The Human League are an English electronic new wave band formed in Sheffield in 1977. After signing to Virgin Records in 1979, the band released two albums and a string of singles before attaining widespread commercial success with their third album Dare in 1981. The album contained four hit singles, including “Love Action“, “Open Your Heart“, and the UK/US number one hit “Don’t You Want Me“. The band received the Brit Award for Best British Breakthrough Act in 1982. Further hits followed throughout the 1980s and into the 1990s, including “Being Boiled“, “Mirror Man“, “Fascination“, “The Lebanon“, “Human” (a US No. 1) and “Tell Me When“.
The band began as an avant-garde all-male synthesizer-based group. The only constant band member since 1977 has been vocalist and songwriter Philip Oakey. Keyboard players Martyn Ware and Ian Craig Marsh both left the band in 1980 to form Heaven 17. Under Oakey’s leadership, the Human League then evolved into a commercially successful synthpopband with a new line-up including female vocalists Joanne Catherall and Susan Ann Sulley. Since the mid-1990s, the band has essentially been a trio of Oakey, Catherall and Sulley with various sidemen.
Since 1978, the Human League have released nine studio albums, four EPs, 30 singles and several compilation albums. They have had five albums and eight singles in the UK Top 10 and have sold more than 20 million records.
Being Boiled [Fast Version]—-Now…..I will be the first to tell you that I have been a fan of this band for a very, very long time…..but in the same sentence I will tell you that I never paid much attention to the very early works of the band. I thought most of it was rudimentary and frankly unappealing. The best thing Phil ever did was to include the girls in the band and round out the sound of his deep baritone voice. Of course, this track is essential in the history of the band. If this is indeed the fast version, God help us…it is slow, plodding and dark. But the remarkable synth sounds made from such early equipment still remains. The writing was on the wall…this is not the best…but it still plays rather well.
The Dignity Of Labour Pt. 3—-This track has some shinier and brighter synth lines in it…and the pace is a bit more acceptable to me. The missing link is the shine that later material had to it. This is full of space sounds and a dense landscape that is had to grab hold of…..when the piano synth enters, the song becomes brighter…but the dredge is hard to escape from.
Empire Human State—-A nice rhythmic synth line propels this track along at a dance floor pace. The vocal is lone and distant to me….I think the best thing the band ever did was add the girls. The lyrics are shit,,,just pure nonsense and lackluster. I really don’t like this very much…this sounds like Thomas Dolby in kindergarten.
Only After Dark—-Ugh…..I really don’t care for this very much either. The redeeming think about this is the overdubs that combine the vocals delivered on two different plains…a higher tone and the deep baritone…leading to a landscape of built in harmonies…a shape of the things to come.
Nightclubbing—-This is much in the same vein as the previous ‘singles’ that were released by this band…there is an overriding tone of synth darkness and deep dub sounds that really never appealed to me. The synth effects seem to be on a constant loop that just keep repeating themselves in a monotonous toneless manner. Phil rarely has any vocal inflections and this is really awful to me. Not ready for Nightclubbing!
Boys And Girls—-A dark atmospheric synth opens the track, the big difference is the higher tone of Oakey’s voice…giving the song a lighter feel. The double track vocal adds to the fuller more bright sound of the track…giving the band a seemingly new life and tone. This is much more accessible, and the lyrics really lean towards the crowd that was gravitating to the band….disenfranchised and stigmatized. This is nice.
The Sound Of The Crowd [Instrumental]—-I really would have preferred the version of this track with lyrics. This is not strictly an instrumental but almost like a dub version of the original. You notice the brighter synth tones almost immediately….of course there is a dark underlying tone…but the song was the future of the band…brighter….positive and damn accessible. I love this…a whole new beginning for the band.
Hard Times—-Brighter and full of classic synth sounds of the 80’s, the girls make their appearance and the band takes a dramatic turn toward higher success. The synth sounds are so contagious and the mix of Oakey and the ladies sounds almost like a totally different band. The song is huge in my head phones…taking me back to a time when New Wave was just emerging and we misfits had finally found a band to fall in love with. The slight out of tune synth line makes the track even more charming.
Love Action [I Believe In Love]—-Beginning with an odd synth line that almost meows at you, the layers of sound are fantastic through the headphones. Phil lends his trademark baritone…but the tone just seems lighter and more accessible. The main melody line that pops up in the song will stay in our head and makes me want to pull out all of my old classic vinyl from the 80’s…just fantastic.
Open Your Heart—-Hands down…no argument, my favorite track ever from The Human League. The vocal is extraordinary, the slight out of tune delivery adds to the charm of the song. The energy of the synth line bends my heart into folds. The ladies add to the mix…but it is Oakey at his finest here. This is a classic track that never received the attention it deserved. This IS The Human League!!! You can’t ignore the fantastic synth lines and the jubilant feeling that it gives off…even if the song is not really a happy one……I just love this!
Don’t You Want Me—-Perhaps this song, above all others at the time, helped to define the 80’s synth and New Wave movement. The song still sounds fresh and appealing all of these years on….with a instrumental line that is contagious and ageless. This is the band at the peak of their career…when the cross over to the US was in full swing. A great, great song….but not the best the band ever released…..just the best known.
Mirror Man—-To say that expectations were high after the success of Dare would be an understatement. The band delivered above par music with the release of the follow up EP….short in content…but full of quality singles. The die hard fans snatched it up…..MTV followed it closely…but the band found it hard to keep its place after Don’t You Want Me….for me…the songs like this from that EP were better quality and stand the test of time even better.
You Remind Me Of Gold—-The synth lines of this track are so lively and jaunty…you can’t help but fall in love with it. Phil enters with his trademark baritone and the ladies join him and give the track the warm softer element that it needs. I love all the squeaky lines of the keyboards…this is fantastic…at times the song almost becomes noisy….fantastic.
[Keep Feeling] Fascination [Extended]—-A shining moment in the bands career for sure. I have some remix versions of this song, where the bass level was so intense the speakers almost shut it out altogether. This is as contagious and catchy as anything the band has ever done. The opening synth lines that mimic Church organs open up to hat huge thumping bass line and the swirls of synth in the background that sneak up on you. The vocals are exquisite…the melody line….unforgettable. This is wonderful. Phil ups his vocal…the overdubs are incredible. Just a fantastic track.
The Lebanon [7″ Version]—-Politically charged at the time and very timely. This track carries a sadness to it….even though the music tries to override that sentiment. The lyrics at the time were very appropriate and could apply to anywhere in the world in this day and age that we live in. This is a pretty intense song when you listen to all the words…but loses some of the power because it is so damn pleasant.
Louise [DJ Edit]—-I really love this song…..being one of those people involved with someone from very far in my past…the song touches me…because real life reunions like this are very possible. The deep tone of the vocal is remarkable….and the combination of all the voices at certain times and certain words give the song a remarkable contagious and romantic feel. This is just a wonderful reminder that anything is possible.
Life On Your Own [Single Version]—-This is phenomenal…..the deep bass that propels that song..perfectly matched with the higher tones of the synth line. A slight odd song lies underneath of the whole thing…giving the song a weird flavor that finds a place in my heart. Phil delivers the chorus in his upper register that takes this song to a whole new level. This is just incredible…so nice to hear again.
Human [Extended Version]—-A song that really gave The Human League a second life in the mainstream listening community. Not a favorite track of mine, but it still plays very well today and catches the band at another creative high. The synth line and the bass deliver an unforgettable melody that still manages to pop up in my memory listening bank from time to time….funny….I have a 45 pressing of this song.
I Need Your Loving [DJ Edit]—-Noisy and less melodic, it appears The Human League thought they could copy Prince and deliver a funk fueled dance floor track that really falls flat for me. This is lackluster and the band sounds incredibly bored to me. This did not age well…it plays no better today than it did upon release. I really have disdain for this…..ugh!
Love Is All That Matters [DJ Edit]—-Returning to a more accessible sound somewhat with this single, the funky overtones are still evident. The melody of the song…provided by the ladies voices really give the track the familiar and friendly sound that we are accustomed to. Phil sounds a bit bored with the entire affair…so I still affirm that the main melody and success of this track was the responsibility f the girls….and they deliver very well.
Heart Like A Wheel [William Orbit Remix]—-Helping to add to the nine lives theory, this track helped to bring attention back to a foundering band that needed a new listening base. This is jaunty, happy and full of energy. The synth line is playful and full of energy. The combination of the voices throughout the entire song help to make it sound fresh and invigorating. This is a wonderful track….fantastic!
Soundtrack To A Generation [Edit]—-Odd at the onset, the jaunty almost New Order like synth line takes the song to a nice place. Phil delivers a vocal that sounds a bit strained and forced…..really not the best the band had to offer, I could think of a few other songs that could have taken this ones place. The shout B-52’s like delivery is not the band that we love…this is a waste really.
Tell Me When [Edit/Remastered 2003 ]—-This is a slick return to the shiny and accessible pop lines that the band did the best with. Phil sounds re-invigorated and the ladies are present as always. The pace of the song hearkens back to the early days of the band…this is driving and forceful…but melodic and damn catchy at the same time. The chorus of the song is the key…and it stands the test of time very well. This is wonderful.
One Man In My Heart—-This is fantastic….letting the ladies really have a spotlight on the trademark and necessary vocals that made this band huge. The melody line that runs through this song are almost Do-Wop inspired and make you feel a happiness that you can’t explain. Although Phil does add vocals…this track belongs to the ladies and they shine like an indelible star!
Filling Up With Heaven—-Not sure how I really feel about this song…..at the time of recording, technology was/is so advanced but it seems like the band is still using the same Korg’s and Moog’s that they always used. All of the mass vocals on the chorus are confusing and disjointed and the higher tone keyboards are awful. This just sounds uninspired.
Stay With Me Tonight—-Propulsive synth lines send this moving at a nice pace…then the vocal hits you . At the beginning, Phil barely sounds like himself….but the familiarity emerges. To me, this song is the complete opposite of the last entry…there is so much technology going on that it threatens to drown the band and the necessity of their voices. This is unorganized and messy.
All I Ever Wanted [Radio Edit]—-Not sure why this is here at the end of the release…perhaps a re-issue was in order for the anniversary of the band. This is classic in sound…the deep wavy bass synth is wonderful. The ladies add to the dissonant vocal from Phil…when he breaks into the higher tones it is much warmer and approachable. Nice…but why? Oh…this was from 2001……joke!
Night People [2016 Edit]—-I love this track…this is such a fun and jaunty track. The synth lines are contagious as hell….the vocal is full of echoes and memories of the old days if you will. This is just fantastic…reminding me of the material from Fascination. I love the energy, the sentiment and the mood.
Never Let Me Go—-This is the sound again of a re-invigorated band. he deep deep bass that runs through the underbelly of the song is just fantastic. The ladies lend a vocal line that sticks in your cerebellum…refusing to let go for hours after a listen. This is melodic…huge and driving. I love this…there is just life after life for this band.
Sky [Radio Edit]—-The latest proper new release from the band, this is deep and intense. The melody line that runs through the track is classic and wonderful. I like the combination of the voices and the slight overlays from Phil. This is nice…not the best of the band…but a damn valiant effort showing us that this band is still alive and well. Very Nice!
**** out of 5