Dimmu Borgir / Eonian

Eonian

Dimmu Borgir (/ˌdɪm ˈbɔːrɡɪər/) is a Norwegian symphonic black metal band from Oslo, Norway, formed in 1993. The name is derived from Dimmuborgir, a volcanic formation in Iceland, the name of which means “dark cities” or “dark castles/fortresses” in IcelandicFaroese and Old Norse. The band has been through numerous lineup changes over the years; guitarist Silenoz and vocalist Shagrath are the only original members who still remain with guitarist Galder being a longstanding member.

The Analysis—-

The Unveiling—-The intro to this track is a huge mish-mash of confused Industrial sounds that quickly give way to the classic Dimmu sound that I require in my ears at least once a week. This opening track….at first listen was a throw a way…has become a rel favorite of mine. I love the varied yet predictable sound and the instantly recognizable voice of Shagrath. This has huge ebbs and flows…..I was not won over at first….but combined together…this is a required listen with the release as an entirety.

Interdimensional Summit—-From the very first three notes, you are assured of hat band you are listening to…there is no doubt. Shagrath sounds like he is driven by the music with his voice….the joined voices and the orchestration is like a huge movie for your ears. The surprise hear is the chorus…so addictive and accessible it might de-rail the Black Metal card for this band, This is epic…spectacular and addictive as hell…this will live in your brain for days to come.

Aethric—-Again, truly epic in sound…but more straight forward Metal than the previous two songs. There is a darkness around the edges of this song that I just love. The sound is so layered and huge I shake my head in amazement. The drums are incredible….the guitars are a wonderful wall of sound. Then the chorus smacks you in the face and becomes another instant favorite. This band has a recipe and it works every time for me….fuck the critics…I love the record!

Council Of Wolves And Snakes—-A bit sedate at the onset, the song becomes much more aggressive as it evolves. The sharp and fast guitar blasts are intense….the drums high and fast. Shagrath delivers a demonic vocal that wraps around your soul and turns your heart black. And then again….the chorus erupts and becomes another instant classic….I can’t understand the disdain for this band…maybe I’m an unintentional poser…lol.

The Empyrean Phoenix—-A slight folk feel to the intro to this song, the mayhem kicks in and becomes normal Dimmu after a few seconds. as usual….the drums are outstanding as Shagrath unleashes a hell storm of demonic vocals backed by a mysterious choir of Oh’s in the background….this is huge…epic in sound and a journey all of it’s own. This is a superb track.

Lightbringer—–Deep and dense…..full of layers right at the onset, this makes me feel comfortable and happy that after 8 long years my band has delivered an epic masterpiece. this is a slight mish mash of sounds….the bashing and crashing a bit monotonous after a bit…but the song finally opens up and ushers in a vocal that manages to keep perfect pace with the maddening drums. This is epic…a bit noisier than previous tracks…but fits in on the record rather well.

I Am Sovereign—-Huge layers of sound are piled on layers of sound…creating this dark and frozen landscape that is perfect for this band. The marching vocal and drums are like a prelude to war….the vocal comes at you in this wicked scream that twists your neck around in circles. This is stellar….a huge barrage of symphonic sound….gut vocals,,,and whispered incantations….brilliant!

Archaic Correspondence—-For me, this hearkens back to older days of the band. The drums are so fast and in your face….the guitars are a complete wall of sound….and Shagrath steps forward and is the steerer of the ship. This is epic in sound and construction…..and has a certain melody quality that will stay with you. I love this.

Alpha Aeon Omega—-Nothing spectacular here…all I can say is that the band as a whole, is truly consistent in sound and delivery….you know….at this point what to expect from the Norwegian Gods of Black Metal…this is spectacular…overblown….but accessible and catchy.

Rite Of Passage—-Rather sedate at the onset, this closing track takes a bit to get going but awakes in epic fashion with huge swells of orchestration and guitars. You can almost see the fog around the band as the song plays…it is that epic in sound. This instrumental leaves you with a hungry taste in your mouth….let’s hope it is not another 8 year wait!!!

***** out of 5

Ghost / Prequelle

Prequelle

Ghost is a Swedish rock band that was formed in LinköpingSweden in 2006. In 2010, they released a 3-track demo followed by a 7″ vinyl titled “Elizabeth“, and later their debut full-length album Opus Eponymous. The Grammis-nominated album was widely praised and significantly increased their popularity. Their second album and major label debut Infestissumam was released in 2013, debuted at number one in Sweden, and won the Grammis Award for Best Hard Rock/Metal Album. The band released their third studio album, Meliora, in 2015, to much critical acclaim and high record sales, reaching number one in their home country of Sweden, and number eight in the United States. Its lead single, “Cirice“, earned them the 2016 Grammy Award for Best Metal Performance. The band released their fourth studio album, Prequelle, in 2018.

Ghost is easily recognizable owing greatly to its eccentric on-stage presence. Five of the group’s six members, its ‘Nameless Ghouls’,  wear virtually identical, face-concealing costumes. Prior to a 2017 lawsuit filed by former members of the band, lead singer Tobias Forge obscured his identity behind the character “Papa Emeritus”. The character, which consists of Forge in a prosthetic mask and makeup can be best described as a ‘demonic anti-pope’.  The Papa Emeritus Character has gone through four incarnations – I, II, III, and Nihil. As of the 2018 album Prequelle and subsequent world tour, Forge portrays a character known as “Cardinal Copia”, who is described as being unrelated to any of the Papa Emeritus characters and whose costume consists of either Cardinal vestments or a black tuxedo alongside a prosthetic mask with black eyemakeup and the multi-colored eyes which had been present in each Papa characte.

Prequelle is the fourth studio album by Swedish rock band Ghost. It was released on June 1, 2018 and produced by Tom Dalgety. The album’s first single, “Rats“, was released ahead of the album on April 13, and as of June, had peaked at number four on the BillboardMainstream Rock Songs chart. The album marked the band’s strongest selling debut to date, landing at number 3 on the Billboard 200, selling 66,000 copies in its first week, with 61,000 of those being “traditional” album sales.

The album’s theme focuses on Medieval times and the Black Death along with more modern themes.

The Analysis—-

Ashes—-Eerie from the onset, this is typical Ghost….turning a harmless nursery rhyme into something twisted and then morphing magically into…..

Rats—-This track…..full of contradictions…lyrically dark and eerie…but the sound is so accessible and listenable. Full of huge harmonies, powerful guitars and an unforgettable melody line, this will lay in tour head for days. The double tracked vocals really wrap the song into the most accessible track they have ever produced. This is phenomenal.

Faith—-A nice powerful soaring guitar intro, the chug chug of the bass line shows up right after the intro. Tobias enters with his accessible vocal….you can catch every word from this band and let it sink into your brain. This is again, full of perfect harmonies and a melody line that is contagious as hell. The middle break of the song is nice….keeping the ‘metal’ cred in tact. This is fantastic…the band has outdone itself with this release.

See The Light—-Such a gentle intro, you just sit back and question how you can possibly categorize this band in any genre. This just does not fit in perfectly anywhere!! There are perfect pop moments hear…as well as pure symphonic metal moments as well. Combine all of this with a pitch perfect vocal and you just sit back and shake your head in amazement. This is just about as perfect as it can get.

Miasma—-Dank, dark and full of an underlying eerie-ness, the intro to this is fantastic. The song kicks into a nice gear shortly after and has many of the metal elements I require from this band. The guitars produce a soaring melody that is infectious and electric. This is pure perfection. A great song placement as well…it ‘breaks’ up the album really well.

Dance Macabre—-Remarkable right from the onset, the track is heavily dipped in the sound of the 80’s while still managing to sound fresh and brand new. The lyrics….the singing….the melody and harmony is so damn addictive and accessible…..for me, one of the best things the band has ever done…this is a magical moment on this release.

Pro Memoria—-Swells of a slight symphonic movement opens the song….dense and layered with musical emotion…you feel like you stepped into a soundtrack. Then Tobias enters and utters Lucifer and you realize the slight hilarity of all the contradictions from this band. This is not a happy-go-lucky song….but the delivery is so damn pleasant you can’t help but to fall in love with the damn thing. Just incredible.

Witch Image—-Returning to a more predictable and familiar sound, the intro begins and falls away to allow for the vocal. the song leans on pop-rock elements at every turn. The harmonies and melody are exquisite…..sounding like an updated Pink Floyd. The magic is the voice and the contradiction of the lyrics….this is so dark….but so damn pleasant. I’m in a whirlwind.

Helevetesfonster—-Exquisite flutes open the track…in the back ground a slight deep rumble lies around. The melody line from the instrument is so damn magical…it lulls you into an almost trance like state. The drums enter…but never enter the beauty of the instrumentation. This is huge….masterful and delivered with an incredible finesse’. There are so many ‘prog’ like movements in this instrumental…..it’s like the glory days of the 70’s Prog movement.

Life Eternal—-Stripped down to almost bare bones, the only instrument at the onset is the gentle keyboard joined with the vocal. The track opens up a bit…but still remains a rather melancholic love song to princes or princesses of darkness. This is superb. I hate to see this all end so soon. A remarkable release.

**** out of 5

Taylor Swift / Reputation

reputation

Taylor Alison Swift (born December 13, 1989) is an American singer-songwriter. One of the leading contemporary recording artists, she is known for narrative songs about her personal life, which have received widespread media coverage.

Born and raised in Pennsylvania, Swift moved to Nashville, Tennessee at the age of 14 to pursue a career in country music. She signed with the label Big Machine Records and became the youngest artist ever signed by the Sony/ATV Music publishing house. Her self-titled debut album in 2006 peaked at number five on the Billboard 200 and spent the most weeks on the chart in the 2000s. The album’s third single, “Our Song“, made her the youngest person to single-handedly write and perform a number-one song on the Hot Country Songs chart. Swift’s second album, Fearless, was released in 2008. Buoyed by the success of pop crossover singles “Love Story” and “You Belong with Me“, Fearless became the best-selling album of 2009 in the United States. The album won four Grammy Awards, with Swift becoming the youngest Album of the Year winner.

Swift was the sole writer of her 2010 album, Speak Now. It debuted at number one in the United States and the single “Mean” won two Grammy Awards. Her fourth album, Red (2012), yielded the successful singles “We Are Never Ever Getting Back Together” and “I Knew You Were Trouble“. With her fifth album, the pop-focused 1989 (2014), she became the first act to have three albums sell a million copies within one week in the United States. Its singles “Shake It Off“, “Blank Space“, and “Bad Blood” reached number one in the US, Australia, and Canada. The album received three Grammy Awards, and Swift became the first woman and fifth act overall to win Album of the Year twice. The 2015 concert tour for 1989 became one of the highest-grossing of the decade. Swift’s sixth album, Reputation (2017) and its lead single “Look What You Made Me Do” topped the UK and US charts.

As a songwriter, Swift has received awards from the Nashville Songwriters Association and the Songwriters Hall of Fame, and was included in Rolling Stone‘s 100 Greatest Songwriters of All Time in 2015. She is also the recipient of 10 Grammy Awards, five Guinness World Records, one Emmy Award, 21 Billboard Music Awards, 12 Country Music Association Awards, eight Academy of Country Music Awards, and one Brit Award. Swift is one of the best-selling music artists of all time, having sold more than 40 million albums—including 27.8 million in the US—and 130 million single downloads. She has appeared in Time‘s 100 most influential people in the world (2010 and 2015), Forbes top-earning women in music (2011–2015), Forbes 100 most powerful women (2015), and Forbes Celebrity 100(2016). She was the youngest woman to be included in the third of these, ranked first in Celebrity 100 and was named Time Person of the Year in 2017 as part of the “Silence Breakers”.

Reputation (stylized as reputation) is the sixth studio album by American singer-songwriter Taylor Swift. It was released on November 10, 2017, through Big Machine Records. The record was primarily produced by Jack AntonoffMax MartinShellback and Swift herself, who also serves as the executive producer. Featured artists included on the album are English singer-songwriter Ed Sheeran and American rapper Future.

The album has topped the charts in Australia, Austria, Belgium, Canada, Ireland, the Netherlands, New Zealand, Norway, Scotland, Switzerland, the United Kingdom, and the United States. According to Nielsen SoundScanReputation sold 1.216 million copies in the US during its first week, becoming 2017’s best-selling album in the country, and 2 million copies worldwide.

The Analysis—-

….Ready For It?—-Far gone is the Country Star of long ago…lol. This track is a BANGER…..full of staccato bass lines and hyper kinetic dance floor music that makes you almost want to scream. The magic is the melody line that runs through the song…it never disappears despite the musical changes…it is always there. This is a bit poppy lyrically….but it does suck you in.

End Game [featuring Ed Sheeran & Future]—-Classic sounding Taylor at the onset of this track quickly gives way to the more aggressive sound that covers most of this release. Future delivers line after line of catchy sentences that fit the music perfectly. Swift has an almost venom to her vocal delivery…Sheeran delivers his lines that are pleasant…but the real star of the show really is Swift…who displays her musical advancement in leaps and bounds. A true single if I have ever heard one…this is great.

I Did Something Bad—-As the third song is introduced…I find myself thinking that this all suffers from a slight ‘sameness’ in the sound. Every song seems to be a bot to familiar. The chorus of this song….well…it kind of blows me away…I’m amazed at the growth and the ability to step out of one’s skin. This is catchy as hell….the chorus is addictive. I did not want to like this….but you know how that goes.

Don’t Blame Me—-A slight bluesy feel to this track…a nice change. Swift delivers a vocal that is almost lazy..or at least more relaxed and less driven. The chorus opens up and smacks you in the forehead with a catchy melody you can’t get away from….this is pleasant…addictive and an easy listen. I like this. Took me to Church!!!!

Delicate—-I hate all this vocodor shit…but it works nicely hear. Swift manages to fit so any words in one sentence…I wonder how she manages to do this. There is very little music that is produced these days that actually falls in the realm of POP MUSIC…..but this is pretty successful in that aspect. This is accessible and easy to digest. I love the entire mood of the song.

Look What You Made Me Do—-Returning to the ‘banger’ feel of a few earlier tracks, this was indeed a Swift no one was prepared to hear….but here it is. The song is very aggressive musically and in vocal delivery. there is a nice underlying anger that makes you shake you head and say WHAT? This is nice….the remixes are phenomenal…..truly a change. This track has so many underlying messages…..

So It Goes….—–Magically mixing the sound of the release with perfect song placement, this is a fantastic jerk in sound and delivery. The chorus of this song is literally magical…the music swirls OVER the top of your head…transporting you into an energy that crashes all around you when the chorus smacks you again. This is single material as well….this is a fantastic, well constructed song that literally soars.

Gorgeous—-Vocally static and sounding a bit angry, swift never ceases to surprise me with her growth and ability to move from one feel to the other. This song…sounds a bit angry and full of venom…but is delivered in a nice syrup sweet way….this is really nice.

Getaway Car—-The return of slight vocodor vocal……but Swift still delivers a vocal that is so damn accessible. The whole damn chorus smacks you in the face and makes you forget about everything else you have heard. There is a recipe here that works some kind of magic in your brain that makes you dissolve into some kind of pop music puddle you can’t get out of…..truly magical.

King Of My Heart—-Sedate and wonderfully understated for the first bar….the music explodes in a staccato style that fits the mood of the song…but seems confused to me. Where is this track going? The swings of musical delivers sound un organized to me…a slight falter…but sure…the chorus saves everything….the recipe of a great pop artist.

Dancing With Our Hands Tied—-Everything seems to build slowly…..Swift enters with her vocal….it is surprisingly un accessible to my ears….but line after line, the song builds…and then you get the magical chorus that is in every Swift song….but it does not dig out the dirt….this just seems OK to me….nothing shiny here…..

Dress—-A bit of a haunting sound introduces this track…..Swift sounds angry and a bit dis-embodied as she delivers her vocal. The higher tone….with the music is interesting. There is a bit of a lag here….the magic catchy hooks are gone…but it is listenable….because there is a musical melody line that catches your attention….

This Is Why We Can’t Have Nice Things—-Returning to that present static vocal style that ushers in a banger style song, I’m surprised until the chorus kicks in….this literally threatens me with the ability to live in my brain even though I say NO…..there is magic in this production…..they knew what they were doing!

Call It What You Want—-Hmm……things are surprisingly sedate at the onset here. I still get amazed at how many words Swift can fit in one sentence…..it is a clear indication she understands music. The song….full of lyrics that are full of a bit of venom and anger……does not really catch for me…I keep waiting for that special something….but it never appears…….this is a bit flat for me.

New Year’s Day—-Ending the release with a slight down tempo track, this is the Swift that the tweeners love….full of emotion….sad words and laments of romance……for me not too substantial……sorry

**** out of 5

 

 

David Archuleta / The Other Side Of Down

The Other Side Of Down

David James Archuleta (born December 28, 1990) is an American singer-songwriter, musician, and actor. At ten years old, he won the children’s division of the Utah Talent Competition leading to other television singing appearances. When he was twelve years old, Archuleta became the Junior Vocal Champion on Star Search 2. In 2007, at sixteen years old, he became one of the youngest contestants on the seventh season of American Idol. In May 2008 he finished as the runner-up, receiving 44 percent of over 97 million votes.

In August 2008 Archuleta released “Crush“, the first single from his self-titled debut albumThe album, released three months later, debuted at number two on the Billboard 200 chart; it has sold over 750,000 copies in the U.S., and over 900,000 worldwide. In October 2010 he released a third album, The Other Side of Down, featuring lead single “Something ‘Bout Love“. On March 28, 2012, Archuleta left on a two-year hiatus to be a missionary of The Church of Jesus Christ of Latter-day Saints in Chile, but stated that he will continue his music career after that.[14][15] As of February 2012, Archuleta has sold 1,108,000 albums and 3,327,000 tracks in the United States.

In March 2012, Archuleta released his fourth album, Forevermore, exclusively in the Philippines. This was his first Original Pilipino Music album, composed of several covers of Filipino songs. The album was certified gold in the Philippines (10,000 units) as of June 2012. Archuleta’s fifth album, Begin, was released on August 7, 2012, in the United States. His sixth album, No Matter How Far, was released on March 26, 2013.

The Analysis—-

The Other Side Of Down—-There is something about the purity of Archuletas’ voice, combined with the syrupy pop perfection that is contained on his releases that attracts me. I love the smooth delivery…the ‘heart on my sleeve’ type of music that he delivers…combined with vocal overlays and a stellar production team…it becomes rather addictive.

Something ‘Bout Love—-Right from the very first note, you can tell this is one of those perfect recipe songs that deliver all the ingredients required to stay in your head for days and days…even if you hate it!. The chorus of this track is pure pop perfection…..containing the melody and the lyric that digs in and refuses to let go. For me, as far as pop music goes…this might be as perfect as it gets.

Elevator—-With a magical guitar intro, the voice enters with a remarkable purity and lyrics that are relate able and catchy. You can catch every word and then you are smacked in the face with the chorus that again threatens to take over your brain…waking you up in the middle of the night playing to loud in your brain. There is no denying the genius of this writing team….this guy has a perfect relationship with pop music.

Stomping The Roses—-Brilliant instrumentation that never really seems to require an actual band, this wraps itself around you and threatens to strangle your sensibilities. The strong message of empowerment is remarkable…Archuleta still delivers that boyish charm of a vocal…appearing so pure and naive. The appeal is undeniable.

Who Am I—-Although this stays in the same vein, the track still has a magical quality. David rarely veers away from the recipe that has made him successful…..meaningful lyrics and a powerhouse chorus that threatens to explode your brain. There is not a ton of substance….but there is talent…and that is important also.

Falling Stars—-Gentle and remarkably poignant, David delivers a vocal the emits emotion without even trying…he just has that talent. The breaths in between words and the falsetto words….overlay ed with double track voice makes for a huge full song. As the track opens up in the second bar…it still maintains the magic melancholy that started it all. It just all seems so damn genuine.

Parachutes And Airplanes—-Sounding as if I have heard this before at the onset, the appeal is still very present. The pure pop perfection of the music is what sucks me in and chose to review it in the first place. The mastery of the world of music production and image is a remarkable thing…add in Marketing and you have the true genius of the career of this guy. This is a wonderful journey of pop mastery.

Look Around—-For me, one of the weaker tracks on the release, I still zero in on certain aspects of the song. The overlay ed melodic vocal…the huge chorus….the simple melody and the hook that stays with you. Even at weak the song is still strong. The lyrical content…a bit juvenile…but still reeks of human emotion.

Good Place—-A perfect ballad that seems to musically wrap itself around David’s voice, the production is incredible. All of the vocal overlays makes me think how hard it must be to make a record like this…he has to record each overlay right? And then it is all played on a backtrack. This is remarkable perfect production.

Complain—-Although this track offers little new…it is the consistency that is remarkable. I love the hook of the song….with an almost underlying Country feel to the whole thing. The vocal is so pure and un-adulterated. Production tricks are not required for this…because the voice is as perfect as it sounds. Just remarkable.

Things Are Gonna Get Better—-This really did nothing for me….the music is a little weak and falls flat on my ears. But of course you have the magical chorus that again tries to FORCE you to love the song. This is not a throwaway……but not something you would listen to on a regular basis.

My Kind Of Perfect—-Ending the release with a track that moves the vocal to the very front of the mix, this shows the purity of the whole damn thing. This is simple and pure….which is what makes it so damn nice. I need to get the newer releases…..I still love that voice.

***** out of 5

 

Jean-Michel Jarre / Electronica 2: The Heart Of Noise

Electronica 2: The Heart of Noise

Jean-Michel André Jarre (pronounced: [ʒɑ̃ miʃɛl ɑ̃dʁe ʒaʁ], born 24 August 1948) is a French composer, performer, and record producer. He is a pioneer in the electronic, ambient, and new-age genres, and known as an organiser of outdoor spectacles of his music featuring lights, laser displays, and fireworks.

Jarre was raised in Lyon by his mother and grandparents, and trained on the piano. From an early age, he was introduced to a variety of art forms, including those of street performers, jazz musicians, and the artist Pierre Soulages. He played guitar in a band, but his musical style was perhaps most heavily influenced by Pierre Schaeffer, a pioneer of musique concrète at the Groupe de Recherches Musicales.

His first mainstream success was the 1976 album Oxygène. Recorded in a makeshift studio at his home, the album sold an estimated 12 million copies. Oxygène was followed in 1978 by Équinoxe, and in 1979, Jarre performed to a record-breaking audience of more than a million people at the Place de la Concorde, a record he has since broken three times. More albums were to follow, but his 1979 concert served as a blueprint for his future performances around the world. Several of his albums have been released to coincide with large-scale outdoor events, and he is now perhaps as well known as a performer as he is as a musician.

As of 2004, Jarre had sold an estimated 80 million albums. He was the first Western musician officially invited to perform in the People’s Republic of China, and holds the world record for the largest-ever audience at an outdoor event.

Electronica 2: The Heart of Noise is the eighteenth studio album of French electronic musician and composer Jean Michel Jarre, released on 6 May 2016 by Columbia Records. It is the second of a two-part album (the first being Electronica 1: The Time Machine) that is based around collaborations with other electronic musicians from a wide range of decades and styles.

Electronica 1 included artists such as Vince Clarke, Gesaffelstein, M83, Armin van Buuren, John Carpenter, 3D (of Massive Attack), Pete Townshend, Tangerine Dream, and others, while Electronica 2 includes collaborations with Pet Shop Boys, Rone, Julia Holter, Primal Scream, Gary Numan, Hans Zimmer, Edward Snowden, Peaches, Sébastien Tellier, The Orb, Siriusmo, Yello, Jeff Mills, Cyndi Lauper and Christophe. In all, the two-album collaboration has some 30 collaborators, and Jarre has described it as his “most ambitious project.”

The Analysis—-

The Heart Of Noise Pt. 1 featuring Rone—-At the onset, the sound of this recording is lush and deep. The synth lines literally wrap themselves around your body…often reminding me of later enigma recordings. The beautiful and unadorned synth line creates an almost visual landscape in your brain as you listen to the progression of the song…..beautifully constructed and delivered.

The Heart Of Noise Pt. 2 featuring Rone—-Continuing in the same vein, Pt. 2 delivers a bit more of a space filled experimentation that magically lulls you into your own thoughts and allows your brain to magically wander. There is a nice break when the rhythmic bass lines enters the song and allows it to become much bigger and ambient. This is truly brilliant!

Brick England featuring The Pet Shop Boys—-Fantastic…..that about sums this track up from the very first note. This is brilliant. Tenant delivers his distinctive trademark vocal and the synth line is right out of the Lowe playbook. The arrangement is lush and filled with that underlying sad hum found in most of The Boys recordings. This is classic electronica with a brilliant atmospheric twist I can’t seem to walk away from.

These Creatures featuring Julia Holter—-Wonderfully full of computerized synth bleeps and bursts of beautiful sounds, the vocal enters with a ghostly beautiful delivery that literally transports me somewhere else as I listen. Never overdone or overblown, this has the magical element of everything needed to create a masterpiece of a song. I love this vocal!!!

As One featuring Primal Scream—-Coming out of the calm like the opening credits to a masterful movie, this song is layered and textured with an ambiance that almost lulls you into a beautiful nothing. Then the strains from Primal Scream steer the song into an almost joyous romp that encourages you to shed inhibitions and dance like no one is looking. This is fantastic…..a step right back into 90’s Dance Floor masterpieces…..I’m in love!!!

Here For You featuring Gary Numan—-It is impossible for me to find the correct words for this track. How could it possibly go wrong….combing contemporary synth lines and the current direction of the Numan sound, this is a journey that encompasses everything wonderful and right in the world of music. This is simply brilliant….Numan sounds driven and haunted…..the music fits him perfectly. Just incredible! Numan sounds literally driven with emotion and the need to be there for someone……I love this!!!

Electrees featuring Hans Zimmer—-How could this brilliant pairing of two incredible talents possibly go wrong. This has wonderful stamped on it from the very first notes. Atmospheric and laden with dense beautiful sound effects, this takes me out of my very body every time I listen to it. Lush and wonderfully constructed…..this can make you happy as fuck or sleepy as hell…..wonderful!

Exit featuring Edward Snowden—-Perhaps the most interesting collaboration on this release, the music that is delivered here has the urgency that you would expect….making you lean forward on your chair as you are driven into the spy like element of the music. The Snowden vocal overlays are incredibly fascinating and a fantastic concept. This is yet another standout track…..I have to think Jarre is a pure genius.

What You Want featuring Peaches—- Combining a bass heavy sexy synth with the vocal of one of the ‘queens or sleaze’ is a magnificent journey though a trail of seductive vocals and electronics that seem to add to the sexy nature of the track….another brilliant collaboration…in both content and delivery.

Gisele featuring Sebastien Tellier—-Moving at an incredibly nice pace, the song has a Kraftwerk element for me….the feel of the mainstream type electronics are interspersed with a blip filled fun turn. The vocal enters and you are right back in the beginning era of electronica……filled with the best elements of Kraftwerk….with a modern contagious twist.

Switch On Leon featuring The Orb—-Bright and poppy with just the right elements of ambiance and experimentation, you would expect nothing less from this pairing. The effects and the heavy laden synth lines that combine background vocal effects and noises from all directions make you a little crazy……but it is incredible none the less.

Circus featuring Siriusmo—-Dense and epic in sound right from the onset, the music builds and builds and becomes a surprising romp through dance-land. This is full of jaunty dance synths and breaks in the music that keep you guessing where everything is going. Then a magical synth line enters and makes the track even larger….just fantastic.

Why This Why That And Why featuring Yello—-Beautifully constructed and filled with atmosphere, the vocal on this track reminds me so much of Leonard Cohen…..it just all comes together like a magnificent musical poem. I am in heaven with this experience…..I really need to investigate more of this man’s music…I am stunned by the beauty and genius of it all.

The Architect featuring Jeff Mills—-A bit eccentric and muted in delivery, it takes a bit for this song to take any shape or form. The bass keeps creeping on you…promising to explode but leaves me exhausted with the anticipation of joyous abandon. A weak track for me….but still nice.

Swipe To The Right featuring Cyndi Lauper —-Wonderfully full and energy filled from the first strains of the song, Lauper delivers a vocal that belies age and allows you to climb right back into the 80’s heyday. This is energy filled and upbeat with huge crashing synths and crashing timbres. Just fantastic….I am in love with this man. This is the best I have heard Cyndi sound since Bring Me To The Brink release.

Walking The Mile featuring Christope—-A bi dense and dark, the vocal enters and sounds muted and in a tunnel. The delivery is odd….trying to sound psychedelic over a rather bright synth line. Not a favorite…..but it seems to fit in the entire picture well.

Falling Down—-Filled with an undeniable melody line that runs underneath the synth line, the song is so well constructed and is contagious as hell. This has every right element included in it…you can’t escape the tune…it will live in your head…with a bit of throw back to the 80’s fun sound….but still modern, this is fantastic.

The Heart Of Noise [The Origin]—-A bit mundane and filled with much of the sound and melody we have heard thus far, it is a throwback to the opening strains of this release. I would have preferred another collab rather than a redux of something heard before. This is pleasant but tried.

Conquistador [JMJ RMX] featuring Gesaffelstein—-Nicely delivered with an urgent synth line, this song has a pace to it that begs you to pay attention. I like the higer pitched synth lines and the split second breaks that keep everything incredibly interesting before it all dives back into a bass heavy sea, Magnificent!

***** out of 5

 

 

Loudwire.com 1989 Metal Album Of The Year—-Morbid Angel / Altars Of Madness

Altars of Madness (Full Dynamic Range Edition)

Morbid Angel is an American death metal band based in Tampa, Florida. The band was one of the original death metal bands signed to Earache Records, and was also influential in the transition of death metal from its thrash metal roots to its current form by incorporating guttural vocals, up-tempo blast beats, atonality in guitar soloing, and dark, chunky, mid-paced rhythms. They have been described as one of “the most influential and emulated bands in death metal”, alongside Cannibal Corpse, and have been cited as an influence by many later bands. They were also the first death metal band to experience mainstream success in connection with being signed to Giant Records in 1992, heavy rotation of their music videos on MTV, and having the music video for the song “God of Emptiness” shown on an episode of Beavis and Butt-head. Their first four albums are considered classics in the genre.

UK music magazine Terrorizer ranked Morbid Angel’s 1989 debut Altars of Madness first in its list “Top 40 greatest death metal albums”. Decibel magazine also rated guitarist Trey Azagthoth as the number one “death metal guitarist ever”. The band’s songs are complex in arrangement, owing to the considerable technical skills of both Azagthoth as well as drummer Pete Sandoval, the latter of whom also played in the grindcore band Terrorizer. According to Nielsen SoundScan, Morbid Angel is the third best-selling death metal band in the United States (after Cannibal Corpse and Deicide up until 2003 with sales of over 445,000), with their third album Covenant being the best-selling death metal album during the beginning of the Soundscan era time with over 150,000 units sold.

Altars of Madness is the debut album of Florida-based death metal band Morbid Angel. Bonus tracks were included on the CD version as well as the remastered 2003 release. These are remixed versions of songs from the album. 2006 saw a dualdisc release with the 2003 remaster on the audio side and Live Madness 89 recorded at Nottingham Rock City on November 14, 1989, on the DVD side.

The cover artwork, by Dan Seagrave, depicts “a flat disk made of a fossil material, that has captured souls”.

The Analysis—-

Immortal Rites—-Really having no exposure to this band, as much as I love Cannibal, I guess I’m  a late bloomer…or a poser…lol. This, upon first listen is a pretty fantastic band. The vocals are not as guttural as many Death bands…you can actually catch some words. The guitar squeals are classic of the Florida scene….they all sound somewhat alike. the lyrical imagery is not as extreme…but it is very listenable. The different moods of the song are great…I can see why this is a ‘classic’.

Suffocation—-Right out of the gate the music smacks you in the face. The pace of the drums are absolutely incredible…..they pummel you right in the forehead. The vocal on this track has more of a dark and evil tone…the lyrics are very dark…as you would expect. What is amazing to me is how tight this band is….well practiced and schooled in the ways of Death Metal.There are great shifts in the music….the bass line appears very heavy at times and then clears for the leads. Remarkable.

Visions From The Dark Side—-Again, there is no time from song to song to give your brain a rest…..you are smacked..literally from the moment the song begins. The melody line that runs underneath this track is just incredible. So far…my favorite track from this release. The leads are a bit fuzzy…the voice not as clear…but the energy and aggression are simply palatable. This is fantastic.

Maze Of Torment—-A great bass ushers in the track……a literal wall of sound as the track progresses with huge power chords and incredible drums. The track kicks into high gear and then ebbs and flows…the noise and aggression is incredible. The vocal enters…..singing so fast you barely catch a word…but it is impossible to not be enthusiastic about the whole damn thing. Amazing. The shifts in the music…..really must take a lot of finesse’….I’m really impressed.

Lords Of All Fevers & Plague—-Right off the bat….you get the same treatment as you have been subjected to. The vocal comes at you so fast, this borders of pure classic Thrash. The drummer on this recording is just incredible…how a human can do that is beyond me…not to mention for an extended amount of time. The guitars are brilliant…..the bass line apparent but never overshadowing the leads.

Chapel Of Ghouls—-With a bit more of a structured sound at the onset of this song, I fall right into the delivery from the music. The chaos gets a bit more extreme as the song continues…the vocal and the lyrics are almost laughable at the attempt to be truly evil…with any band that falls in this genre’….one treads carefully as to how much they buy into. This is still fantastic aggressive music…the break mid song….the downshift of the instrumentation….really shows a lot of talent.

Bleed For The Devil—-Really aggressive from the first notes, the vocal enters rather quickly and full of venom. It is hard to catch the words…but it really is not necessary…the intent and song title are clear. The drums remain just incredible…the lead guitars soar above the bass line…but it is always there smacking you in the face.

Damnation—-The vocal growl that opens up the track in incredible….the music continues to blast your brain right through your ears…but you really never tire of the sameness of the recording. The band plays so tight, I keep shaking my head wondering how long these guys were kicking around practicing before they scored this contract. This is well rehearsed and delivered.

Blasphemy—-What sounds like muted gunshots opens the track and then the music enters to stuff you back into the blender of mayhem. This has an almost sing song vocal delivery that is really accessible…despite the aggression and energy. Really incredible.

Evil Spells—-Ending the release much as it started…unrelenting and full of an aggressive musical attack, the bass line here is just incredible…interrupted only by the classic Death Metal guitar squeals that shock  your ears and make you shake your head in amazement. I can see very clearly why this is considered to be a classic……a fantastic listen.

****1/2 out of 5