man!

Pray For The Pain You Serve—-I love the slight swirl of musical flavor that introduces the track…..then being hit with the escalating synth line that stays in one place even though it strains to rise up. Numan delivers his whine better than I have heard in years…..urgent and in need of attention. This is bright…new and different…..a favorite track of mine from this release.

Broken—-Ending way too soon, this track ushers out the journey with the same poignancy as it all began with. Delivered musically in pure Soundtrack style, the music literally wraps itself around your head and leaves you sad and yearning for more from the genius that is Numan. You can almost see the demise of the world through the swirls of music and the beautifully delivered string qualities of the song. The Industrial leaning become heavier mid song…..but the sadness pervades even accentuated with the intro of the vocal…..a delivered line after line of regret and warning to anyone who will listen. This is a literal masterpiece of a record!

***** out of 5

 

Bleachers / Gone Now

Gone Now

Bleachers is an American pop act based in New York City. It is the official stage name of songwriter and record producer Jack Antonoff, who is also part of the bands Steel Train and Fun. Bleachers’ pop music was heavily influenced by the late ’80s, early ’90s and the high school-based films of John Hughes while still using modern production techniques.

Gone Now is the second album by American indie pop act Bleachers, released on June 2, 2017.

The Analysis—-

Dream Of Mickey Mantle—-Drenched in a slight distortion and reverb, the promise of a huge track is there from the first note. When the track finally opens up, your ears are drenched in a quasi-80’s style synth line and a Springsteen like vocal delivery that is steeped with an Americana feel. This is a huge track….sounds coming at you from every direction…..sometimes very chaotic and exhausting.

Goodmorning—-Seeming to repeat the same melody line from the previous track, the chaos is settled somewhat. The vocal distortion and reverb is a bit distracting for me….the sounds taking away from the magical throwback sounds of the 80’s synth line. The vocal has just a perfect sound of angst and ire…..I like this.

Hate That You Know Me—-This is much more in the vein of 90’s pop sounds…..but again, I could do without the excessive use of reverb and distortion…it is very difficult to follow the melody line of the track with this going on. This is like a throwaway Sugar Ray track.

Don’t Take The Money—-Right from the first note, this track wrapped itself around my brain and took up residence for quite sometime. This has a huge sound….a classic throwback sound to days of yore…a vocal that is so damn pleasant. All of the makings of a standout track…this is MAGNIFICENT!!!

Everybody Lost Somebody—-Returning to sound effect heavy music, the song reaches a clarity with the chorus. The horns on the melodic sing a long chorus are damn addictive and bright. The song has a dark edge to the story….but the jaunty feel of the music and the highly addictive chorus creates, with the previous track, a centerpiece to the release.

All My Heroes—-Coming out of the silence with a Berlin style synth line, the vocal is high in tone and full of a melancholy feel. The chorus erupts and grows and grows….making it another unforgettable track. The driving synth line that runs underneath of the track makes this as wonderful as it is. A classic sound…..and an addictive unforgettable melody/chorus.

Let’s Get Married—-With a clear throwback sound to the 80’s bombast, the vocal is phenomenal on this track. The chorus of voices that are all entwined make the song so large and addictive….this is by far my favorite track on this release. Full of every ingredient that creates a perfect pop song, the recipe is mixed with expertise and finesse. Wonderful!

Goodbye—-Returning to what I call the Sugar Ray 90’s feel, I could take or leave this track. without a proper chorus that catches my ear, this leaves me a bit empty and wishing for that addictive big sound to return.

I Miss Those Days—-From the onset, the jangly pleasant feel of this track settles in with me and makes me smile. There seems to be just the right amount of angst to the voice to match the lyric and the sentiment. The song literally explodes into a bright sunny romp of E-Street style revelry that pleases me to no end. This is fantastic!

Nothing Is U—-Sedate and filled with an intricate lyric and melody line, the stark piano allows a slow synth line that gives the song an even deeper feel. This is beautifully sad and intense…..full of an emotional call of understanding and thanks for love given. this is beautifully constructed….the song seems to grow and grow as it progresses….becoming this huge incredible ode to love. I am addicted as hell to this.

I’m Ready To Move On/Mickey Mantle Reprise—-Not much different in offering than the opening track, I do love the play of the speakers in headphones. The style of this song does not serve the band well….the pop construction is missing and leaves me hollow.

Foreign Girls—-Ending the release with an odd track, the intro leaves me desperate for a return to the centerpiece sound of the record. The vocal is very high in tone and a bit annoying to the ear. The chorus enters and the track becomes a nice sing a long track that is addictive and catchy. I like this….but as an ending….I just want to return to the center of the release.

**** out of 5

Jean-Michel Jarre / Electronica 2: The Heart Of Noise

Electronica 2: The Heart of Noise

Jean-Michel André Jarre (pronounced: [ʒɑ̃ miʃɛl ɑ̃dʁe ʒaʁ], born 24 August 1948) is a French composer, performer, and record producer. He is a pioneer in the electronic, ambient, and new-age genres, and known as an organiser of outdoor spectacles of his music featuring lights, laser displays, and fireworks.

Jarre was raised in Lyon by his mother and grandparents, and trained on the piano. From an early age, he was introduced to a variety of art forms, including those of street performers, jazz musicians, and the artist Pierre Soulages. He played guitar in a band, but his musical style was perhaps most heavily influenced by Pierre Schaeffer, a pioneer of musique concrète at the Groupe de Recherches Musicales.

His first mainstream success was the 1976 album Oxygène. Recorded in a makeshift studio at his home, the album sold an estimated 12 million copies. Oxygène was followed in 1978 by Équinoxe, and in 1979, Jarre performed to a record-breaking audience of more than a million people at the Place de la Concorde, a record he has since broken three times. More albums were to follow, but his 1979 concert served as a blueprint for his future performances around the world. Several of his albums have been released to coincide with large-scale outdoor events, and he is now perhaps as well known as a performer as he is as a musician.

As of 2004, Jarre had sold an estimated 80 million albums. He was the first Western musician officially invited to perform in the People’s Republic of China, and holds the world record for the largest-ever audience at an outdoor event.

Electronica 2: The Heart of Noise is the eighteenth studio album of French electronic musician and composer Jean Michel Jarre, released on 6 May 2016 by Columbia Records. It is the second of a two-part album (the first being Electronica 1: The Time Machine) that is based around collaborations with other electronic musicians from a wide range of decades and styles.

Electronica 1 included artists such as Vince Clarke, Gesaffelstein, M83, Armin van Buuren, John Carpenter, 3D (of Massive Attack), Pete Townshend, Tangerine Dream, and others, while Electronica 2 includes collaborations with Pet Shop Boys, Rone, Julia Holter, Primal Scream, Gary Numan, Hans Zimmer, Edward Snowden, Peaches, Sébastien Tellier, The Orb, Siriusmo, Yello, Jeff Mills, Cyndi Lauper and Christophe. In all, the two-album collaboration has some 30 collaborators, and Jarre has described it as his “most ambitious project.”

The Analysis—-

The Heart Of Noise Pt. 1 featuring Rone—-At the onset, the sound of this recording is lush and deep. The synth lines literally wrap themselves around your body…often reminding me of later enigma recordings. The beautiful and unadorned synth line creates an almost visual landscape in your brain as you listen to the progression of the song…..beautifully constructed and delivered.

The Heart Of Noise Pt. 2 featuring Rone—-Continuing in the same vein, Pt. 2 delivers a bit more of a space filled experimentation that magically lulls you into your own thoughts and allows your brain to magically wander. There is a nice break when the rhythmic bass lines enters the song and allows it to become much bigger and ambient. This is truly brilliant!

Brick England featuring The Pet Shop Boys—-Fantastic…..that about sums this track up from the very first note. This is brilliant. Tenant delivers his distinctive trademark vocal and the synth line is right out of the Lowe playbook. The arrangement is lush and filled with that underlying sad hum found in most of The Boys recordings. This is classic electronica with a brilliant atmospheric twist I can’t seem to walk away from.

These Creatures featuring Julia Holter—-Wonderfully full of computerized synth bleeps and bursts of beautiful sounds, the vocal enters with a ghostly beautiful delivery that literally transports me somewhere else as I listen. Never overdone or overblown, this has the magical element of everything needed to create a masterpiece of a song. I love this vocal!!!

As One featuring Primal Scream—-Coming out of the calm like the opening credits to a masterful movie, this song is layered and textured with an ambiance that almost lulls you into a beautiful nothing. Then the strains from Primal Scream steer the song into an almost joyous romp that encourages you to shed inhibitions and dance like no one is looking. This is fantastic…..a step right back into 90’s Dance Floor masterpieces…..I’m in love!!!

Here For You featuring Gary Numan—-It is impossible for me to find the correct words for this track. How could it possibly go wrong….combing contemporary synth lines and the current direction of the Numan sound, this is a journey that encompasses everything wonderful and right in the world of music. This is simply brilliant….Numan sounds driven and haunted…..the music fits him perfectly. Just incredible! Numan sounds literally driven with emotion and the need to be there for someone……I love this!!!

Electrees featuring Hans Zimmer—-How could this brilliant pairing of two incredible talents possibly go wrong. This has wonderful stamped on it from the very first notes. Atmospheric and laden with dense beautiful sound effects, this takes me out of my very body every time I listen to it. Lush and wonderfully constructed…..this can make you happy as fuck or sleepy as hell…..wonderful!

Exit featuring Edward Snowden—-Perhaps the most interesting collaboration on this release, the music that is delivered here has the urgency that you would expect….making you lean forward on your chair as you are driven into the spy like element of the music. The Snowden vocal overlays are incredibly fascinating and a fantastic concept. This is yet another standout track…..I have to think Jarre is a pure genius.

What You Want featuring Peaches—- Combining a bass heavy sexy synth with the vocal of one of the ‘queens or sleaze’ is a magnificent journey though a trail of seductive vocals and electronics that seem to add to the sexy nature of the track….another brilliant collaboration…in both content and delivery.

Gisele featuring Sebastien Tellier—-Moving at an incredibly nice pace, the song has a Kraftwerk element for me….the feel of the mainstream type electronics are interspersed with a blip filled fun turn. The vocal enters and you are right back in the beginning era of electronica……filled with the best elements of Kraftwerk….with a modern contagious twist.

Switch On Leon featuring The Orb—-Bright and poppy with just the right elements of ambiance and experimentation, you would expect nothing less from this pairing. The effects and the heavy laden synth lines that combine background vocal effects and noises from all directions make you a little crazy……but it is incredible none the less.

Circus featuring Siriusmo—-Dense and epic in sound right from the onset, the music builds and builds and becomes a surprising romp through dance-land. This is full of jaunty dance synths and breaks in the music that keep you guessing where everything is going. Then a magical synth line enters and makes the track even larger….just fantastic.

Why This Why That And Why featuring Yello—-Beautifully constructed and filled with atmosphere, the vocal on this track reminds me so much of Leonard Cohen…..it just all comes together like a magnificent musical poem. I am in heaven with this experience…..I really need to investigate more of this man’s music…I am stunned by the beauty and genius of it all.

The Architect featuring Jeff Mills—-A bit eccentric and muted in delivery, it takes a bit for this song to take any shape or form. The bass keeps creeping on you…promising to explode but leaves me exhausted with the anticipation of joyous abandon. A weak track for me….but still nice.

Swipe To The Right featuring Cyndi Lauper —-Wonderfully full and energy filled from the first strains of the song, Lauper delivers a vocal that belies age and allows you to climb right back into the 80’s heyday. This is energy filled and upbeat with huge crashing synths and crashing timbres. Just fantastic….I am in love with this man. This is the best I have heard Cyndi sound since Bring Me To The Brink release.

Walking The Mile featuring Christope—-A bi dense and dark, the vocal enters and sounds muted and in a tunnel. The delivery is odd….trying to sound psychedelic over a rather bright synth line. Not a favorite…..but it seems to fit in the entire picture well.

Falling Down—-Filled with an undeniable melody line that runs underneath the synth line, the song is so well constructed and is contagious as hell. This has every right element included in it…you can’t escape the tune…it will live in your head…with a bit of throw back to the 80’s fun sound….but still modern, this is fantastic.

The Heart Of Noise [The Origin]—-A bit mundane and filled with much of the sound and melody we have heard thus far, it is a throwback to the opening strains of this release. I would have preferred another collab rather than a redux of something heard before. This is pleasant but tried.

Conquistador [JMJ RMX] featuring Gesaffelstein—-Nicely delivered with an urgent synth line, this song has a pace to it that begs you to pay attention. I like the higer pitched synth lines and the split second breaks that keep everything incredibly interesting before it all dives back into a bass heavy sea, Magnificent!

***** out of 5