Blondie is an American rock band founded by singer Debbie Harry and guitarist Chris Stein. The band was a pioneer in the early American new wave and punk scenes of the mid-late 1970s. Its first two albums contained strong elements of these genres, and although successful in the United Kingdom and Australia, Blondie was regarded as an underground band in the United States until the release of Parallel Lines in 1978. Over the next three years, the band achieved several hit singles including “Heart of Glass“, “Call Me“, “Rapture” and “The Tide Is High” and became noted for its eclectic mix of musical styles incorporating elements of disco, pop, reggae, and early rap music.
Blondie disbanded after the release of its sixth studio album The Hunter in 1982. Debbie Harry continued to pursue a solo career with varied results after taking a few years off to care for partner Chris Stein, who was diagnosed with pemphigus, a rare autoimmune disease of the skin. The band re-formed in 1997, achieving renewed success and a number one single in the United Kingdom with “Maria” in 1999, exactly 20 years after their first UK No.1 single (“Heart of Glass”).
The group toured and performed throughout the world during the following years, and was inducted into the Rock and Roll Hall of Fame in 2006. Blondie has sold 40 million records worldwide and is still active. The band’s tenth studio album Ghosts of Download, was released in 2014 and their eleventh studio album Pollinator was released on May 5, 2017.
Doom Or Destiny—-The drums that introduce the song are classic Blondie. It is amazing at this point in life how fresh and young Debby Harry sounds…you would think this was recorded long ago. The New Wave leanings of the band are in full effect…the jaunty and pogo style of music sounds just amazing. this is brilliant….I am amazed at the fresh sound of the band.
Long Time—-Funny intro introduction that sounds like A Heart Of Glass, I guess this is Part II. This is a brilliant song…the mood is so nostalgic…the vocal is damn near perfect. Harry sounds comfortable and ageless. The driving instrumentation is timeless. I have fallen in love all over again with a band I have not paid much attention too. This is a brilliant track….a miracle for my ears.
Already Naked—-Huge wakes of guitars introduce the song…..the vocal enters with a nice reverb and echo that sounds fresh and brand new. This is brilliant….the melody of the song is so damn contagious and new…I have no idea how they keep surprising me. This is a favorite of mine from this release. The sound is remarkable…the style is consistent…the melody wakes me up at night. A pure triumph.
Fun—-I did not really care for this track upon the first listen…it took a bit for the quirky Nile Rodgers style melody to ingratiate with my brain. Even the vocal is a bit to high to make me feel comfortable with….but eventually, I guess the inner workings of the song worked a magic and became stuck in my brain. This is not the best I have heard…but the chorus and the melody is pretty damn contagious.
My Monster—-I like this….much more guitar and drum based…going back to the more consistent erratic style the band always had with the music. Harry delivers a deep sounding vocal that seems pushed to the back of the mix a bit more than i expected. The chorus allows a brief New Wave style synth sound that sticks in your brain. Not bad.
Best Day Ever—-A nice guitar intro…but the remarkable thing is the magical New Wave-ish vocal from Harry that sucks me in….the vocal is so clear and concise. The music never threatens to over play on the voice…even when things open up on the chorus and the music becomes more layered. This is really nice…very consistent.
Gravity—-I love the intro music for this track….reminding me of classic Devo intro music. Harry has a vocal that is delivered with a bit of unnecessary distortion…the fuzz becomes a bit annoying after a bi..I would rather have that remarkable clarity instead. This is nice…but not a favorite. The saving grace is the remarkable chorus and melody line.
When I Gave Up On You—-I loved this right from the very beginning…..Harry delivers an almost lazy sounding vocal that is sultry and aggressive at the same time. This is full of sexy, mellow sounds that lull you into a nice mood. The chorus is wonderful….never bombastic, it is pleasant and addictive none the less.
Love Level—-Much more aggressive in drum and guitar delivery, there is still a remarkable pop element to the track. Harry sounds so incredibly young with her vocal…delivering line after line of fresh sounding words. The hook seems to be missing a bit here for me…but as a whole, the song is pretty damn great. The male vocal slight rap in the break was a surprise…but still Harry is the star of the show.
Too Much—-I love, love, love the intro to this song. The instrumentation is instantly addictive. harry enters into the song with a fresh vocal that allows you to hear every single word. The chorus is a fantastic, HUGE romp through perfect pop music renderings. This is a real favorite of mine….every element of the song could fit on any Blondie release from the past. This is damn magical.
Fragments—-Hmm….this is fairly dark and plodding…taking away from the pop mastery of the previous track. Harry though, delivers such a strong and emotional vocal. This makes me think of classic 80’s band The Motels. I don’t hate this…but it has not caught my attention very much. The song does pick up magically at the mid-point…with the vocal becoming a bit more angry and full of vehemence. I can tolerate it.
The Breaks—-Really great drum based intro, this again finds that remarkable airy vocal from harry in full effect. The drums….are really the star of the show on this track…which is actually the B-Side from the single Long Time. It fits perfectly in the mood of the album.
**** 1/2 out of 5