Echo & The Bunnymen / Nothing Lasts Forever

Nothing Lasts Forever

Echo & the Bunnymen are an English rock band formed in Liverpool in 1978. The original line-up consisted of vocalist Ian McCulloch, guitarist Will Sergeant and bassist Les Pattinson, supplemented by a drum machine. By 1980, Pete de Freitas joined as the band’s drummer.

Their 1980 debut album, Crocodiles, went into the top 20 of the UK Albums Chart. After releasing their second album, Heaven Up Here, in 1981, the band’s cult status was followed by mainstream success in 1983, when they scored a UK Top 10 hit with “The Cutter“, and the album which the song came from, Porcupine, hit number 2 in the UK. Ocean Rain (1984), continued the band’s UK chart success, and has since been regarded as one of the landmark releases of the post-punk movement, with the single “The Killing Moon“.

After releasing a self-titled album in 1987, the next year, McCulloch left the band and was replaced by former St. Vitus Dance singer Noel Burke. In 1989, de Freitas was killed in a motorcycle accident. After working together as Electrafixion, McCulloch and Sergeant regrouped with Pattinson in 1997 and returned as Echo & the Bunnymen, before Pattinson’s departure in 1998. The band has been touring since, releasing several albums since the late 1990s, to varying degrees of success.

The Analysis—-

Going Up—-The brilliance of this band live can not be denied. The sound is perfect and the delivery is the best record in the universe. Ian sounds just remarkable. The post-punk energy on this song is addictive…..the music seems to play in a land by itself…..and Ian still seems to sing to himself. This is brilliant.

With A Hip—-Melding from the previous track, this introduction of the band on stage is seamless. Ian sounds like a man half his age. The voice and the powerful band are just incredible. This is a throw back release that sounds like it was recorded yesterday. I love this band!

Stormy Weather—-This is just fuckin magical. Bright and shiny pop music that shines like the sun on a bright sandy beach…allowing you to lose hours at a time daydreaming of a perfect life and a shiny bright future. Ian sounds magical…..wishing I could go back in time and change some things. This was a magical moment in my history for me.

Show Of Strength—-Rapidly going from one song directly to the next, time never diminishes the magic of the music or the time it was produced. For a live recording, the sound is bright and shiny…truly a stellar performance. Ian sounds like a man half his age….it never gets old. This is magical for me.

Bring On The Dancing Horses—-Such a classic track…..full of every 80’s sound you could imagine. The slow and smooth vocal delivery from Ian s literally priceless. The sound here is a bit muddled….but it rises above and lives in your head for days after you hear it. This was a priceless time…..I thank Ian and Co. for such great memories.

 

The Disease—-Whispering at the onset…..and then the magic clear vocal from Ian…..it still lulls me into a kind of daydream…this is just literal magic. The almost spoken word delivery can be heard….but you hear the audience too…..we know every word. This was a pure genius of a band. A wonderful time full of memories and positive thoughts for the future.

Scissors In The Sand—–Coming alive in a raucous almost punk delivery, Ian is almost drowned out by the instrumentation…but that is ok…because the energy is so damn contagious and catchy. This is a bookmark for me…..a nice cross of what was….and what was to come.

All That Jazz—-Ian has such a fantastic accent when he sings/talks through his songs. This is a bit muddled in sound….but it is the energy of the delivery that is contagious. The drums are fantastic….the guitars right in your face. This is fantastic!

The Back Of Love—-The sound here is so crowded, it is hard to even catch one particular sound….but that is the price of live recordings sometimes. Ian seems pushed way to the back of everything…..but I will take it for posterity…lol

The Killing Moon—-A true classic. Sounding like yesterday. the recording and delivery is wonderful. I feel the smile start inside and I can;t stop it from spreading as Ian sings…and indeed, that is the power of music. This is so magical and well done…I have no complaints.

 

In The Margins—-A steady guitar hum soars through the song…..takin some of the brightness from the song. But once Ian opens up his mouth….you are again transported to a different place and a different feeling about life. I have such good memoies…they all come back alive….in the margins.

Never Stop—-This is a bit jaunty and fun……the sound although muddled still comes through. The bright keyboard sounds shine through Will’s guitar chords…..it all seems to create a perfect storm.

Villers Terrace—-Such a dirty production sound takes away from the ‘wonderfulness’ of the song a bit….but Ian still shines through with his vocal….at times it is too deep….but live is live.

Of A Life—-Such a classic Echo sound on this song….the sound that really fefined them and made them a stellar part of the Brit movement. Ian sings in a rather joyful way that sucks me right in….I love the memory of the song more than the song itself…if that makes sense. Brilliant!

Rescue—-a classic echo song that sounds even more powerful live. Ian sings in a rather cocky way that makes my inner self smile….I love this trip down memory lane. The chorus never fails to inspire….and the crowd singing along makes it awesome.

The Cutter—-One of the all time stellar hits, this still plays so well in my brain. This was the beginning of so many things…Alternative….Goth…..Mopey Rock……and to this day still defines and out defines all definitions of culture.

Nothing Lasts Forever—-Such a brilliant and poignant song…..this cannot be described by me….because it surpasses all definitions. The sentiment and the vocal literally takes you to another place….This is brilliant…..a band that will live forever.

Lips Like Sugar—-Perhaps the song that defined these iconic lads…..I can’t find joyous enough words to describe my elation. This is the soundtrack of my youth….and my hope for the future.

Ocean Rain—-A fantastic and apt closer, I could not ask for anything more……beautiful…..stark……boisterous and joyous….everything I needed today.

***** out of 5

Breaking Benjamin / Ember

Ember

Breaking Benjamin is an American rock band from Wilkes-Barre, Pennsylvania, founded in 1999 by lead singer and guitarist Benjamin Burnley and drummer Jeremy Hummel. The first lineup of the band also included guitarist Aaron Fink and bassist Mark Klepaski. This lineup released two albums, Saturate (2002) and We Are Not Alone (2004), before Hummel was replaced by Chad Szeliga in 2005. The band released two more studio albums, Phobia (2006) and Dear Agony (2009), before entering an extended hiatus in early 2010 due to Burnley’s recurring illnesses.

The release of a compilation album amid the hiatus, Shallow Bay: The Best of Breaking Benjamin (2011), unauthorized by Burnley, brought about legal trouble within the band resulting in the dismissal of Fink and Klepaski. Szeliga later announced his departure in 2013 citing creative differences. Burnley remained the sole member of the band until late 2014, when the current lineup was announced, including bassist and backing vocalist Aaron Bruch, guitarist and backing vocalist Keith Wallen, guitarist Jasen Rauch, and drummer Shaun Foist. The band afterward released Dark Before Dawn (2015) and Ember (2018).

Despite significant lineup changes, the band’s musical style and lyrical content have remained consistent, with Burnley serving as the primary composer and lead vocalist since the band’s inception. The band has commonly been noted for its formulaic hard rocktendencies with angst-heavy lyrics, swelling choruses, and “crunching” guitars. In the United States alone, the band has sold more than 7 million units and yielded three RIAA-certified platinum records, two gold records, and several certified singles, including two multi-platinum, two platinum, and five gold. The band has also produced one number one record on the Billboard 200.

Ember is the sixth studio album by American rock band Breaking Benjamin, produced by lead singer and guitarist Benjamin Burnley. It was released on April 13, 2018. The first single, “Red Cold River“, was released on January 5, 2018. Four additional songs were released prior to the album’s release, including “Feed the Wolf”, “Blood”, “Psycho”, and “Save Yourself”. A music video for “Torn in Two” was released on the same day as the album.

The Analysis—-

Lyra—-Opening the release with a gentle piano interlude, you feel the power building as the song progresses….erupting into…

Feed The Wolf—–There is a remarkable comfort that comes from a very consistent band….such is Breaking Benjamin. This song is familiar and comfortable…but adds a slight aggression and brutal vocal that is a surprise. Ben has a remarkable voice and he sounds fantastic here. I love this.

Red Cold River—-With a subdued intro, the band still has that remarkable familiarity about it. When the rough vocals smack you in the face…you are sent staggering with the controlled aggression. The blend of voices here are fantastic….Ben seems to have found a magical line-up here. There is a lot of ebb and flow in the song…keeping everything interesting and magical.

 

Tourniquet—-Rather bizarre at the onset, the song develops into a trademark sounding Benjamin track. I love his voice here…there is a crunch to the way he sings sometimes that I just fall over myself for…this is a great example. This is classic Breaking Benjamin…..stands up well next to anything they have ever done.

Psycho—-Diving back head first into a more aggressive guitar sound, the bass line on this track is literally huge. The drums keep perfect pace…..add in the vocal and you are literally transported into a cold Nether-land. This is fantastic…accessible but aggressive…..perfectly delivered.

The Dark Of You—-Dark and ominous at the onset, the song provokes images in your mind’s eye magically. The vocal is smooth, sedate and full of a subtle pain. There is a beauty to this track I just adore. A beautiful dark journey in just a few minutes.

Down—-Returning to a full on onslaught of energetic guitar crunches and a powerful emotive vocal, this is the reason I love this band so much. The compositions are so consistent…..predictable…but delivered with a finesse that keeps me coming back for more. This is excellent.

Torn In Two—-Perhaps the most aggressive song on the release, from the first note, the song is relentless. Even Ben delivers a vocal that sounds a bit demented and evil….heavily dark. the song leaks a 90’s Alt-Rock feel to it….but it has quickly become one of my favorite tracks on this new release. Excellent!

Blood—-Chugging along like a steam engine, the band continues to deliver trademark guitar crunches that wrap around Ben’s vocals like a well oiled machine. This is excellent….consistent but not boring. A great mix of subtle and aggressive.

Save Yourself—-There seems to be such a new energy to the band since the members have changed. I am amazed that Ben can just keep pumping ot these epic tracks…I’m so happy he found the supporting characters to deliver his vision. This is melodic…tight and huge. I love this.

Close Your Eyes—-A really nice soaring lead guitar introduces this track….this sounds like it could have fir perfectly on the first or second release…..I think this has been around awhile…it has that sound of earlier recordings. But that is not a negative….this is brilliant!

Vega—-Ending the release, the band delivers a short but epic outro that leaves you hungry for more…..there is only hope that the wait till next time out last as long. A great release!

***** out of 5

Ministry / AmeriKKKant

AmeriKKKant

Ministry is an American industrial metal band, founded in 1981 by Al Jourgensen in Chicago, Illinois. Originally a synth-pop outfit, Ministry shifted its style to become one of the pioneers of industrial metal in the mid-to-late 1980s. The band’s lineup has gone through many changes throughout its history, with Jourgensen remaining the only constant as the band’s main producer, singer, songwriter, and instrumentalist. Notable musicians who have contributed to the band’s studio or live activities include Paul BarkerMartin AtkinsBill RieflinChris ConnellyNivek OgreMike ScacciaRey WashamPaul RavenTommy VictorJason ChristopherTony CamposMonte PittmanBurton C. Bell and DJ Swamp.

Ministry found mainstream success in the late 1980s and early 1990s with three of their studio albums: The Land of Rape and Honey(1988), The Mind Is a Terrible Thing to Taste (1989) and Psalm 69: The Way to Succeed and the Way to Suck Eggs (1992), with the former of the two certified gold and the latter certified platinum by the RIAA. The 1996 follow-up album, Filth Pig, was also critically acclaimed but did not repeat the success of its predecessors; the album did, however, earn Ministry its highest chart position on the Billboard 200, peaking at number nineteen. The band has been nominated for six Grammy Awards, and performed at several notable music festivals, including participating in the second annual Lollapalooza tour in 1992 and co-headlining Big Day Out in 1995.

Ministry was dissolved in 2008 after 27 years of recording and performing, and Jourgensen had since stated that they would never reunite. However, the band announced a reunion in August 2011, and has released three more studio albums since then: Relapse(2012), From Beer to Eternity (2013) and AmeriKKKant (2018).

AmeriKKKant is the fourteenth studio album by industrial metal band Ministry, which was released on March 9, 2018. It is their first release on Nuclear Blast, and marked the longest gap between studio albums in the group’s entire career; at five years, following From Beer to Eternity (2013). AmeriKKKant is also the first Ministry album without guitarist Mike Scaccia since The Last Sucker (2007); Scaccia died in 2012 but appeared posthumously on From Beer to Eternity.

The Analysis—-

I Know Words—-Would you expect anything less than a Trump sample to open this release…of course not. Al remains as outspoken and political as ever. This is a clear poke at the disaster presidency that America finds itself involved in. This is a bit sparse as far as instrumentation goes…..perhaps setting the mood for the onslaught to come. The vocal samples are wonderfully done and intermixed to form full radical sentences….Brilliant!

Twilight Zone—-With even more trump vocal samples, the music is a bit beefier here and filled with a bit more urgency. While noisy and erratic, this still lacks a bit of power for me. Al finally makes a vocal appearance….sounding less maniacal and a bit pushed to the back of the mix. This does have that nice genuine Industrial sound of days gone by…all in all…not to bad. The point is being made!

Victims Of A Clown—-Melding from the previous track seamlessly, this begins a bit sedate and with strains of Circus music…get the message? Clocking in at over 8 minutes, this takes a very long time to get started. Once the bass heavy music kicks in, the song takes a really nice shape. The lack of urgency on this release is very noticeable though….it used to be Al would rant solid for an entire hour on a release…this just seems a bit uninspired. The ‘chorus’ is nice and muscular….and tings get a bit damn noisy for a bit….like the old days.

Tv 5/4 Chan—-This brief 40 second interlude is a barrage of gunshots, TV sound bites and serves to usher in….

We’re Tired Of It—-This is more like what I have been waiting for on this release….a huge barrage of urgency….aggression and released energy set to a blistering pace. The vocal is louder and more up front….everything smacks you right in the face. The growls and yells are classic…I really needed this.

Wargasm—-Layered once again with sound bite samples and almost undistinguished vocals, the track clears up a bit to allow for the vocal. Burton C. Bell adds vocals to the chorus ala Fear Factory style…giving the album at this point a much needed breath of fresh air. This is a favorite of mine..if just for the clear and concise chorus vocal alone.

Antifa—-Powerful and featuring a driving bass line, this is another favorite track of mine. This again, takes me back to the glory days of the band when they were kings of the Industrial 90’s. This is thick…dense and has a pulsating programmed line that really comes alive in the second bar….driving the song to a new height. This is really nice. A brilliant track…though the vocals still seem really buried underneath everything.

Game Over—-After the previous track, this comes across as a ghost of a song at the onset. There is a nice melody line that travels through the song and makes it a bit more accessible. Of course, the song is full of soundbites from various generals…..and of course THE DONALD…..the layers of music that float over the melody line is pretty unique…..I don’t hate this.

AmeriKKKa—-Ending this release with a track that begins sounding more like a metal song, there are some nice elements along the way. I wish Al had more presence of mind to move his vocals up in these tracks…it sounds like he phoned in everything instead of actually participated. I like the slow, plodding sabbath style bass line…..it gives the track a doom filled atmosphere that appeals to me.

*** 1/2 out of 5

 

Editors / Violence

Violence

Editors are an English rock band, formed in 2002 in Birmingham. Previously known as PilotThe Pride and Snowfield, the band currently consists of Tom Smith (lead vocals, guitar, piano), Russell Leetch (bass guitar, synthesizer, backing vocals), Ed Lay (drums, percussion, backing vocals), Justin Lockey (lead guitar), and Elliott Williams (keys, synthesizers, guitars, and backing vocals).

Editors have so far released two platinum studio albums, and six in total, with several million combined sales. Their debut album The Back Room was released in 2005. It contained the hits “Munich” and “Blood” and the following year received a Mercury Prize nomination.

Their follow-up album An End Has a Start went to number 1 in the UK Album Chart in June 2007 and earned the band a Brit Awards nomination for best British Band. It also spawned another Top 10 hit single, “Smokers Outside the Hospital Doors“. The band’s third album, In This Light and on This Evening, was released in October 2009 and went straight to number 1 in the UK Album Chart. The band released their fourth studio album, The Weight of Your Love, in July 2013, followed by self-produced In Dream in October 2015.

Alongside their critical acclaim and strong success in the charts, Editors have consistently enjoyed sold-out tours and numerous headlining festival slots. Their brand of dark indie rock is commonly compared to the sound of bands such as Echo & the BunnymenJoy DivisionInterpolThe Chameleons and U2.

Violence is the sixth studio album from British recording group Editors. It was released on 9 March 2018 by PIAS Recordings.

The Analysis—-

Cold—-Full of atmosphere, the music wraps around the vocal remarkably well. This sounds so much like Ian McCullough, I had to double check the release title! The song becomes a bit more full bodied…but the underlying density stays puts and leaves you feeling sad and elated at the same moment. This is incredible.

Hallelujah [So Low]—-Shedding the more familiar sound of the previous track, this has a nice electronic edge to it that gives a full bodied and electric feel to the song. The noise becomes incredible during the second bar…a huge barrage of sound that threatens your headphones…then settles and returns again. A nice unexpected surprise here.

 

Violence—-A slight ambiance to the intro….the vocal is a nice mix of Ian and Bono…..perfectly in sync with the music and the instrumental mood. Delivering some sharp burst of noise here and there, the quality of the song still remains intact. This is dark…but not as dark as Editors of yesteryear. I still manage to fully embrace every release from these blokes though.

Darkness At The Door—-Again, there is a level of layered noise…but a jangly U2 style music that still remains accessible to long time fans. The vocal seems pushed to the back of the song…I would have preferred it much more i the front of the mix. I don’t dislike this release……but it seems a bit uninspired to me standing next to previous releases.

Nothingness—-A bit more sedate and still, the vocal again brings Ian to my mind and makes me really miss Echo And The Bunnymen. This has a really nice sound to it….perhaps my favorite track thus far…it is full of angst….hurt and melancholy…as well as a powerful accessible instrumentation. I really like this.

Magazine—-Atmospheric and a bit odd at the onset, I keep waiting for the song to truly develop…..as the chorus opens up…it does. The song becomes larger and more accessible….full of a rhythmic line that sucks me in. The vocal…still a bit removed from the front of the song still manages to be powerful. This is nice.

No Sound But The Wind—-Now this…..this takes me back to the beginning sounds of the band when they first began. This is remarkably stark and naked….stripped down and allowing the emotional music and vocal to form the song without a bunch of extra additives. This is just brilliant…a true masterpiece of a song.

Counting Spooks—-Layered and delivered exquisitely, this is again….a song that puts me right where I wanted to be when hearing this release. This is incredible…reminding me of when this band first hit my ears. This is brilliant….I love the consistent sound…all of that earlier noise was not necessary.

Belong—-An odd….drip drip drip of an intro, the beginning of the song is naked and stripped bare of effects and consistent instrumentation. The vocal is deeper and darker….strings wrap around it and show promise of the dark epic qualities of the track. This is classic sounding Editors…I love the naked and vulnerable sound of the whole thing. As the song develops….it becomes a bit noisier and a bit convoluted…but over all this is fantastic. A huge sad affair.

**** out of 5

The Restless Romantics / A SoundCloud Sampler

“The Reckless Romantics were a power trio based out of Los Angeles, CA and lead by Raphael Ascanio. Fueled by beer, whiskey, marijuana, and Raphael’s lament, the trio existed and performed improvised renditions of Raphael’s regrets, failures and lamentations. The band is currently on hiatus until the drummer is out of jail.”

The Analysis—-

Drinking About You—-Wonderfully constructed in the way the best 80’s synth pop was, this takes me back to the New romantic movement of that time. The disembodied vocal…full of a slight pain and loneliness still manages to sound suave and relaxed. A remarkable throwback sound that is at the same time, quite modern.

 

For Aurora—-Literally reeking of the classic Morrissey/Marr compilations of the mid 80’s, the slight and exquisite jangly guitar sound is fantastic. The higher tuned guitar seems to lay right on top of the vocal…creating a wonderful blanket of sound that makes you want to snuggle deep into. Masterfully delivered…this is fantastic.

 

Demo—-This live recording really catches the energy and the raw feel of the band. The style is classic Joy Division to my ears…the bass leads the song…but the crashing drums gives off a remarkable energy. The vocal sound is fantastic for a live demo…the deep baritone literally wraps around my head. This band has really captured me….I anxiously await more material from this up and coming band.

 

**** out of 5

 

The Killers / Wonderful Wonderful

Wonderful Wonderful

The Killers are an American rock band formed in Las VegasNevada, in 2001 by members Brandon Flowers (lead vocals, keyboards, bass) and Dave Keuning (lead guitar, backing vocals). Mark Stoermer (bass, rhythm guitar, backing vocals) and Ronnie Vannucci, Jr. (drums, percussion) would complete the current lineup of the band in 2002. The band’s name is derived from a logo on the bass drum of a fictitious band, portrayed in the music video for the New Order song “Crystal“.

The band has released five chart topping studio albums: Hot Fuss (2004), Sam’s Town (2006), Day & Age (2008), Battle Born(2012) and Wonderful Wonderful (2017). They have also released a B-sides and rarities compilationSawdust (2007); a live album, Live from the Royal Albert Hall (2009); a greatest hits album Direct Hits (2013); and a Christmas compilation Don’t Waste Your Wishes (2016).

The Killers are seen as one of the biggest rock bands of the 21st century, and the most successful rock band to ever emerge from the state of Nevada, having sold an estimated 22 million records worldwide. They have also achieved worldwide success as a live band, performing in over 50 countries and on six continents, headlining venues such as Madison Square Garden and Wembley Stadium.

The Killers released their fifth studio album, entitled Wonderful Wonderful, on September 22, 2017. The album was produced by Jacknife Leeand lead single “The Man” was released on June 14, 2017.

Wonderful Wonderful become the band’s first album to reach the number one spot on the US Billboard 200it also claimed the top spot on the UK Album Chart making The Killers the first international act to have their first five studio albums all reach number one in the UK.

The Analysis—-

Wonderful Wonderful—-A nice almost sonic intro leads up to a strong bass line that slowly allows for the introduction of Brandon and his unmistakable vocal. The track has a nice dark one to it…leaving the poppy madness of earlier releases in the dusk. It is when the chorus hits that you understand the beauty and mastery of the track. The faux [?] horns and big sound is unmistakable…..the song slowly grows on you. I’m sure his track will generate many U2 comparisons.

The Man—-A huge intro reminds you for sure that this is indeed The Killers. Brandon delivers a vocal that shines like a million stars. the remarkable melody line runs through the entire track…delivering a quasi-dance floor track that reminds me of the glorious days of bar music. Brandon and his vocal sounds refreshed and driven with an ambition not heard recently. This is stellar.

Rut—-A surprising introduction to the song…but what follows is just pure magic to my ears. As in many past releases, Flowers seems to call on his inner Springsteen to deliver a quiet but damn powerful ode. The music swirls around your head and gives your soul a slight joy…and causes you to push the replay button more than once. For me, this is a magical track.

Life To Come—-Coming out of the silence with a low hum, Flowers enters over a sad and forlorn sound that again brings forth the Boss. The vocal is in the very front of the mix…as the music becomes even stronger, you are again reminded of classic U2 sounds that made the band so popular. When the song finally reaches it’s crescendo. you realize it is imperative to sit through the quieter moments. Just fantastic!

Run For Cover—-The intro to this track reminds me of classic Interpol so much…the atmospheric bass line and the building music. Flowers enters with an urgent vocal that drives the song along with the pace of the music. The chorus hits you and makes your brain agree…this is a classic Killers track. Huge and built for arenas, this will play so well live. I have no words for the mastery here…this is brilliant.

 

Tyson Vs Douglas—-Interesting track from the opening effects…..the music that opens the track is hyper kinetic and delivered with a nice urgency. I love the reminiscent quality of the song…this is obviously Vegas inspired. Flowers delivers that classic huge chorus that makes the band seem literally monstrous. It is a joy to know that he magic is still there….the band has never sounded better. This is a monumental track.

Some Kind Of Love—-With incredible song placement, the band returns to a more somber feel here and allows you to realize the band is so much more than Glam and Glitz. This is magically quiet and beautiful…Flowers reaching notes I didn’t think he was capable of. The ghostly and funeral feel of the song gives me goosebumps. This is fantastic…..

Out Of My Mind—-Brilliant and crisp guitars and drums open the track. Flowers sounds so much like Bono on this track, I’m almost confused. The lyrics…on every single song on this release, are meaningful and lead you somewhere. I don’t really care for the chorus here…the female singers seem to almost take the spotlight away from Flowers who is in the best voice here than in recent memory. Still a great track though…full of nostalgic lyrics.

The Calling—-Wow….politically charged and filled with lyrics that will make you sit back and think for a minute. The bluesy quality of this track came as a slight surprise to me…the classic downbeat guitar is remarkable…as well as the drums. The vocal is a bit to staccato for me…but the lyrical content is made to allow you to think. I really, if I do have a complaint about this release, do not like the female vocals all over this release. Other than that…no complaints here.

Have All The Songs Been Written?—-Ending this release on a fairly somber note, Flowers delivers such a remarkably clear and concise vocal…I have chills once again The music…a slow and low hum interrupted by short guitar notes gives the track and even lonelier feel. This is a magical track….the beats pick up and the song becomes a bit larger as it continues…but you never lose that lonely and melodramatic effect. Just masterful.

**** out of 5

 

 

Tears For Fear / Rule The World : The Greatest Hits

Rule The World: The Greatest Hits

Tears for Fears are an English pop rock band formed in Bath in 1981 by Roland Orzabal and Curt Smith. Founded after the dissolution of their first band, the mod-influenced Graduate, they were initially associated with the new wave synthesiser bands of the early 1980s but later branched out into mainstream rock and pop, which led to international chart success. They were part of the MTV-driven Second British Invasion of the US.

Their debut album, The Hurting, released in 1983, reached number one on the UK Albums Chart, while their second album, Songs from the Big Chair, released in 1985, reached number one on the US Billboard 200, achieving multi-platinum status in both the UK and the US. Their second album contained two Billboard Hot 100 number ones: “Shout” and “Everybody Wants to Rule the World“‘, the latter winning the Brit Award for Best British Single in 1986.

Smith and Orzabal parted company in 1991, after the release of their third platinum-selling album The Seeds of Love (1989), though Orzabal retained the Tears for Fears name throughout the remainder of the 1990s. The duo re-formed in 2000 and released an album of new material, Everybody Loves a Happy Ending, in 2004. Since 2013, the duo have been working on their seventh album. Tears for Fears have sold over 30 million albums worldwide

The Analysis—-

Everybody Wants To Rule The World—-It is always interesting to look back at the music that helped to form your teen years and see how it stands the test of time in your adult brain. I was disappointed at yet another Greatest Hits record from this band…but it is always nice to hear the classics again. This track is monstrous…melodic and really does manage to stand the test of time. The two voices when joined together are a force. Roland has that remarkable upper register. The synth drive of the song screams 80’s…it is brilliant.

Shout [7″ Edit]—-Laden with every trademark gimmick of classic 80’s pop music, this song..in it’s heyday was an absolute monster. I assure you….it still plays with exquisite flavor in 2017. That classic vocal…the long notes from Roland that adds depths of emotion to the song…still can give you goosebumps even now. This is a remarkable reminder of why the 80’s still live on with a bit of success.

 

I Love You, But I’m Lost—-One of the new offerings that are offered on this release. I listen to this very carefully…looking for the magic that served as the propulsion for the band in the early years. The sound at the onset is dense, giving way to a synth laden happiness that captures my attention. The vocal is a bit odd for me….they sound more like MGMT to me. the chorus is not the huge affair I expected…but the track does not let me down. There is a catchy element to the song that makes me smile somewhere inside my self…I don’t profess pure love…but I don’t hate it either.

Mad World—-I think the key elements of this track were meant to burrow into your cerebellum and just stay there. this is a recipe laden pop song that hits a perfect 10 on every mark. The jungle drums…the static synth line…the guitar line…the beautiful and perfectly clear vocal…the intermittent horns….how can you go wrong here. This is, for me. pure pop perfection.

Sowing the Seeds Of Love—-This for me, was one of the best tracks the band ever produced. the track shows a progression of sound…while still retaining the trademarks that made the band a huge hit. The slight psychedelic feel of the song propelled them further…while the vocal harmonies were stronger and more intact than ever. The horns at the end of the track were incredible. This is a pure masterpiece…a song I never really ever tire of hearing.

 

Advice For The Young At Heart—-I remember when I first heard this song, I though maybe i was hearing a new song from Icehouse or Icicle Works….I was surprised. This is wonderfully layered with that magic emotion the band was able to produce…as well as a chorus that will live with you…even twenty plus years on. This still sounds great…still sounds important as ever…and still plays in my brain like the very first time. Those voices…it’s like magic.

Head Over Heels—-Perhaps the biggest selling single for the band…and the one that sent them way over the top in the 80’s and the video driven world, this still plays as well as it did from day one. The vocals are so strong…the way the band plays off of each other is just pure magic…there is an almost pulley system between the two….where the voice and the guitar strive to be the best. The synth lines are so strong…producing a magical melody that will never leave you alone…this was a pure magical time.

Woman In Chains [feat. Oleta Adams]—-Funny to hear this song with the climate of the nation today. It seems right in line with all of the stuff that seems t be going on. And the vocal guest from the fantastic Oleta Adams is literally heartbreaking and wrenching. This is timely…and should be played everywhere. the soaring vocals give me goosebumps…this is brilliant…way before it’s time.

Change [Radio Edit]—-Another one of those tracks that carries so many familiar sounds of the times. At certain times, the synth line sounds like a pure rip off of Rio from Duran Duran…..but the vocal kicks in and you know this is classic. The long drawn out vocal sounds from Roland gives the song a remarkable emotional quality….even while the instrumentation plays right up in the front of the song. This is brilliant.

Stay—-The second of the two new tracks on this compilation, I find this rather flat and a bit uninspired for my ears. The trademark sounds of the band seem to be largely missing…where is the play of the back and forth between the members. The vocal sounds almost foreign to me….I really do not like this very much….but I’m still glad to have it.

Pale Shelter [2nd US Version]—-This has that nice synth driven sound that is actually aided by the guitar base of the song. I love the vocal…even though it seems almost hollow in this mix. The voice is one of the key elements of this band…and the way they play back and forth with each other. I wonder what would have happened if a band like INXS would have recorded this…..wow….

Mothers Talk [US Remix]—-This has never been a very favorite track of mine….it seemed like the band was really coming apart during this period…adding all kinds of back drop vocals…nor heavy guitars and a distant between Kurt and Roland…you could smell the dissonance between the two here.

Break It Down Again—-Perhaps one of the most aggressive sounding tracks from the band, it is remarkable in melody and truism. The band offers a new bolder sound…but still managed to keep the base of the sound in the song at the same time. this has a nice anthemic quality to it. I really still love hearing this track. Really a nice memory.

I Believe—-Ghostly and full of a magical sadness that still can raise the hairs on your arms, the vocal is so pre and without any effect. The instrumentation has a slight underlying jazz edge to it that lulls you into the lyric of the track…this is so nice to hear….a magical moment.

Raoul And the Kings Of Spain—-Never a favorite track of mine…..I found nothing that was released around this particular period…out side of Sowing that appealed to me. This is so noisy and unorganized to be…like a smash and haberdasher track to satisfy an obligation….ummm….no……

Closet Thing To Heaven—-Again, there are certain elements of this track i really like. but the band seems to have lost a bit of direction here. The sound…the huge sound they always managed to produce…seems to be missing. The chorus is very nice…but the drums are too loud…the vocal sounds a bit weird as well. I like the melody…but where is the key element we love…the back and forth of the vocal and the guitar…..this is not a favorite….

**** out of 5