The Parallax II: Future Sequence is the seventh studio album by American progressive metal band Between the Buried and Me, released on October 9, 2012. The album’s concept is the continuation of the band’s 2011 EP The Parallax: Hypersleep Dialogues. Paul Waggoner and Dustie Waring (guitars) described it as being their favorite release up to now, being mature, dynamic, and with various metal influences from 1970’s progressive rock, to jazz and fusion. It is their longest running studio album to date.
Goodbye To Everything—-Sweeping in with a beautiful short interlude full of harmonies and melodies leads us directly into….
Astral Bodies—-The magnificent and powerful guitar chords that open up the song are like a huge wall of perpetual notion. The strains of pure Progressive Metal are all over the melody line that runs through the song. This is airy, spacey and full of an underlying aggression supplied by the bass line. The drums hit hard….the guitars are magical short bursts…then the vocal smacks you in the head with aggression and brutality. A journey all in itself…bolstered by the intermittent prog rock and clean vocals. Magnificent!
Lay Your Ghosts To Rest—-With no proper introduction, this track kicks off with a brand new aggression that still carries a bit of a prog sound thanks to the higher tuned guitars. The drums and the crunching bass line keeps everything legitimate though. This has many movements…often reminding me of the things System Of A Down did with their music. The bright and clean vocals changes the landscape…then we dive back down again….just magnificent.
Autumn—-A bit of an odd intro, as the song takes shape very slowly…all part of the ‘concept’ I suppose. The odd effects and background static are annoying after a bit….and then we magically evolve into….
Extremophile Elite—-And we are returned to the proggish feel of earlier tracks as the music hits you from all angles. The dueling vocals are intense…screaming coming at your eardrums from all directions. This is huge…aggressive….dark…..but somehow magically shiny and fresh. I truly love the clean vocal interludes……such beauty and contrast.
Parallax—-Falling back into a melodic and beautiful acoustic guitar with a spoken word intro, this interlude serves to further whatever the concept revolving around this release is all about. We are then introduced to….
Telos—-I really hate the clear lack of song separation but I suppose that is the right of the band. This may very well be the most aggressive and hard hitting track on this release. The music and the vocal are unrelenting as you get hit over the head wave after wave of aggressive explosions. Clocking in at 10 minutes in length, I feel my attention dispersing to other things. There is a sameness that I can’t escape…..but wonderfully, at times when I find myself bored to tears there are nice chord changes that snap me back and make me pay attention again.
Bloom—-With one huge sweeping movement we are right into this track….the clean vocals coming at you in a staccato fashion that brings you back to the prog feel of earlier tracks and then burst wide open again with deep screaming from the other vocalist. There is so much going on…..I can’t imagine the genius it must take to construct and apply ideas like this.
Melting City—-Everything on this release melds together from one song to the other and leaves me confused sometimes as to where I am at with the whole experience. At the onset, this offers little new to the listening experience…all seeming like a long track…the clean vocals are well placed though…breaking up the monotony and offering much needed variance.
Silent Flight Parliament—-Kicking off with huge sweeping grandiose movements, the bass guitar literally crunches in the back drop of the song. The higher tuned guitars over lay and send the track soaring up into the stratosphere with clear and crisp sounds. The entrance of the vocal brings Roger Waters to my mind…..swirling with the story and then stomped on by the screams of brutal singing that steers most of this release…but this is mixed nicely with the play of clean vocals…a favorite track of mine.
Goodbye To Everything Reprise—-And then it is all delivered in a package full circle. I don’t hate this……but I won’t listen on a habitual level to this band.
*** out of 5