George Roger Waters (born 6 September 1943) is an English singer, songwriter, bassist, and composer. In 1965, he co-founded the progressive rock band Pink Floyd with drummer Nick Mason, keyboardist Rick Wright, and guitarist, singer, and songwriter Syd Barrett. Waters initially served as the group’s bassist, but following the departure of Barrett in 1968, he also became their lyricist, co-lead vocalist, and conceptual leader.
Pink Floyd achieved international success with the concept albums The Dark Side of the Moon, Wish You Were Here, Animals, and The Wall. By the early 1980s, they had become one of the most critically acclaimed and commercially successful groups in the history of popular music; by 2013, they had sold more than 250 million albums worldwide. Amid creative differences, Waters left in 1985 and began a legal dispute with the remaining members over their use of the band’s name and material. They settled out of court in 1987, and nearly eighteen years passed before he performed with them again.
Waters’ solo work includes the studio albums The Pros and Cons of Hitch Hiking, Radio K.A.O.S., Amused to Death, and Is This the Life We Really Want?. In 1990, he staged one of the largest and most extravagant rock concerts in history, The Wall – Live in Berlin, with an official attendance of 200,000. As a member of Pink Floyd, he was inducted into the U.S. Rock and Roll Hall of Fame in 1996 and the UK Music Hall of Fame in 2005. In the same year he released Ça Ira, an opera in three acts translated from Étienne and Nadine Roda-Gils’ libretto about the French Revolution. Later that year, he reunited with Pink Floyd bandmates Mason, Wright and David Gilmour for the Live 8 global awareness event; it was the group’s first appearance with Waters since 1981. He has toured extensively as a solo act since 1999 and played The Dark Side of the Moon in its entirety for his world tour of 2006–2008. In 2010, he began The Wall Live and in 2011 Gilmour and Mason appeared with him during a performance of the double-album in London. As of 2013, the tour is the highest-grossing of all time by a solo artist.
Is This the Life We Really Want? (stylised as is this the life we really want?) is the fifth studio album by English rock musician and former Pink Floyd bassist and vocalist Roger Waters, released on 2 June 2017 by Columbia Records. It is his first studio album in nearly 25 years since Amused to Death (1992), as well as his first solo album in 12 years since Ça Ira (2005). On 20 April, the single “Smell the Roses” was released.
When We Were Young—-I approached this long awaited release with trepidation, optimism and wonder. The opening strains of this track….just bits of soundbites and effects reminds me of the wonderful Radio KAOS….the words from Waters portrays perhaps the feelings of million Americans……and then we move into….
Deja Vu—-The wonderful strains of Waters vocal and the familiar musical sounds belie the passage of time and put me right back in the center of the time I most cherished as a youth. Waters sounds like a young man as he sings and delivers line after biting line of fear….sadness and despair that belies the world we live in. This is magnificent…timely and incredibly rue. You go Roger!!!!
The Last Refugee—-Again with effects that are very Floyd in nature, the deep sound of the song transports you to the darkness and despair of many people in this day and age. Waters never fails to hone in on the pulse of the human race and repeat to everyone hat no one is truly saying. This is beautifully constructed and delivered in the voice of a much younger and driven man…..no disappointment here,
Picture That—-Delivered with venom and urgency, Waters reminds us what it means to truly care and be afraid of what we are facing and enduring. The sound is just classic….very Floyd, yet still pure in the waters feel as well. The effects that ride through the song are never a distraction…only adding to the intensity of the meaning and emergency of the song. Just magnificent.
Broken Bones—-So reminiscent of material from The Wall, what really amazes me is the classic and timeless quality of Waters and his voice…his song construction and his sentiment that seems to bite me to the bone. The huge swells of music and the anguished voice makes me sad and desperate to make a change. I love this release…this is pure perfection for me. Bullshit and Lies…….right Roger!
Is This The Life We Really Want?—-With a sickening Trump soundbite, there is little doubt about the density and despair of this record. The release as a whole…is a political statement we should be making…but instead a Brit is doing it? The message here is clear….the rich are feeding from all of those who are struggling and attempting to find the american Dream….because now…..the American Dream is a Nightmare.
Bird In A Gale—-Full of angry effects right from he start, the frantic tone of the music leads you on a trail of impending doom and desperation. The backdrop effects are convoluted at best but serve their purpose as it sets the tone for the world we live in. Waters moans and pleads his way through the song…leaving you with a desperate and ghostly feel.
The Most Beautiful Girl—-With a beautiful sense of melody…..the strains of the piano usher in the track that is led off by a vocal that does indeed sound sad and a bit aged. The tone of the song leaves you feeling sad for the beautiful girl……maybe Melania…..
Smell The Roses—-I have listened t this lead off single over and over…but I can’t seem to get my mind wrapped around the feel of it. I don’t like the delivery…perhaps the too bluesy edge to it. I love the vocal…but the song is flat for me.
Wait For Her—-Gently introduced by the slow strumming of Waters and the ghostly piano, again…..another track that would fit perfectly on The Wall…the mood seems little different and not much improved. The sadness echoes through my brain and makes me want to steer clear of the news for a bit….life is desperate enough.
Oceans Apart/Part Of Me Died—-Retaining much of the melody line from the previous track, this sounds so full of sadness and despair…Waters delivering line after line of introspection and slight despair. I wallow in the dark feel of the record….it seems to fit my mood as well. This is masterful….wonderfully constructed…beautifully intricate….and magnificently dark.
*****out of 5