The Go-Go’s / Beauty And The Beat

Beauty And The Beat (30th Anniversary Deluxe Edition)

The Go-Go’s are an American rock band formed in Los Angeles in 1978. The Go-Go’s rose to fame during the early 1980s as an all-female band that both wrote their own songs and played their own instruments, rising to the top of the Billboard album charts.

Their 1981 debut album, Beauty and the Beat, is considered one of the “cornerstone albums of US new wave” (AllMusic), breaking barriers and paving the way for a host of other new American acts. When the album was released, it steadily climbed the Billboard200 chart, ultimately reaching No. 1, where it remained for six consecutive weeks. The album sold over 2 million copies and went double platinum, making it one of the most successful debut albums of all time. The Go-Go’s have sold over 7 million records worldwide.

The Go-Go’s broke up in 1985, but reconvened several times through the 1990s and beyond, recording new material and touring. Though their 2016 performances were billed as a farewell tour, the band remains active on a sporadic ad hoc basis, most recently appearing as guests on a March 2017 episode of Jimmy Kimmel Live!.

Beauty and the Beat is the debut album from Californian new wave band the Go-Go’s. Released in 1981 on the I.R.S. Records label, the album was preceded by the single and signature song “We Got the Beat“, which became a massive club hit in Europe and, later, the United States. When the album was eventually released, it steadily climbed the Billboard 200 chart, ultimately peaking at number one, where it remained for six consecutive weeks, ranking second among Billboard’s Top 100 albums of 1982. The LP sold in excess of two million copies and reached double platinum status, making it one of the most successful debut albums of all time. Critically acclaimed, it has been described as one of the “cornerstone albums of American new wave”

The Analysis—-

Our Lips Are Sealed—-There are such remarkable memories in my brain when i hear this song…really, having embraced the New Wave movement as a kid. I fell in line with these girls from the very first listen. This was remarkable…post-pop-punk music from an all girl group that conjured up the beach…the 50’s…the 70’s and the 80’s all in one song. this was a fantastic introduction to New wave…and MTV loved these girls…..Just a wonderful moment.

 

How Much More—-Fully embracing the Beach sound of the huge girl groups of the 50’s. this was addictive as hell for me. The vocal harmonies that are led by Belinda but by the guitar from Jane as well made this an infectious and fum romp through the yesteryear…but a look to the future as well. god…this song had everything.

Tonite—-A bit more aggressive in the guitar delivery. even the vocal from Belinda is more driven. this was really pure pop perfection at the time. I can only try to describe how much stuff like this meant to a kid in the 80’s…this was a whole new world. The song has a dark mysterious element to it…the guitar and the bass line from Weidlin are masterful. This was an is still incredibly well delivered. these girls were not afraid to party…lol

Lust To Love—-Really one of the overlooked songs on this release, it remains a centerpiece for me on the whole release. There is a remarkable dark element to the music and the lyrics..letting you know that this is not all pure fun pop madness. Belinda delivers a vocal that at times is damn dark and menacing. The remarkable magic of the band is still strong…there is a strong pop element to the entire thing…but if you lift the covers and look underneath. you can find the dark and aggression clearly. a pure masterpiece.

This Town—-This was designed to attract everyone from every town…because this song could be about your very home town right? The girls deliver an almost dirty track that is aggressive in nature…but the bass line from Jane gives the entire thing a punk/new wave feel that stayed true to where the girls started. the vocal harmonies almost make it too pretty….the underlying message a but more aggressive than I imagined it back then. This is a pure pop masterpiece…every element…the guitars….the drums…that bass line…the vocal….just incredible.

We Got The Beat—-Meant to be commercial and a massive hit, this kind of steered away from the true message of the band. Of course, it had kids po-going all over the nation. But the song has a dark message to it as well…this fell back into the roots of the band…fast…aggressive and meant to cause mayhem. This is perfect…but I guess I missed the real meaning at the time.

Fading Fast—-Returning to the darker nature of the band….so many of the songs really spoke of Female Empowerment, this is a remarkable track. The vocal harmonies are like a wet dream…never have voices together sounded so incredible. The disappointment that the lyric describes are perfectly transposed in Belinda and her delivery. This is a huge song….the sound…even in 2017 sounds incredible…the harmonies…the bass line…..the drums. This is brilliant.

Automatic—-And again, we keep the concept clear and concise. The dark feel of the song is remarkable…the vehemence that the vocal is delivered with can be no mistake….these might be really pissed off girls…delivering pop mastery set to a wonderful beat. This just shows…that if you trace the roots of the band back to the very beginning….this huge record really never steered far from the original message they were delivering. This is fantastic…..huge…dark…but damn contagious.

You Can’t Walk In Your Sleep [If You Can’t Sleep]—-I love the pop-punk element of this song. The music is jaunty and the joined vocals provide a nice layer to the dark element of the lyrics. The band is so well rehearsed and delivers a stellar performance. Everyone heralds Belinda so much with this band….but damn Jane Weidlin is a fantastic musician. This is a fantastic track.

Skidmarks On My Heart—-Without a doubt, my favorite track on this release. Belinda sounds so damn pissed off when she delivers her vocal. The drums are fucking incredible. The vocal harmonies add a huge feel to the song…but here…yeah…Belinda is the star and she is pissed at the stupid ass Hetero dude….lol.

 

Can’t Stop The World—-Ending the release with the same aggressive pop sensibility that began it, Belinda and the band are in full pogo mode…leaving the sand splashing in your face from the beach as they go in search of the instruments that will make them giants. The drums are fucking magical on this track. Jane and that bass line leads the whole thing…by the end of this classic release…I’m in an exhausted joy.

*****out of 5

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