The Killers / Wonderful Wonderful

Wonderful Wonderful

The Killers are an American rock band formed in Las VegasNevada, in 2001 by members Brandon Flowers (lead vocals, keyboards, bass) and Dave Keuning (lead guitar, backing vocals). Mark Stoermer (bass, rhythm guitar, backing vocals) and Ronnie Vannucci, Jr. (drums, percussion) would complete the current lineup of the band in 2002. The band’s name is derived from a logo on the bass drum of a fictitious band, portrayed in the music video for the New Order song “Crystal“.

The band has released five chart topping studio albums: Hot Fuss (2004), Sam’s Town (2006), Day & Age (2008), Battle Born(2012) and Wonderful Wonderful (2017). They have also released a B-sides and rarities compilationSawdust (2007); a live album, Live from the Royal Albert Hall (2009); a greatest hits album Direct Hits (2013); and a Christmas compilation Don’t Waste Your Wishes (2016).

The Killers are seen as one of the biggest rock bands of the 21st century, and the most successful rock band to ever emerge from the state of Nevada, having sold an estimated 22 million records worldwide. They have also achieved worldwide success as a live band, performing in over 50 countries and on six continents, headlining venues such as Madison Square Garden and Wembley Stadium.

The Killers released their fifth studio album, entitled Wonderful Wonderful, on September 22, 2017. The album was produced by Jacknife Leeand lead single “The Man” was released on June 14, 2017.

Wonderful Wonderful become the band’s first album to reach the number one spot on the US Billboard 200it also claimed the top spot on the UK Album Chart making The Killers the first international act to have their first five studio albums all reach number one in the UK.

The Analysis—-

Wonderful Wonderful—-A nice almost sonic intro leads up to a strong bass line that slowly allows for the introduction of Brandon and his unmistakable vocal. The track has a nice dark one to it…leaving the poppy madness of earlier releases in the dusk. It is when the chorus hits that you understand the beauty and mastery of the track. The faux [?] horns and big sound is unmistakable…..the song slowly grows on you. I’m sure his track will generate many U2 comparisons.

The Man—-A huge intro reminds you for sure that this is indeed The Killers. Brandon delivers a vocal that shines like a million stars. the remarkable melody line runs through the entire track…delivering a quasi-dance floor track that reminds me of the glorious days of bar music. Brandon and his vocal sounds refreshed and driven with an ambition not heard recently. This is stellar.

Rut—-A surprising introduction to the song…but what follows is just pure magic to my ears. As in many past releases, Flowers seems to call on his inner Springsteen to deliver a quiet but damn powerful ode. The music swirls around your head and gives your soul a slight joy…and causes you to push the replay button more than once. For me, this is a magical track.

Life To Come—-Coming out of the silence with a low hum, Flowers enters over a sad and forlorn sound that again brings forth the Boss. The vocal is in the very front of the mix…as the music becomes even stronger, you are again reminded of classic U2 sounds that made the band so popular. When the song finally reaches it’s crescendo. you realize it is imperative to sit through the quieter moments. Just fantastic!

Run For Cover—-The intro to this track reminds me of classic Interpol so much…the atmospheric bass line and the building music. Flowers enters with an urgent vocal that drives the song along with the pace of the music. The chorus hits you and makes your brain agree…this is a classic Killers track. Huge and built for arenas, this will play so well live. I have no words for the mastery here…this is brilliant.

 

Tyson Vs Douglas—-Interesting track from the opening effects…..the music that opens the track is hyper kinetic and delivered with a nice urgency. I love the reminiscent quality of the song…this is obviously Vegas inspired. Flowers delivers that classic huge chorus that makes the band seem literally monstrous. It is a joy to know that he magic is still there….the band has never sounded better. This is a monumental track.

Some Kind Of Love—-With incredible song placement, the band returns to a more somber feel here and allows you to realize the band is so much more than Glam and Glitz. This is magically quiet and beautiful…Flowers reaching notes I didn’t think he was capable of. The ghostly and funeral feel of the song gives me goosebumps. This is fantastic…..

Out Of My Mind—-Brilliant and crisp guitars and drums open the track. Flowers sounds so much like Bono on this track, I’m almost confused. The lyrics…on every single song on this release, are meaningful and lead you somewhere. I don’t really care for the chorus here…the female singers seem to almost take the spotlight away from Flowers who is in the best voice here than in recent memory. Still a great track though…full of nostalgic lyrics.

The Calling—-Wow….politically charged and filled with lyrics that will make you sit back and think for a minute. The bluesy quality of this track came as a slight surprise to me…the classic downbeat guitar is remarkable…as well as the drums. The vocal is a bit to staccato for me…but the lyrical content is made to allow you to think. I really, if I do have a complaint about this release, do not like the female vocals all over this release. Other than that…no complaints here.

Have All The Songs Been Written?—-Ending this release on a fairly somber note, Flowers delivers such a remarkably clear and concise vocal…I have chills once again The music…a slow and low hum interrupted by short guitar notes gives the track and even lonelier feel. This is a magical track….the beats pick up and the song becomes a bit larger as it continues…but you never lose that lonely and melodramatic effect. Just masterful.

**** out of 5

 

 

The Go-Go’s / Beauty And The Beat

Beauty And The Beat (30th Anniversary Deluxe Edition)

The Go-Go’s are an American rock band formed in Los Angeles in 1978. The Go-Go’s rose to fame during the early 1980s as an all-female band that both wrote their own songs and played their own instruments, rising to the top of the Billboard album charts.

Their 1981 debut album, Beauty and the Beat, is considered one of the “cornerstone albums of US new wave” (AllMusic), breaking barriers and paving the way for a host of other new American acts. When the album was released, it steadily climbed the Billboard200 chart, ultimately reaching No. 1, where it remained for six consecutive weeks. The album sold over 2 million copies and went double platinum, making it one of the most successful debut albums of all time. The Go-Go’s have sold over 7 million records worldwide.

The Go-Go’s broke up in 1985, but reconvened several times through the 1990s and beyond, recording new material and touring. Though their 2016 performances were billed as a farewell tour, the band remains active on a sporadic ad hoc basis, most recently appearing as guests on a March 2017 episode of Jimmy Kimmel Live!.

Beauty and the Beat is the debut album from Californian new wave band the Go-Go’s. Released in 1981 on the I.R.S. Records label, the album was preceded by the single and signature song “We Got the Beat“, which became a massive club hit in Europe and, later, the United States. When the album was eventually released, it steadily climbed the Billboard 200 chart, ultimately peaking at number one, where it remained for six consecutive weeks, ranking second among Billboard’s Top 100 albums of 1982. The LP sold in excess of two million copies and reached double platinum status, making it one of the most successful debut albums of all time. Critically acclaimed, it has been described as one of the “cornerstone albums of American new wave”

The Analysis—-

Our Lips Are Sealed—-There are such remarkable memories in my brain when i hear this song…really, having embraced the New Wave movement as a kid. I fell in line with these girls from the very first listen. This was remarkable…post-pop-punk music from an all girl group that conjured up the beach…the 50’s…the 70’s and the 80’s all in one song. this was a fantastic introduction to New wave…and MTV loved these girls…..Just a wonderful moment.

 

How Much More—-Fully embracing the Beach sound of the huge girl groups of the 50’s. this was addictive as hell for me. The vocal harmonies that are led by Belinda but by the guitar from Jane as well made this an infectious and fum romp through the yesteryear…but a look to the future as well. god…this song had everything.

Tonite—-A bit more aggressive in the guitar delivery. even the vocal from Belinda is more driven. this was really pure pop perfection at the time. I can only try to describe how much stuff like this meant to a kid in the 80’s…this was a whole new world. The song has a dark mysterious element to it…the guitar and the bass line from Weidlin are masterful. This was an is still incredibly well delivered. these girls were not afraid to party…lol

Lust To Love—-Really one of the overlooked songs on this release, it remains a centerpiece for me on the whole release. There is a remarkable dark element to the music and the lyrics..letting you know that this is not all pure fun pop madness. Belinda delivers a vocal that at times is damn dark and menacing. The remarkable magic of the band is still strong…there is a strong pop element to the entire thing…but if you lift the covers and look underneath. you can find the dark and aggression clearly. a pure masterpiece.

This Town—-This was designed to attract everyone from every town…because this song could be about your very home town right? The girls deliver an almost dirty track that is aggressive in nature…but the bass line from Jane gives the entire thing a punk/new wave feel that stayed true to where the girls started. the vocal harmonies almost make it too pretty….the underlying message a but more aggressive than I imagined it back then. This is a pure pop masterpiece…every element…the guitars….the drums…that bass line…the vocal….just incredible.

We Got The Beat—-Meant to be commercial and a massive hit, this kind of steered away from the true message of the band. Of course, it had kids po-going all over the nation. But the song has a dark message to it as well…this fell back into the roots of the band…fast…aggressive and meant to cause mayhem. This is perfect…but I guess I missed the real meaning at the time.

Fading Fast—-Returning to the darker nature of the band….so many of the songs really spoke of Female Empowerment, this is a remarkable track. The vocal harmonies are like a wet dream…never have voices together sounded so incredible. The disappointment that the lyric describes are perfectly transposed in Belinda and her delivery. This is a huge song….the sound…even in 2017 sounds incredible…the harmonies…the bass line…..the drums. This is brilliant.

Automatic—-And again, we keep the concept clear and concise. The dark feel of the song is remarkable…the vehemence that the vocal is delivered with can be no mistake….these might be really pissed off girls…delivering pop mastery set to a wonderful beat. This just shows…that if you trace the roots of the band back to the very beginning….this huge record really never steered far from the original message they were delivering. This is fantastic…..huge…dark…but damn contagious.

You Can’t Walk In Your Sleep [If You Can’t Sleep]—-I love the pop-punk element of this song. The music is jaunty and the joined vocals provide a nice layer to the dark element of the lyrics. The band is so well rehearsed and delivers a stellar performance. Everyone heralds Belinda so much with this band….but damn Jane Weidlin is a fantastic musician. This is a fantastic track.

Skidmarks On My Heart—-Without a doubt, my favorite track on this release. Belinda sounds so damn pissed off when she delivers her vocal. The drums are fucking incredible. The vocal harmonies add a huge feel to the song…but here…yeah…Belinda is the star and she is pissed at the stupid ass Hetero dude….lol.

 

Can’t Stop The World—-Ending the release with the same aggressive pop sensibility that began it, Belinda and the band are in full pogo mode…leaving the sand splashing in your face from the beach as they go in search of the instruments that will make them giants. The drums are fucking magical on this track. Jane and that bass line leads the whole thing…by the end of this classic release…I’m in an exhausted joy.

*****out of 5

Tears For Fear / Rule The World : The Greatest Hits

Rule The World: The Greatest Hits

Tears for Fears are an English pop rock band formed in Bath in 1981 by Roland Orzabal and Curt Smith. Founded after the dissolution of their first band, the mod-influenced Graduate, they were initially associated with the new wave synthesiser bands of the early 1980s but later branched out into mainstream rock and pop, which led to international chart success. They were part of the MTV-driven Second British Invasion of the US.

Their debut album, The Hurting, released in 1983, reached number one on the UK Albums Chart, while their second album, Songs from the Big Chair, released in 1985, reached number one on the US Billboard 200, achieving multi-platinum status in both the UK and the US. Their second album contained two Billboard Hot 100 number ones: “Shout” and “Everybody Wants to Rule the World“‘, the latter winning the Brit Award for Best British Single in 1986.

Smith and Orzabal parted company in 1991, after the release of their third platinum-selling album The Seeds of Love (1989), though Orzabal retained the Tears for Fears name throughout the remainder of the 1990s. The duo re-formed in 2000 and released an album of new material, Everybody Loves a Happy Ending, in 2004. Since 2013, the duo have been working on their seventh album. Tears for Fears have sold over 30 million albums worldwide

The Analysis—-

Everybody Wants To Rule The World—-It is always interesting to look back at the music that helped to form your teen years and see how it stands the test of time in your adult brain. I was disappointed at yet another Greatest Hits record from this band…but it is always nice to hear the classics again. This track is monstrous…melodic and really does manage to stand the test of time. The two voices when joined together are a force. Roland has that remarkable upper register. The synth drive of the song screams 80’s…it is brilliant.

Shout [7″ Edit]—-Laden with every trademark gimmick of classic 80’s pop music, this song..in it’s heyday was an absolute monster. I assure you….it still plays with exquisite flavor in 2017. That classic vocal…the long notes from Roland that adds depths of emotion to the song…still can give you goosebumps even now. This is a remarkable reminder of why the 80’s still live on with a bit of success.

 

I Love You, But I’m Lost—-One of the new offerings that are offered on this release. I listen to this very carefully…looking for the magic that served as the propulsion for the band in the early years. The sound at the onset is dense, giving way to a synth laden happiness that captures my attention. The vocal is a bit odd for me….they sound more like MGMT to me. the chorus is not the huge affair I expected…but the track does not let me down. There is a catchy element to the song that makes me smile somewhere inside my self…I don’t profess pure love…but I don’t hate it either.

Mad World—-I think the key elements of this track were meant to burrow into your cerebellum and just stay there. this is a recipe laden pop song that hits a perfect 10 on every mark. The jungle drums…the static synth line…the guitar line…the beautiful and perfectly clear vocal…the intermittent horns….how can you go wrong here. This is, for me. pure pop perfection.

Sowing the Seeds Of Love—-This for me, was one of the best tracks the band ever produced. the track shows a progression of sound…while still retaining the trademarks that made the band a huge hit. The slight psychedelic feel of the song propelled them further…while the vocal harmonies were stronger and more intact than ever. The horns at the end of the track were incredible. This is a pure masterpiece…a song I never really ever tire of hearing.

 

Advice For The Young At Heart—-I remember when I first heard this song, I though maybe i was hearing a new song from Icehouse or Icicle Works….I was surprised. This is wonderfully layered with that magic emotion the band was able to produce…as well as a chorus that will live with you…even twenty plus years on. This still sounds great…still sounds important as ever…and still plays in my brain like the very first time. Those voices…it’s like magic.

Head Over Heels—-Perhaps the biggest selling single for the band…and the one that sent them way over the top in the 80’s and the video driven world, this still plays as well as it did from day one. The vocals are so strong…the way the band plays off of each other is just pure magic…there is an almost pulley system between the two….where the voice and the guitar strive to be the best. The synth lines are so strong…producing a magical melody that will never leave you alone…this was a pure magical time.

Woman In Chains [feat. Oleta Adams]—-Funny to hear this song with the climate of the nation today. It seems right in line with all of the stuff that seems t be going on. And the vocal guest from the fantastic Oleta Adams is literally heartbreaking and wrenching. This is timely…and should be played everywhere. the soaring vocals give me goosebumps…this is brilliant…way before it’s time.

Change [Radio Edit]—-Another one of those tracks that carries so many familiar sounds of the times. At certain times, the synth line sounds like a pure rip off of Rio from Duran Duran…..but the vocal kicks in and you know this is classic. The long drawn out vocal sounds from Roland gives the song a remarkable emotional quality….even while the instrumentation plays right up in the front of the song. This is brilliant.

Stay—-The second of the two new tracks on this compilation, I find this rather flat and a bit uninspired for my ears. The trademark sounds of the band seem to be largely missing…where is the play of the back and forth between the members. The vocal sounds almost foreign to me….I really do not like this very much….but I’m still glad to have it.

Pale Shelter [2nd US Version]—-This has that nice synth driven sound that is actually aided by the guitar base of the song. I love the vocal…even though it seems almost hollow in this mix. The voice is one of the key elements of this band…and the way they play back and forth with each other. I wonder what would have happened if a band like INXS would have recorded this…..wow….

Mothers Talk [US Remix]—-This has never been a very favorite track of mine….it seemed like the band was really coming apart during this period…adding all kinds of back drop vocals…nor heavy guitars and a distant between Kurt and Roland…you could smell the dissonance between the two here.

Break It Down Again—-Perhaps one of the most aggressive sounding tracks from the band, it is remarkable in melody and truism. The band offers a new bolder sound…but still managed to keep the base of the sound in the song at the same time. this has a nice anthemic quality to it. I really still love hearing this track. Really a nice memory.

I Believe—-Ghostly and full of a magical sadness that still can raise the hairs on your arms, the vocal is so pre and without any effect. The instrumentation has a slight underlying jazz edge to it that lulls you into the lyric of the track…this is so nice to hear….a magical moment.

Raoul And the Kings Of Spain—-Never a favorite track of mine…..I found nothing that was released around this particular period…out side of Sowing that appealed to me. This is so noisy and unorganized to be…like a smash and haberdasher track to satisfy an obligation….ummm….no……

Closet Thing To Heaven—-Again, there are certain elements of this track i really like. but the band seems to have lost a bit of direction here. The sound…the huge sound they always managed to produce…seems to be missing. The chorus is very nice…but the drums are too loud…the vocal sounds a bit weird as well. I like the melody…but where is the key element we love…the back and forth of the vocal and the guitar…..this is not a favorite….

**** out of 5

 

 

 

 

 

Low / Christmas

 

Christmas

Low is an American indie rock group from Duluth, Minnesota, formed in 1993. As of 2010, the group is composed of founding members Alan Sparhawk (guitar and vocals) and Mimi Parker (drums and vocals), joined by Steve Garrington (bass guitar). Previous bassists for the band include John Nichols from 1993 to 1994; Zak Sally from 1994 to 2005 and Matt Livingston from 2005 to 2008.

The music of Low is characterized by slow tempos and minimalist arrangements. Early descriptions sometimes referred to it as a rock subgenre called “slowcore” often compared to the band Bedhead, who played this style during the 1980s and early 1990s. However, Low’s members ultimately disapproved of the term.

Parker and Sparhawk’s striking vocal harmonies represent perhaps the group’s most distinctive element; critic Denise Sullivan writes that their shared vocals are “as chilling as anything Gram and Emmylou ever conspired on—though that’s not to say it’s country-tinged, just straight from the heart.

Christmas is an EP by the indie rock band Low. It was released in 1999 on Kranky. A Christmas album, it was released as a gift to fans. In 2013, the A.V. Club‘s Josh Modell described it as “the religious album even heathens can love”

The Analysis—-

Just Like Christmas—-If you are familiar with Lows’ music, you notice a bit of a difference at the onset of this opening track. The music that is produced is jaunty and a bit joyous…as it probably should be. the one common bond you will hear are the beautiful voices and wonderful harmonies. Mimi has a voice that is perfect for Christmas music…perfectly angelical and delivered with true emotion. This is a beautiful and perfectly delivered track.

 

Long Way Around The Sea—-From the opening notes, this track is much more familiar in sound and wraps around me like a warm fuzzy blanket. The two voices come together and produce a magical winter landscape that almost brings tears to your eyes as the describe the true meanings of this maniacal time of year. This is brilliant…beautiful in construction and delivery. Just remarkable.

Little Drummer Boy—-Perhaps the most stark and beautiful version of this song I have ever heard…..even from bona fide Church choirs. The melancholy feel of the song fits perfectly with the story. The remarkable and beautiful blend of voices will produce goosebumps…you will listen to this masterpiece of a song long after the season has left you…it is that exquisite and special. The tempo is maddeningly slow…allowing you to savor every single nuance of the words and story. This is a true masterpiece.

If You Were Born Today—-Staying true to the recipe that makes this band a indie phenomenon, the plodding slowness of the music makes it even more important. The minimalist instrumentation almost insists that you truly listen to every single word and digest it as the song moves foreword. This is remarkably beautiful…sad and a reminder of the reason people celebrate this time of year. This is just an incredibly powerful song….Low can do no wrong in my book.

Blue Christmas—-Taking a poignant song and adding the bands own personal spin, allows this classic Christmas song to become even more powerful and intense. Mimi delivers such an emotional vocal that you literally feel tears spring to your eyes uncontrollably. this is stark…naked and produces a feeling like no other version is capable of. This is heart wrenching and full of melancholy. Very powerful.

 

Silent Night—-With an incredible guitar based intro to the song, the two voices come together in a remarkably melody that could fit into any Christmas Eve service across the world. The feeling of the song is genuine and intense…the true structure of the original firmly intact but elevated by the beauty of the voices telling this story.

Taking Down The Tree—-A bit more of a livelier track, the banjo sound is really nice. Mimi adds her subtle percussion and Alan comes through with that sometimes really high vocal he sings in. The song has a sad element…as things are wrapped up for the season and we fall back into the mundane elements of winter as we aim for spring. This can produce a large array of feelings depending where you are at this point in the ‘season’….but that is the joy of this band.

One Special Gift—-Another track to wrap up this masterpiece of a release, that speaks of the let-down of the end of the season and the results of all the mayhem and the trials of the crazy thing we call Christmas. This is a poignant track…reminding me of the O’Henry tale about the combs. This is stark…naked and beautiful. A masterpiece.

*****out of 5

 

Morrissey / Low In High School

Low In High School

Steven Patrick Morrissey (born 22 May 1959), known mononymously as Morrissey, is an English singer, songwriter and author. He rose to prominence as the frontman of the Smiths, who were active from 1982 to 1987. Since then, Morrissey has had a solo career, making the top ten of the UK Singles Chart on ten occasions and reaching number one on the UK Albums Chart three times.

Born in DavyhulmeLancashire, to a working-class Irish family, Morrissey grew up in Manchester. As a child he developed a love of literature, kitchen sink realism and popular music. Involved in Manchester’s punk rock scene during the late 1970s, he fronted the Nosebleeds, with little success. Beginning a career in music journalism, he authored a number of books on music and film in the early 1980s. With Johnny Marr he established the Smiths in 1982, soon attracting national recognition for their self-titled debut album. As the band’s frontman, Morrissey attracted attention both for his witty and sardonic lyrics and his idiosyncratic appearance; deliberately avoiding rock machismo, he cultivated the aesthetic of a social outsider who eschewed drugs and embraced celibacy. The Smiths released three further albums—including the critically acclaimed Meat Is Murder and The Queen Is Dead—and had a string of hit singles. Personal differences between Morrissey and Marr resulted in the Smiths’ separation in 1987.

In 1988, Morrissey launched his solo career with Viva Hate. This album and its follow-ups—Kill UncleYour Arsenal, and Vauxhall and I—all did well in the UK Albums Chart and spawned a number of hit singles. During this time his image began to shift into that of a more burly figure, who toyed with patriotic imagery and working-class masculinity. In the mid-to-late 1990s, his subsequent albums, Southpaw Grammar and Maladjusted, also charted but were less well received. Relocating to Los Angeles, he embarked on a hiatus between 1998 and 2003 before releasing a successful comeback album, You Are the Quarry, in 2004. Ensuing years saw the release of albums Ringleader of the TormentorsYears of Refusal, and World Peace Is None of Your Business. He released his autobiography in 2013, followed by his first novel in 2015. His eleventh solo album, Low in High School, was released in November 2017.

Highly influential, Morrissey has been credited as a seminal figure in the emergence of indie rock and Britpop. Acclaimed as one of the greatest lyricists in British history, his lyrics have become the subject of academic study. He has courted controversy with his forthright opinions—endorsing vegetarianism and animal rights, condemning royalty and prominent politicians, and promoting a vision of English national identity and Britishness. In a 2006 poll held by the BBC’s Culture Show, Morrissey was voted the second greatest living British cultural icon, behind only David Attenborough.

Low in High School is the eleventh solo studio album by English singer Morrissey, released on 17 November 2017 through BMGIt was produced by Joe Chiccarelli, and recorded at La Fabrique Studios in France and at Ennio Morricone‘s Forum Studios in Italy.

The album debuted at number 5 on the UK Albums Chart. It received mixed reviews from critics.

The Analysis—-

My Love, I’d Do Anything For You—-Ok, the requisite odd beginning you generally find on a Morrissey release, the music is very masculine in sound and sounds very big. Morrissey delivers that comfortable and trademark vocal that makes me so comfortable and happy. The music seems a bit too boisterous for the voice here…but the chorus displays a slight falsetto that shows Morrissey still ha that remarkable range. I just don’t care for the music here…The noise is a bit overwhelming.

I Wish You Lonely—-Immediate love rushes from my senses with the onset of this track. The familiar croon makes me smile inside of myself as Morrissey delvers lie after line of irony and sardonic humor. the music…although still very loud and in the fore front of the mix is a bit calmer..allowing for a full showcase of the remarkable and welcoming vocal from Morrissey. This is classic in sound..it makes me happy and nostalgic at the same time. Just wonderful and just as important in message.

Jacky’s Only Happy When She’s Up On The Stage—-From the very first note and vocal utterance, this reeks of classic Morrissey compositions from every year he has released music. The voice is so strong and emotive…delivering exquisite lines..the music is much more understated and has a slight orchestration. This track could fir perfectly o any Morrissey release from the last 15 years. The song makes me feel warm…welcoming and nostalgic. Morrissey has a controlled vocal delivery…he knows just how to wrap himself around the music…and it is always a magnificent result when he does it. This song….to me…may very well be auto-biographical.

Home Is A Question Mark—-Jangly bells and a strong guitar line….powerful upfront drums and the the vocal entrance Sounding fresh ad ageless. Morrissey has the remarkable ability to make me feel joyous inside. The chorus on this track is fantastic…it wraps around your cerebellum and threatens to never let go. This is addictive…one of the best songs I’ve heard from Moz in the last few years…just fantastic!

 

Spent The Day In Bed—-In my opinion, the wrong choice as the lead off single from this release, the previous track would have been a better choice. This is classic in a Morrissey way…full of political references and an underlying rail against Trump without really coming right out and say it. The voice is remarkable here…the melody line of the song a bit addictive and catchy. Morrissey sounds so vocally strong…and his band at this time is practiced around his voice and vocal style. a great track.

I Bury The Living—-A long and tedious introduction ushers in another very masculine and driving musical landscape that suddenly dies away to allow for the vocal entrance. This is pleasant enough….the lyrics are pointed and a bit American…but the track kind of falls flat for me. There is no hook so to speak of that sucks you into the track. The melody is missing here…the music just does not wrap around the voice the way I would expect. I hate to say this…but I don’t really care for this song.

In Your Lap—-This is very odd for me…at one point sounding rather political then becoming a bit ironically sexual, this piano driven track is dark in sound and still manages to deliver an empty feel to my ears that are longing for that one special magic Morrissey moment i have yet to find on this release. This is decent….would I listen to this song tomorrow…..ummm…no.

The Girl From Tel-Aviv Who Wouldn’t Kneel—-Seeming to meld from the previous track, Morrissey has a vocal that is very in the front of the mix…but does not contain the magic that i have been begging for. This is almost like a show tune that has no show, Not sure what is going on here…this is already a record that will lose itself in the catalog of Morrissey releases that is adequate but not great in any ways…I’m at this point…very under-whelmed.

All The Young People Must Fall In Love—-A bit more accessible to my un-practiced ear, this falls a bit more in line to the Morrissey I love. The melody line is wonderfully catchy and inspired. The vocal message a clear indictment to the american political scene. The music is still a bit odd to me…all of the off sounds that are going on serve as a massive distraction from the melody and the lyrical message. This is nice…but still manages to miss the magic that I have become accustomed to.

When You Open Your Legs—-This is really nice at the onset….Morrissey delivers lyrics that are remarkably relate able somehow. I just don’t like the music on this release…where is the power of the guitars and the percussion. All the horns that appear on this release is distracting and takes away from the beautiful crooning from Moz. I like it….but I don’t love anything on this release.

Who Will Protect Us From The Police?—–Musically powerfully, lyrically flat….full of lines that are repetitive at times. I’m sure the message is clear from the title…but it never seems to quite follow through. This release, as a whole is very disappointing to me. I still love you Morrissey…but this is not the best you have done.

Israel—-The end to this less than magnificent release finds me breathing a slight breath of relief. And hear at the end is a remarkable song that sucks me right back into the magical world of Morrissey…I fall in love wit the beautiful piano and the voice that sounds so strong and emotive…magical and intent on delivering a subtle message. The end of the record leaves me with a breath of fresh air and hope for the future….skip the middle of the record…the first three tracks and the last….should and would have been a magnificent EP release.

*** out of 5

 

Queensryche / Condition Human

Condition Hüman

Condition Hüman is the fifteenth studio album by American progressive heavy metal band Queensrÿche. It was released on October 2, 2015 through Century Media. It is the second studio album recorded with vocalist Todd La Torre, after Geoff Tate was fired from the band and gave up the rights to the name after a two-year lawsuit regarding the rights to the Queensrÿche brand was amicably settled.

The album’s first single, “Arrow of Time,” became available for streaming on July 20, 2015, the day the album’s title and release date were announced. It was recorded in early 2015 at Uberbeatz Studios in Washington and produced by Chris “Zeuss” Harris.

The Analysis—-

Arrow Of Time—-Everything about this opening track including the vocal reeks of classic Queensryche. It is amazing how much Todd sounds like Geoff Tate. The song is catchy as hell…reminds me of the classic sound the band started to develop around the Rage For Order time. The vocal is extraordinary….the music this band is making is just not much in demand anymore…it is glad to see bands still trying to keep this sound alive. This is a fantastic start.

Guardian—-I like the speedier guitar on the opening of this track…the guitar is very reminiscent of stuff off of Operation: Mindcrime and Rage…with vocal effects added in the backdrop. The double track vocal gives a nice full sound…and make no doubt…this dude can scream with the best of them. This is really nice. This has such a ‘classic’ Queensryche sound to it.

Hellfire—-Delivering the requisite ‘Hair Metal’ ballad, the band stays true to the recipe that cemented so many metal bands in history. This is such classic in sound…you will think you stepped back in time and listened to a ‘lost’ Queensryche record. I’m not sure if this is purposeful or not. Scott must get a lot of Tate comparisons…you can’t deny it. Even the vocal phrasing is the same…none the less…it is nice to see the band still plugging along. Really not a ballad s it progresses.

Toxic Remedy—-A nice huge guitar intro…..a landscape of sound followed by the trademark drums. The vocal at the onset of the song is a bit weak for me and uninspired…I love the double tracking though. It makes the song so large. The music is really the star of the show on this track for me. The band sounds better than ever.

Selfish Lives—-From the onset, this is like stepping back in time and listening to a track that would fit perfectly on Mindcrime. I wonder if some of these tracks were actually leftovers….the sound is perfect and the lyrics seem to cover the same subject manner. Add the vocal style and you feel like you have discovered old gems from a time long ago.

Eye9—-Beginning with a seldom heard awesome bass line, the song is a bit convoluted at the onset…but the muddled feel clears up as it progresses. The sharp guitar blasts give me a sense of energy. The vocal and the lyrics are pure Progressive Metal…this is a great track…no wonder it was released as a single…perhaps the highlight of the release.

Bulletproof—-Intricate guitar kicks off the track….the classic ballad sounds in full effect here. The vocal literally soars on the chorus…making this a huge addictive song. the guitar delivery delivers emotion and the drums…understated but very present are key to the feel of the song. This guy can really sing!

Hourglass—-Powerful and with a huge wall of sound from the very first note, the music dies away a bit to allow for the vocal. Again, the double track voice gives a fullness to the song. The chorus is huge..a sing a long chorus that does tend to stick with you a bit. This is classic in sound…but fresh enough to keep my attention.

Just Us—-In full ballad form for this track, the vocal is right in your face as the song begins. The gentle sounds of the band allow for the voice to be the star of the show. The lyrical content…a bit juvenile is classic required ballad material on every record. I could do without this…nothing really new here.

All There Was—-Great guitar effects and drums open up this track. There is an aggression and urgency to the music that catches me attention right at the onset. The vocal is pretty predictable…for me, the drums….really in the front of the mix, and the guitars keep the track interesting. I rather like this.

The Aftermath—-An odd little snippet that could have been a great song…..

Condition Human—-Ending the release less than aggressive, I would have preferred a huge galloping track that was designed to leave me hungry for more from this new entity of a classic band. Instead I am left with a feeling of relief that it is over. The saving grace for this track is the huge chorus…the guitars seem to float over my head. For me…it full form. this is a bit of a disappointing release.

*** out of 5

 

 

 

 

 

Martha Wash / Something Good

Something Good

Martha Wash (born December 23, 1953) is an American singer-songwriter. Known for her distinctive and powerful voice, Wash first achieved fame as one half of the successful act Two Tons O’ Fun who sang backing for American disco singer Sylvester. After gaining their own record deal, they released three consecutive commercially successful songs which all peaked at number 2 in the dance charts. The duo was renamed The Weather Girls in 1982 after they released the multi-platinum single “It’s Raining Men“, which brought the band to mainstream pop attention.

After the disbanding in 1985, Wash made a successful transition into house music as a featured artist on several successful songs. Her success on BillboardDance chart has earned her the honorific title The Queen of Clubland, with a total of twelve number-one songs on the chart to date.

Wash is also noted for spurring legislation in the 1990s that made vocal credits mandatory on CDs and music videos after being denied proper credit and royalties for the platinum-selling number one song “Gonna Make You Sweat (Everybody Dance Now)” after she had been labeled “unmarketable” due to her weight. In December 2016, Billboard magazine ranked her as the 58th most successful dance artist of all-time.

In January 2013, Wash released her second studio album Something Good. The album’s second single “It’s My Time” was written by Swedish singer-songwriter Helena Johansson. In March 2013, she was a special guest for the New York City Gay Men’s Chorus during their spring production “Big Gay Sing 6: Club Night Out”. In 2014, the album’s final single “I’m Not Coming Down” peaked at number two on the Dance chart.

The Analysis—-

Alright—-Even if you are not familiar with the name Martha Wash, if you have ever listened to current or 90’s dance music you know the voice. This song…is literally fantastic. Wash sounds ageless and delivers a fantastic positive message with her music. This is less dance and more mainstream, but the strength of the vocal and the addictive chorus makes it spectacular.

Destiny—-Such a brilliant vocal mastery from Martha. This is a bit deeper and more comfortable in range…but the power is still very apparent. The chorus…once again is the magic that draws you in and makes you stay for the rest of it. This is addictive as hell…delivered with practice and power. A brilliant and powerful message.

I’m Not Coming Down—-Such a gentle introduction, Wash shows a vulnerability in her vocal and lyric. The song becomes more peppy and reminds me of a David Archuleta song. This is addictive as hell…Wash maintains a comfortable Alto vocal…but the energy that flows underneath of the song is wonderful. I love this

It’s My Time—-Full of such atmosphere and emotion, the beats are not huge…the groove is missing…..but the emotion and the feeling coming out of this woman is extraordinary. I listen to the lyrics…combined with the voice and it inspires me and makes me NEED to forge on. The power of the song is driven by the voice and the message. This is just wonderful….Wash is a true legend.

I’ve Got You—-A wonderfully large arrangement of piano and strings, this track just screams emotion. Again, the lyrical message of the song is so uplifting and positive….delivered by a powerful vocal….This is wonderful. If you are looking for a dance record…try the first release…this is introspective and meant to inspire…and it does. And that voice…it is like a favorite blanket on a cold winter day.

Proud—-Stripped bare with an almost naked feel…the vocal is so present and filled with emotion. This has a wonderful melody line that becomes addictive as well as positive. This is remarkable…Martha delivers such inspiring messages…if you feel down…put this record on and you will feel better. Man, I would love to hear this woman sing in Church….the song needs no effects or beats….just the powerhouse voice of Martha.

Dream On—-How magical that Wash tackles the Aerosmith classic. The song…in feeling….fits in perfectly with the entire positive vibe of the record. The fact that this is a Tyler song does not inhibit the Master from making it her own…and indeed she does. This is a brilliant cover….Martha displays such a strong vocal…this is just fantastic.

Something Good—-Just brilliant…right from the first note. Wash phrases her words around the music and it becomes a magical wall of pure joy. I feel so uplifted listening to this. I love the tone of the voice…the music never over powers….and the purity of it all touches my soul and makes me want to dance with happiness. I really love this record.

*****out of 5