Coastal formed in 1999 as a hybrid of several musicians who had played for years in different bands in the Provo, Utah area. Singer and guitarist Jason Gough had been involved in shoegaze style bands for several years (Lumiere, The Mantarays, Azure) and it was through such bands that he met up with bassist Josh Callaway (Just Lucy). A middle ground was sought between Jason’s shoegaze and Josh’s slocore leanings as the duo started to write songs together.
As their music developed, Gough and Callaway enlisted Jim Harker (Stigma, The Melody Tree) to take on drum duties and occasionally play second guitar. Interestingly, Gough and Harker both originally hailed from Southern Alberta, Canada and lived 20 minutes from each other, but never met until Coastal was formed. With the main structure in place and a sound of their own emerging, the trio felt the music needed an additional presence. Sarah Holyoak then joined to play organ and sing backing vocals to complete Coastal’s line-up. Within a year Holyoak left the group and Luisa Gough (Jason’s wife) took over on keyboards and backing vocals, to comprise the quartet that is Coastal today.
Until You Sleep—-Brilliant and beautiful, if you are familiar with the band Low, this will reverberate with you immediately. The sound…so stark and naked….slow and at times tedious, combined with the beauty of the sedate vocals take you on a trip in your own brain with every song. Beauty is the only way to describe the magnificence of this band. It makes you ponder every nuance of your life with a naked eye and vow to be a better person. Who knew minimal could be so damn intense.
Eternal—-A stark guitar with just a slight bit of fuzz in the playback allows a spoken word intro to the track….words of poetic beauty. When the voices of the Gough’s combine together you are magically transported to a place of colorful beauty and thoughtful pondering. The harmonies are heartbreaking in their beauty. Each song a wonderful landscape of sound and tranquility combined with words to make you take pause and consider each syllable. Underneath of it all is a keyboard warble that adds to the solace and starkness…..wow!
Halfway To You—-.Slow and plodding with a layered sound of vocals and instruments that never break through the frozen ice that sits on your head as you listen. The combination of voices are just immaculate….a perfect blend of stripped down naturalness….no effects or manipulations. You hear and appreciate every beautiful word and every sorrowful nuance. Thinking man’s music.
Leaves—-Intense piano/keyboard strokes bring this composition to life with a stark and wintry feel. The vocal enters and the words are so immaculately beautiful you feel sad for leaves. The phrasing on this track is incredible…the way certain words are said and delivered make you ache with sorrow and stare into space with amazement that such wonderful music is possible. Just incredible.
Night Sky—-A quiet cymbal and low hum from the keyboard introduce this track…all delivered at a maddeningly slow pace as the guitar enters with a slight electricity.The pace of everything is so wrung out and slow…you catch every little noise and sound going on in the song. This is stark…slow…plodding….depressing and incredible wrought with beauty.
We Won’t Last Another Year—-Really sounding like Low at the onset of this song…you notice the hum that runs through the track and then the voices enter together…painting a picture that has built in emotions of the canvas. The sadness that pervades the whole thing makes you sink into a slight depression as the song progresses. It is only the magical harmonies and toy like piano sounds that allow you to take pause and hang your head with appreciation of such stark and unabashed beauty.
Drift—-The introduction to the song has a feel of winter and drifts in itself. The voices come together to paint a bleak, beautiful winter picture that somehow allows sunshine around the edges. The plodding and incredibly slow delivery begs that you pay attention to every single word that is delivered on a once blank canvas that slowly comes to life with a vivid wonderful picture by the end of the song.
London In February—-Naked and slow to come to life, the guitar enters and adds to the bleak sound and then welcomes a soft and cymbal heavy drum. The melodic beauty of the song is slow to form but with each passing bar…it all comes together in a wonderful landscape of articulate musicianship and crafted sounds…..just wonderfully, beautifully intense.
So Close—-Clocking in at a little over 8 minutes, this is perhaps one of the brightest songs on this release…although the lyrical content is not joyful or happy. The music has a more moderate tempo….but the underlying trademark sound of the band magically remains intact. This is an exquisite release….if you are not familiar with this band…please check them out.
***** out of 5