Nightwish / Decades


Nightwish is a symphonic metal band from KiteeFinland. The band was formed in 1996 by lead songwriter and keyboardist Tuomas Holopainen, guitarist Emppu Vuorinen, and former lead singer Tarja Turunen. The band soon picked up drummer Jukka Nevalainen, and then bassist Sami Vänskä after the release of their debut album, Angels Fall First (1997). In 2001, Vänskä was replaced by Marco Hietala, who also took over the male vocalist role previously filled by Holopainen or guest singers.

Although Nightwish have been prominent in their home country since Angels Fall First, they did not achieve worldwide fame until the release of the albums Oceanborn (1998), Wishmaster (2000) and Century Child (2002). Their 2004 album, Once, has sold more than one million copies and was the band’s breakthrough in the United States. Their biggest US hit single, “Wish I Had an Angel” (2004), received MTV airplay and was included on three US film soundtracks to promote their North American tour. The band produced three more singles and two music videos for Once, as well as a re-recording of “Sleeping Sun” for the “Best of Nightwish” compilation album, Highest Hopes (2005), before Turunen’s dismissal in October 2005. Her last performance with Nightwish was during a concert recorded for the live album/DVD End of an Era. After the concert, the other members informed Turunen with an open letter that she was no longer a member of Nightwish.

In May 2007, Nightwish announced Anette Olzon as Turunen’s replacement. That September, the band released their sixth album, Dark Passion Play, which has sold almost 2 million copies. The album’s lead single, “Amaranth“, became one of Nightwish’s most successful in Europe. The supporting tour, one of the band’s largest, started on October 6, 2007 and ended on September 19, 2009. The band released an EP/live album, Made in Hong Kong (And in Various Other Places), in March 2009 as a CD/DVD, and their seventh studio album, Imaginaerum, was released globally on various days in late 2011/early 2012.

On October 1, 2012, Nightwish announced that they had parted ways with Olzon and would be finishing the tour with ReVamp and former After Forever vocalist Floor JansenIn October 2013, Nightwish made Jansen and longtime session uillean pipes player Troy Donockley permanent members of the band, and they were featured in the acclaimed album Endless Forms Most Beautiful, released on March 27, 2015.

Nightwish is the third-best-selling band and musical entity in Finland with certified sales of nearly 900,000 certifiedcopies. The group is also the most successful Finnish band worldwide, selling more than 9 million records and receiving more than 60 gold and platinum awards, having released five Number 1 albums and thirteen Number 1 singles.

Decades is the seventh compilation album from Finnish symphonic metal band Nightwish, and contains remastered versions of the original material. It was released on March 9, 2018, which is the same day that they began touring for the Decades: World Tour.

The Analysis—-

The Greatest Show On Earth—-Wow….what can you really say about this epic piece of music? Please note that this ‘song’ clocks in at a whopping 24 minutes in length and plays like a modern day symphony piece. This has complete movements and moods….as the music takes you through a complete set of emotions. The strings and the urgent pace of the underlying music is just fantastic. The song truly plays like a movie soundtrack to me. The vocal that finally erupts at about 6 minutes is not as you would expect if you are a follower of the band…although it does clear and becomes much more clear and epic as it continues. The song…once you get to the meat of the damn thing is addictive as hell. The nice mix between the clean and the rougher vocals keeps your attention. This is epic-ally brilliant.

Elan—-With a brilliant and immediately recognizable intro, the flute that begins the entire thing is just perfect. There is a wonderful mix of metal and beauty all mixed in here together. You would never think such a thing would work…but it does…and brilliantly well. The vocal wraps around your head…while the music gives you a huge energetic boost. This is masterful.

My Walden—-With a huge almost pop inspired intro, the guitars sing in an upward arc that sucks your brain in from the first note. The music settle to allow for the vocal….and then comes right back at you as the chorus smacks your forehead and settles in for a day or so. This recipe works so well…..Tarja was brilliant…..and continues to be so.
Storytime—-Airy and wonderfully constructed, the keyboard ushers in guitars and drums that take the song to a faster and bit heavier sound. The music stays strong despite the entrance of the ‘pretty’ vocal…..the song still comes across as muscular and driving. The voice just soars with a melody of the chorus that is instantly devoured. the strings are incredible…perfectly mixed with huge guitars to create a curtain that you have never seen hanging before…..just brilliant.
I Want My Tears Back—-With Tuomas offering the entrance vocal, the music has a slight bagpipe sound to it that is accessible and addictive. Sometimes the vocal is almost too pretty…..suffering at time like Kate Bush did on some of her recordings. The chorus is huge…full of muscular crashes and guitars and more vocals from Tuomas. This is brilliant when they combine the voices…something I wish they did more often in the early days.
Amaranth—-What can I say about this track that I have not already said. It has had a long life…and still stands the test of time for me. The vocal is so strong and well delivered…matched perfectly with the aggression of the guitars. The combination that this band managed to develop is just remarkable. This is a track that will always be a favorite of mine…especially when the vocal switch happens and the tracks takes on an even more meal direction…this is magical.
The Poet And The Pendulum—-Seeming to meld from the previous track, this is epic in scope and length… over 13 minutes long. The track is layered and full of movements that lull you into a dreamy state as you find it easy to become one with the song. This is remarkably well done. I love the swells of the strings…the urgency of the music….the epic soundtrack feel to the symphonic feel. This is brilliance on a piece of plastic to enjoy forever. I love this band.
Nemo—-Another instantly recognizable tracks that will live for a very long time. The voice is like no other…delivered with beauty and practice….the ability to wrap itself around aggression but still remain beautiful is simply amazing. Even though there is all this stuff happening in the backdrop of the song….the voice literally rides on top of everything and remains true…crystal clear and full of beauty. What a band!
Wish I Had An Angel—-Perhaps the most ‘famous’ Nightwish song, this never gets old or sounds aged. I literally love this track to death. This was my introduction to the band and I have never stopped collecting them since then This strikes a chord with me. It combines beauty and power magically well….and still plays like it is brand new to me. A perfect blend of vocals with Tuomas adding in a rougher edge to the song….allows it to become huge. This is brilliant.
Ghost Love Score—-Brilliant in scope…a nice jaunty and masterful intro full of bright strings and swells……matched by a muscular guitar delivery creates a perfect storm. The song takes a nice turn…becoming a bit more metal before falling away for the almost too sweet vocal. But the chorus…a band effort….escalates the song to new highs again. This is fabulous.
Slaying The Dreamer—-Much more Metal right at the onset, this is big and a bit boisterous for this entity. The vocal is even lacking that pretty edge…sounding a bit more aggressive and driving. This is fantastic….the moods come and go…..but you never lose the urgency of the song. This is really nice…I love the great guitars. Tuomas makes this a great freakin track
End Of All Hope—-Beginning like a huge epic symphony movement of voices and sounds, the guitars enter and turn the track into a literal masterpiece. Again, sometimes the voice is almost too pretty for the huge and muscular delivery from the band…but somehow, they always manage to settle things out in the aftermath and deliver a masterpiece of a song. This is a well oiled machine that never seems to fail.
10th Man Down—-Creaking ship sounds and atmosphere take you right into the heart of the song. The music builds slowly…giving you a sense of anticipation….and the entire thing becomes the rhythmic Metal kind of thing. I don’t really care for the vocal here….but it is passable. The chorus vocal is almost drowned out by the aggressive music…perhaps a production misstep…..but still great none the less.
The Kingsslayer —-A nice return to the epic and huge Nightwish sound, the guitars are literally blazing on this joint. There is an urgency and speed to the music that is perfect for me. Even the vocal comes at you as if in an emergency situation. This is a huge song….delivered with perfection and emotion that keeps you on the edge of your seat with energy. Wonderful.
Dead Boy’s Poem—-I hate to say it…but I have to…..there is nothing about this track that inspires or moves me. I’m not really even sure why it is on here…this is not a shining moment for the band…in mu opinion….I remain unmoved.
Gethsemane—-Blazing back with this keyboard heavy track, there is a perfect combination between the keys and the guitars….with the vocal soaring over your head. Again…there is a nice urgency and muscularity to the song….it is full of driving riffs and excellent drums. a perfect storm once again blows from the homeland.
Devil & The Deep Dark Ocean—-Large in sound and filled with driving drums that are just incredible. The male vocal that begins the entire thing is in such sharp contrast that it puts me off a bit. I’m really not into the evil sound of the vocal…it puts me off a bit…sounds more like German Industrial than my beloved band.
Sacrament Of Wilderness—-Here we have a ice return to the more familiar……upfront keyboards and incredible drums…..a huge guitar line that drives the song to new heights…..a vocal that literally soars above your head….it all comes together to create an epic composition….and there I go….in love once again.
Sleeping Sun—-Beautifully constructed and moody, I love this. The vocal is so well delivered…filling you with epic emotions. there is a nice double tracking on the voice that gives the song an even more full bodied sound. This is really nice…..the swells of music suck you into a daze that allows you to daydream and catch every single word at the same time.
Elevenpath—-Beginning a bit dark and mysterious, the song becomes epic with huge guitars and barely a string or oboe to be heard. The vocal…delivered in a deeper tone is really nice…this plays like some huge fairy tale that takes place in the deep forest……oh those foreigners….lol.
The Carpenter—-This takes a bit to get used to…but settles into your brain with remarkable ease. The blend of voices add a new dimension to the song….the low male vocal sounds like an Alternative band from the 90’s…the the chorus hits and everything opens up….this is perfect.
Nightwish [Demo]—-For a demo, it is apparent the vision of the band and of Toumas was clear….because of course he is the true leader of the band without any doubt. the stripped down feel is very nice and leaves me only wanting even more new materail from the band. This has been an epic journey for me….I remain…truly in love with this band.
*****out of 5

Ministry / AmeriKKKant


Ministry is an American industrial metal band, founded in 1981 by Al Jourgensen in Chicago, Illinois. Originally a synth-pop outfit, Ministry shifted its style to become one of the pioneers of industrial metal in the mid-to-late 1980s. The band’s lineup has gone through many changes throughout its history, with Jourgensen remaining the only constant as the band’s main producer, singer, songwriter, and instrumentalist. Notable musicians who have contributed to the band’s studio or live activities include Paul BarkerMartin AtkinsBill RieflinChris ConnellyNivek OgreMike ScacciaRey WashamPaul RavenTommy VictorJason ChristopherTony CamposMonte PittmanBurton C. Bell and DJ Swamp.

Ministry found mainstream success in the late 1980s and early 1990s with three of their studio albums: The Land of Rape and Honey(1988), The Mind Is a Terrible Thing to Taste (1989) and Psalm 69: The Way to Succeed and the Way to Suck Eggs (1992), with the former of the two certified gold and the latter certified platinum by the RIAA. The 1996 follow-up album, Filth Pig, was also critically acclaimed but did not repeat the success of its predecessors; the album did, however, earn Ministry its highest chart position on the Billboard 200, peaking at number nineteen. The band has been nominated for six Grammy Awards, and performed at several notable music festivals, including participating in the second annual Lollapalooza tour in 1992 and co-headlining Big Day Out in 1995.

Ministry was dissolved in 2008 after 27 years of recording and performing, and Jourgensen had since stated that they would never reunite. However, the band announced a reunion in August 2011, and has released three more studio albums since then: Relapse(2012), From Beer to Eternity (2013) and AmeriKKKant (2018).

AmeriKKKant is the fourteenth studio album by industrial metal band Ministry, which was released on March 9, 2018. It is their first release on Nuclear Blast, and marked the longest gap between studio albums in the group’s entire career; at five years, following From Beer to Eternity (2013). AmeriKKKant is also the first Ministry album without guitarist Mike Scaccia since The Last Sucker (2007); Scaccia died in 2012 but appeared posthumously on From Beer to Eternity.

The Analysis—-

I Know Words—-Would you expect anything less than a Trump sample to open this release…of course not. Al remains as outspoken and political as ever. This is a clear poke at the disaster presidency that America finds itself involved in. This is a bit sparse as far as instrumentation goes…..perhaps setting the mood for the onslaught to come. The vocal samples are wonderfully done and intermixed to form full radical sentences….Brilliant!

Twilight Zone—-With even more trump vocal samples, the music is a bit beefier here and filled with a bit more urgency. While noisy and erratic, this still lacks a bit of power for me. Al finally makes a vocal appearance….sounding less maniacal and a bit pushed to the back of the mix. This does have that nice genuine Industrial sound of days gone by…all in all…not to bad. The point is being made!

Victims Of A Clown—-Melding from the previous track seamlessly, this begins a bit sedate and with strains of Circus music…get the message? Clocking in at over 8 minutes, this takes a very long time to get started. Once the bass heavy music kicks in, the song takes a really nice shape. The lack of urgency on this release is very noticeable though….it used to be Al would rant solid for an entire hour on a release…this just seems a bit uninspired. The ‘chorus’ is nice and muscular….and tings get a bit damn noisy for a bit….like the old days.

Tv 5/4 Chan—-This brief 40 second interlude is a barrage of gunshots, TV sound bites and serves to usher in….

We’re Tired Of It—-This is more like what I have been waiting for on this release….a huge barrage of urgency….aggression and released energy set to a blistering pace. The vocal is louder and more up front….everything smacks you right in the face. The growls and yells are classic…I really needed this.

Wargasm—-Layered once again with sound bite samples and almost undistinguished vocals, the track clears up a bit to allow for the vocal. Burton C. Bell adds vocals to the chorus ala Fear Factory style…giving the album at this point a much needed breath of fresh air. This is a favorite of mine..if just for the clear and concise chorus vocal alone.

Antifa—-Powerful and featuring a driving bass line, this is another favorite track of mine. This again, takes me back to the glory days of the band when they were kings of the Industrial 90’s. This is thick…dense and has a pulsating programmed line that really comes alive in the second bar….driving the song to a new height. This is really nice. A brilliant track…though the vocals still seem really buried underneath everything.

Game Over—-After the previous track, this comes across as a ghost of a song at the onset. There is a nice melody line that travels through the song and makes it a bit more accessible. Of course, the song is full of soundbites from various generals…..and of course THE DONALD…..the layers of music that float over the melody line is pretty unique…..I don’t hate this.

AmeriKKKa—-Ending this release with a track that begins sounding more like a metal song, there are some nice elements along the way. I wish Al had more presence of mind to move his vocals up in these tracks…it sounds like he phoned in everything instead of actually participated. I like the slow, plodding sabbath style bass line… gives the track a doom filled atmosphere that appeals to me.

*** 1/2 out of 5


Editors / Violence


Editors are an English rock band, formed in 2002 in Birmingham. Previously known as PilotThe Pride and Snowfield, the band currently consists of Tom Smith (lead vocals, guitar, piano), Russell Leetch (bass guitar, synthesizer, backing vocals), Ed Lay (drums, percussion, backing vocals), Justin Lockey (lead guitar), and Elliott Williams (keys, synthesizers, guitars, and backing vocals).

Editors have so far released two platinum studio albums, and six in total, with several million combined sales. Their debut album The Back Room was released in 2005. It contained the hits “Munich” and “Blood” and the following year received a Mercury Prize nomination.

Their follow-up album An End Has a Start went to number 1 in the UK Album Chart in June 2007 and earned the band a Brit Awards nomination for best British Band. It also spawned another Top 10 hit single, “Smokers Outside the Hospital Doors“. The band’s third album, In This Light and on This Evening, was released in October 2009 and went straight to number 1 in the UK Album Chart. The band released their fourth studio album, The Weight of Your Love, in July 2013, followed by self-produced In Dream in October 2015.

Alongside their critical acclaim and strong success in the charts, Editors have consistently enjoyed sold-out tours and numerous headlining festival slots. Their brand of dark indie rock is commonly compared to the sound of bands such as Echo & the BunnymenJoy DivisionInterpolThe Chameleons and U2.

Violence is the sixth studio album from British recording group Editors. It was released on 9 March 2018 by PIAS Recordings.

The Analysis—-

Cold—-Full of atmosphere, the music wraps around the vocal remarkably well. This sounds so much like Ian McCullough, I had to double check the release title! The song becomes a bit more full bodied…but the underlying density stays puts and leaves you feeling sad and elated at the same moment. This is incredible.

Hallelujah [So Low]—-Shedding the more familiar sound of the previous track, this has a nice electronic edge to it that gives a full bodied and electric feel to the song. The noise becomes incredible during the second bar…a huge barrage of sound that threatens your headphones…then settles and returns again. A nice unexpected surprise here.


Violence—-A slight ambiance to the intro….the vocal is a nice mix of Ian and Bono…..perfectly in sync with the music and the instrumental mood. Delivering some sharp burst of noise here and there, the quality of the song still remains intact. This is dark…but not as dark as Editors of yesteryear. I still manage to fully embrace every release from these blokes though.

Darkness At The Door—-Again, there is a level of layered noise…but a jangly U2 style music that still remains accessible to long time fans. The vocal seems pushed to the back of the song…I would have preferred it much more i the front of the mix. I don’t dislike this release……but it seems a bit uninspired to me standing next to previous releases.

Nothingness—-A bit more sedate and still, the vocal again brings Ian to my mind and makes me really miss Echo And The Bunnymen. This has a really nice sound to it….perhaps my favorite track thus far…it is full of angst….hurt and melancholy…as well as a powerful accessible instrumentation. I really like this.

Magazine—-Atmospheric and a bit odd at the onset, I keep waiting for the song to truly develop… the chorus opens up…it does. The song becomes larger and more accessible….full of a rhythmic line that sucks me in. The vocal…still a bit removed from the front of the song still manages to be powerful. This is nice.

No Sound But The Wind—-Now this…..this takes me back to the beginning sounds of the band when they first began. This is remarkably stark and naked….stripped down and allowing the emotional music and vocal to form the song without a bunch of extra additives. This is just brilliant…a true masterpiece of a song.

Counting Spooks—-Layered and delivered exquisitely, this is again….a song that puts me right where I wanted to be when hearing this release. This is incredible…reminding me of when this band first hit my ears. This is brilliant….I love the consistent sound…all of that earlier noise was not necessary.

Belong—-An odd….drip drip drip of an intro, the beginning of the song is naked and stripped bare of effects and consistent instrumentation. The vocal is deeper and darker….strings wrap around it and show promise of the dark epic qualities of the track. This is classic sounding Editors…I love the naked and vulnerable sound of the whole thing. As the song develops….it becomes a bit noisier and a bit convoluted…but over all this is fantastic. A huge sad affair.

**** out of 5

Judas Priest / Firepower


Firepower is the 18th studio album by British heavy metal band Judas Priest. It is the first studio album since 1988’s Ram It Down to be produced by Tom Allom, and the first one with Andy Sneap as co-producer. Music videos were made for “Lightning Strike” and “Spectre”.

The Analysis—-

Firepower—-A pure classic introduction here, carrying the trademark Priest sound in every single note. The guitars are blistering and the drums sound better than I have heard in years. What can be said about Halford and his vocal…this is a 66 yr. old man who defies age and ability. I have not heard him sound this powerful since Painkiller….this is just brilliant!

Lightning Strikes—-With another powerful intro, the band is off and running with a rhythmic driving guitar line that makes the track sound monstrous. The trademark vocal…full of screeching overdubs is just incredible. Faulkner has added a new life and dimension to the band and it is all over tracks like these. Halford always amazes…..there is nothing weak about this….not one note is out of place.


Evil Never Dies—-With a more classic 80’s sound to the intro, Priest refuses to deliver even one weak track on this release. Halford delivers a vocal that seems a bit more comfortable as it begins….but develops into a slight demonic scream. The twin guitar sound is huge and boisterous. This is just classic in every sense of the word. There is even a slight bluesy feel to the track….really nice.

Never The Heroes—-A staccato and almost airy intro slowly introduces a wall of guitar sound that is dense and complicated.  The drums are so present on this release…..and Halford, despite his powerful vocal…allows every member of the band to shine in their own right. The chorus is a huge addictive thing that is built for huge arena shows and a sing a long from the crowd. Fantastic!

Necromancer—-Bolstered by the huge wall of guitar sound, the band is playing blistering fast and so incredibly tight. This has a nice slight evil twist to it….made even more intense by the fantastic double tracking that Halford manages to produce in the studio. This is just classic in every sense of the word. Priest has not sounded this good in years.

Children Of The Sun—-A higher tuned guitar intro and a slow plodding pace at the onset you are set up for the Nostradamus type vocal from Halford that is delivered here. The amazing thing…you can catch every single word that Halford passes along to you. The chorus finds either band participation or a perfectly back tracked vocal that makes the song even larger. This has moodiness…power…melancholy and aggression. Perfect.

Guardians—-A nice surprise as a gentle piano/keyboard ushers in the song….filled with an airy atmosphere that is layered with moodiness and beauty. The guitars…in the backdrop soar with beauty and the drums usher in….

Rising From The Ruins—-Still carrying some of the moodiness from the guardian interlude, this again reminds me of something from Nostradamus….An album that I literally adore. I love when Halford sings in that dramatic quasi-theatrical style. This is powerful….musically dense…vocally sonic.

Flame Thrower—-Returning to full on blistering Metal that is slight in blues…full of powerful guitar chords and led behind the scenes by incredible drumming. Halford sounds incredible…singing in an acceptable lower range that is still full of power and vitality. The ability of this band to still deliver after all of these years is literally amazing. I am stunned by this release!

Spectre—-Somewhat of an odd intro, quickly falls away to the classic powerhouse sound of the Priest machine. The guitars…down-tuned a bit…are just a literal wall of powerful sound. Halford enunciates every single word in a classic well delivered vocal style. I love everything about this. Atmospheric in a sense…full of power in another.

Traitors Gate—-Slowing things down…allowing for a bit of a respite…excellent song placement….the song quickly sheds it’s mellow sound and becomes a huge devouring serpent head that wants to snap your neck. The guitars are blistering…full of sharp blasts that just swallow you up. The drums gallop as fast as the vocal lines from Halford. The chorus, addictive as hell will live in your head for days. just remarkable.

No Surrender—-What can I say…..this finds a perfect place on this release…delivering a modern yet somehow classic Priest sound. This is as sing a long as anything Priest has ever released. The crowds will go wild for this track….the remarkable melody line is unforgettable and wraps around the front of your brain. Halford hits some exquisite notes that will live forever.

Lone Wolf—-Dense and thick at the very onset, this becomes a huge guitar swaying bluesy affair that is classic. Halford delivers line after line of lyrics that are understandable and crystal clear. This is remarkable…the quality as the release continues just seems to get better and better. This is terrific.

Sea Of Red—-Ending this release…far to soon, the Priest machine gives us a thoughtful track that just leaves you wanting more and more. Halford delivers a mournful vocal that leaves you sad and full of a melancholy. The theatrical quality of his vocal….it is just incredible. The chorus of the song is HUGE and will play live so very well. This should be single material…it will play well on any Modern-Rock radio station. The Priest is BACK!!!!

***** out of 5

Taylor Swift / Reputation


Taylor Alison Swift (born December 13, 1989) is an American singer-songwriter. One of the leading contemporary recording artists, she is known for narrative songs about her personal life, which have received widespread media coverage.

Born and raised in Pennsylvania, Swift moved to Nashville, Tennessee at the age of 14 to pursue a career in country music. She signed with the label Big Machine Records and became the youngest artist ever signed by the Sony/ATV Music publishing house. Her self-titled debut album in 2006 peaked at number five on the Billboard 200 and spent the most weeks on the chart in the 2000s. The album’s third single, “Our Song“, made her the youngest person to single-handedly write and perform a number-one song on the Hot Country Songs chart. Swift’s second album, Fearless, was released in 2008. Buoyed by the success of pop crossover singles “Love Story” and “You Belong with Me“, Fearless became the best-selling album of 2009 in the United States. The album won four Grammy Awards, with Swift becoming the youngest Album of the Year winner.

Swift was the sole writer of her 2010 album, Speak Now. It debuted at number one in the United States and the single “Mean” won two Grammy Awards. Her fourth album, Red (2012), yielded the successful singles “We Are Never Ever Getting Back Together” and “I Knew You Were Trouble“. With her fifth album, the pop-focused 1989 (2014), she became the first act to have three albums sell a million copies within one week in the United States. Its singles “Shake It Off“, “Blank Space“, and “Bad Blood” reached number one in the US, Australia, and Canada. The album received three Grammy Awards, and Swift became the first woman and fifth act overall to win Album of the Year twice. The 2015 concert tour for 1989 became one of the highest-grossing of the decade. Swift’s sixth album, Reputation (2017) and its lead single “Look What You Made Me Do” topped the UK and US charts.

As a songwriter, Swift has received awards from the Nashville Songwriters Association and the Songwriters Hall of Fame, and was included in Rolling Stone‘s 100 Greatest Songwriters of All Time in 2015. She is also the recipient of 10 Grammy Awards, five Guinness World Records, one Emmy Award, 21 Billboard Music Awards, 12 Country Music Association Awards, eight Academy of Country Music Awards, and one Brit Award. Swift is one of the best-selling music artists of all time, having sold more than 40 million albums—including 27.8 million in the US—and 130 million single downloads. She has appeared in Time‘s 100 most influential people in the world (2010 and 2015), Forbes top-earning women in music (2011–2015), Forbes 100 most powerful women (2015), and Forbes Celebrity 100(2016). She was the youngest woman to be included in the third of these, ranked first in Celebrity 100 and was named Time Person of the Year in 2017 as part of the “Silence Breakers”.

Reputation (stylized as reputation) is the sixth studio album by American singer-songwriter Taylor Swift. It was released on November 10, 2017, through Big Machine Records. The record was primarily produced by Jack AntonoffMax MartinShellback and Swift herself, who also serves as the executive producer. Featured artists included on the album are English singer-songwriter Ed Sheeran and American rapper Future.

The album has topped the charts in Australia, Austria, Belgium, Canada, Ireland, the Netherlands, New Zealand, Norway, Scotland, Switzerland, the United Kingdom, and the United States. According to Nielsen SoundScanReputation sold 1.216 million copies in the US during its first week, becoming 2017’s best-selling album in the country, and 2 million copies worldwide.

The Analysis—-

….Ready For It?—-Far gone is the Country Star of long ago…lol. This track is a BANGER…..full of staccato bass lines and hyper kinetic dance floor music that makes you almost want to scream. The magic is the melody line that runs through the song…it never disappears despite the musical changes…it is always there. This is a bit poppy lyrically….but it does suck you in.

End Game [featuring Ed Sheeran & Future]—-Classic sounding Taylor at the onset of this track quickly gives way to the more aggressive sound that covers most of this release. Future delivers line after line of catchy sentences that fit the music perfectly. Swift has an almost venom to her vocal delivery…Sheeran delivers his lines that are pleasant…but the real star of the show really is Swift…who displays her musical advancement in leaps and bounds. A true single if I have ever heard one…this is great.

I Did Something Bad—-As the third song is introduced…I find myself thinking that this all suffers from a slight ‘sameness’ in the sound. Every song seems to be a bot to familiar. The chorus of this song….well…it kind of blows me away…I’m amazed at the growth and the ability to step out of one’s skin. This is catchy as hell….the chorus is addictive. I did not want to like this….but you know how that goes.

Don’t Blame Me—-A slight bluesy feel to this track…a nice change. Swift delivers a vocal that is almost lazy..or at least more relaxed and less driven. The chorus opens up and smacks you in the forehead with a catchy melody you can’t get away from….this is pleasant…addictive and an easy listen. I like this. Took me to Church!!!!

Delicate—-I hate all this vocodor shit…but it works nicely hear. Swift manages to fit so any words in one sentence…I wonder how she manages to do this. There is very little music that is produced these days that actually falls in the realm of POP MUSIC…..but this is pretty successful in that aspect. This is accessible and easy to digest. I love the entire mood of the song.

Look What You Made Me Do—-Returning to the ‘banger’ feel of a few earlier tracks, this was indeed a Swift no one was prepared to hear….but here it is. The song is very aggressive musically and in vocal delivery. there is a nice underlying anger that makes you shake you head and say WHAT? This is nice….the remixes are phenomenal…..truly a change. This track has so many underlying messages…..

So It Goes….—–Magically mixing the sound of the release with perfect song placement, this is a fantastic jerk in sound and delivery. The chorus of this song is literally magical…the music swirls OVER the top of your head…transporting you into an energy that crashes all around you when the chorus smacks you again. This is single material as well….this is a fantastic, well constructed song that literally soars.

Gorgeous—-Vocally static and sounding a bit angry, swift never ceases to surprise me with her growth and ability to move from one feel to the other. This song…sounds a bit angry and full of venom…but is delivered in a nice syrup sweet way….this is really nice.

Getaway Car—-The return of slight vocodor vocal……but Swift still delivers a vocal that is so damn accessible. The whole damn chorus smacks you in the face and makes you forget about everything else you have heard. There is a recipe here that works some kind of magic in your brain that makes you dissolve into some kind of pop music puddle you can’t get out of…..truly magical.

King Of My Heart—-Sedate and wonderfully understated for the first bar….the music explodes in a staccato style that fits the mood of the song…but seems confused to me. Where is this track going? The swings of musical delivers sound un organized to me…a slight falter…but sure…the chorus saves everything….the recipe of a great pop artist.

Dancing With Our Hands Tied—-Everything seems to build slowly…..Swift enters with her vocal….it is surprisingly un accessible to my ears….but line after line, the song builds…and then you get the magical chorus that is in every Swift song….but it does not dig out the dirt….this just seems OK to me….nothing shiny here…..

Dress—-A bit of a haunting sound introduces this track…..Swift sounds angry and a bit dis-embodied as she delivers her vocal. The higher tone….with the music is interesting. There is a bit of a lag here….the magic catchy hooks are gone…but it is listenable….because there is a musical melody line that catches your attention….

This Is Why We Can’t Have Nice Things—-Returning to that present static vocal style that ushers in a banger style song, I’m surprised until the chorus kicks in….this literally threatens me with the ability to live in my brain even though I say NO…..there is magic in this production…..they knew what they were doing!

Call It What You Want—-Hmm……things are surprisingly sedate at the onset here. I still get amazed at how many words Swift can fit in one sentence… is a clear indication she understands music. The song….full of lyrics that are full of a bit of venom and anger……does not really catch for me…I keep waiting for that special something….but it never appears…….this is a bit flat for me.

New Year’s Day—-Ending the release with a slight down tempo track, this is the Swift that the tweeners love….full of emotion….sad words and laments of romance……for me not too substantial……sorry

**** out of 5



The Cranberries / Gold


The Cranberries are an Irish rock band formed in Limerick in 1989 by lead singer Niall Quinn, guitarist Noel Hogan, bassist Mike Hogan, and drummer Fergal Lawler. Quinn was replaced as lead singer by Dolores O’Riordan in 1990. Although widely associated with alternative rock, the band’s sound also incorporates indie poppost-punkIrish folk, and pop rock elements.

The Cranberries rose to international fame in the 1990s with their debut album, Everybody Else Is Doing It, So Why Can’t We?, which became a commercial success. The Cranberries have sold over 40 million records worldwide. The band achieved four top 20 albums on the Billboard 200 chart (Everybody Else Is Doing It, So Why Can’t We?No Need to ArgueTo the Faithful Departed and Bury the Hatchet) and eight top 20 singles on the Modern Rock Tracks chart (“Linger“, “Dreams“, “Zombie“, “Ode to My Family“, “Ridiculous Thoughts“, “Salvation“, “Free to Decide“, and “Promises“).

In early 2009, after a six-year hiatus, the Cranberries reunited and began a North American tour, followed by shows in Latin America and Europe. The band recorded their sixth album Roses in May 2011, and released it in February 2012. Something Else, an album covering earlier songs together with the Irish Chamber Orchestra, was released in April 2017.

On 15 January 2018, lead singer Dolores O’Riordan was found dead in a London hotel room. She had recently arrived in London for a recording session.

The Analysis—-

Disc One:

Dreams—-Perhaps THE track that helped to define the sound of The Cranberries, the remarkable combination of Irish tinged folk rock combined with an Alternative sound, allowed the band to be embraced by massive amounts of fans. The driving and wonderful vocal from Dolores is the key to all of these songs here. One of the defining vocalists of the 90’s, I never get tired of the magic found in here voice.

Sunday—-With a beautiful string based intro, the song puts you in a certain frame of mind from the very first notes. The swells of quiet music takes nothing away from the power of the band…instead it shows diversity and musical growth. This is a beautiful track…..when the track finally opens up you are at once comfortable and familiar with the sound. This is quite beautiful.

Pretty—-Again, the music is stark and empty at the onset….really carrying the 90’s Alternative torch with the feel of the song. Dolores sounds ghostly and haunted in her literally transports you places with the tone and the urgency. A poignant track considering the singer’s backstory.

How—-A fantastic almost tribal drum introduces the track. The voice is slight and quiet…but still manages to convey an urgency and demand to pay attention. As the song opens up further the vocal becomes louder and almost pleading in sound. This is quite wonderful….a voice like no other.

Not Sorry—-Consistent in sound, the guitars are a bit more pronounced and Alt in sound…truly reminding you of the 90’s Rock sound. Dolores is mystical and magical in tone. Not a favorite track…but it fits in with the collection really well.

Linger—-The opening guitar parts remind you immediately of the track you are listening to. As the flow of the song takes shape, it becomes more beautiful with every bar of sound. The vocal is just hear wrenching…Dolores had a remarkable range and phrasing that stood the test of time. This is a remarkable track…full of emotion and full of memories for me. I love this.


Liar—-A very distinct guitar sound ushers in a slight different sound for the band. This seems a bit out of place in the song placement but diversity is key…right? This sounds a bit auto biographical….Dolores sings with a bit of a punch underlying the upfront pleasant vocal. This is full of a great musical display by the rhythm section of the band…full bodied and instrumentally emotional.

Zombie—-Another massive hit for the band, it is hard to forget this track. Full of the fuzzy 90’s guitar sound from Seattle, this is energetic and poignant. Dolores is a vocal power house of this track…..making me almost lose my mind with the urgency and almost pleading style she sings with. The chorus is a masterpiece of power and fuzz…energy and heart break. This was a magical musical moment.


Ode To My Family—-Quite poppy and catchy, Dolores even sounds a bit relaxed vocally as the track begins. The almost whispered vocal at the onset is almost buried in the instrumentation. The double track voice gives the song that needed emotional punch in your gut. When the voice moves up front…you feel every single word she utters…a wonderful song.

I Can’t Be With You—-Surprisingly poppy in sound, the guitars are so understated on this track…the saving grace for me is when the chorus hits and opens the song wide open. The vocal…even understated is still full of a certain urgency and magic. this is brighter that I expected…but still has a punch in the chorus.

Empty—-This track….seems slight and starkly naked to me at times. The music is so understated and pushed to the back…you get no power chords at the onset. The magical vocal is very upfront and displays a range that is seldom heard from Dolores….rising and falling in tone and emotion. this is a bit to stripped down for me…but I love when the strings enter and give the song an almost magical quality.

Everything I Said—-So quiet and understated for me, I much prefer the band when the emit those huge power chords and energy. The ballad after ballad on this collection becomes a bit tiresome at times…but it is the catalog I suppose. This is quiet all the way around…even the vocal seems a bit less than inspired…but the words…if you pay attention…may just rip your heart out.

Ridiculous Thoughts—-Stark…I know I have used that word a lot here, musically this is so understated at the onset….and then SURPRISE….the track opens wide open and delivers a more powerful performance that goes back in the glory days of more 90’s inspired Alt-Rock. This is a welcome change after the last 6 tracks. The band sounds phenomenal…and Dolores sounds like a new breath was breathed into her….just wonderful.

Dreaming My Dreams—-Very quiet and delivered almost in a naked way, Dolores almost whispers her way through the song. The guitars are acoustic in sound and the drums are relegated to cymbals and a slight high hat. The cello…or strings lay the foundation of this very understated track.

Daffodil Lament—-Again…..the introduction sets the tone for more lament and regret….the guitars are missing…the piano seems to lead the song…then in the back drop…way removed…there is a magical noisy element to the song that makes me smile and brings me a joy. The song ebbs and flows with power and sadness…but still delivers a magic that I love about the band.

So Cold In Ireland—-Ending the first disc with yet another stripped down and melancholy tack that brings a sadness and haunted feel. The vocal is so full of that Irish brogue….I love the tone….but I need some energy at this point….and then the chorus hits and the song becomes muscular and driving….I love this song.

Disc Two:

Salvation—-Delivering an almost punk sound, this is full of energy and a certain magic the band had in the early days of the career. This is addictive…..energetic and damn entertaining. The instrumentation is driving and inspired…I never get tired of this. The vocal sounds inspired as well…..conveying an urgent message that needed to be heard by everyone. Wonderful.


Free To Decide—-Full of a magical melody from the very onset, the vocal seems to wrap around right in the music. the lyrics….seem even more important on this day for me. Dolores sounds amazing and convincing…like she was emerging from a darkness…that never really went away. I love this song so much….makes me really miss her.

When You’re Gone—-Such a sad song now….the thing that I love about this track…the guitar has a magical Johnny Marr sound to it….in fact the entire thing reminds me of The Smiths. The lyrical content is so sad to me….although I love the quasi-50’s feel to the song as well. This is a very favorite track of mine. So important now….


Hollywood—-Quiet for the first bar, then a barrage of sound smacks you in the face with a remarkable energy. Dolores sounds almost possessed at times with her driving vocal. This is a wonderfully fantastic song…the lyrics make you sit back and think about your life and the drama you might cause yourself. The huge wall of musical sound is extraordinary…..I love this.

Cordell—-Beautifully melodic and dense from the onset, the guitar is exquisite…even it it’s quiet form. Dolores delivers and understated but incredibly powerful vocal. You can feel the pain and the melancholy…the added double track vocal fills everything out….a rarely heard masterpiece of music.

Animal Instinct—-So full of a magical melody, this track is damn addictive…I listen to this over and over again. The blend of harmonious vocals suck you right into the sound. This is another magical track that does not get played enough….this was a band being so creative and working so well together. I really love this.

Promises—-A slow intro ushers in another magically muscular track that is full of energy and aggression. Dolores sounds driven to deliver her message…I love the huge sound of the music….it matches and at the same time compliments the vocal in a way that only this band could do. This is just fantastic.


You And Me—-Quiet and a bit introspective…but it fits my ears perfectly at this very moment. The stark quality of the song is wonderfully welcome and lifts me from my seat in a magical way. The voice literally wraps right around my cerebellum….giving me warmth and comfort. wonderful song placement.

Just My Imagination—-A bit hit and miss for me…..the poppy feel of the song confuses me a little bit. i love the double track vocal…the magical harmonies add a bit of depth to a fairly unforgettable song. That is just my opinion. I love the mood…there is a happy feel to the song…it is rather uplifting.

Never Grow Old—-Haunting and really sad at this current time. I never really listened to this so intently as I have today….it makes me tear up and feel a bit empty inside…I have lost so many personal heroes in these last few years….this is a sad lament…read into it as you will….for me there is a message.

Analyse—-Bombastic and magically aggressive from the very first note, this is a wonderful track. This has that same melody quality that drove certain songs to the top of the charts…I wonder why this was not far more heard on radio and by fans. This is just fantastic….fairly simple lyrically…the feel of the song says more to me than the words actually do…it you can understand that. This is a wonderful moment in time.

Time Is Ticking Out—-Another magically melodic track that is muscular in sound…you still poignant somehow. Dolores delivers a remarkable vocal…the chorus threatens to stay in your brain for days after just one listen….the Cranberry recipe was in full effect here. I love this song.

This Is The Day—-Sounding almost like a continuation from the previous track, this has many elements of songs that really propelled this band into the upper escalations of Modern Rock. Not only the vocal mind you, the music and the feel the band delivers was as important as the voice. This is a huge song…in sound and delivery. I love this.

New New York—-Aggressive and driving guitars literally create a wall of sound that threatens to drown out even the vocal. This track quiets a bit….but carries a true New York energy throughout the entire song….calling Lou Reed to mind. I love the energy of this song…..fantastic. Huge and Muscular.

Stars—-Rounding out this compilation with a nice melodic track that makes me relaxed…and allows me o look back on a beloved band… them and cherish that almost every song has a wonderful memory for me in my own personal history. Isn’t that what music is all about….memories…love…joy…sadness…..the humanness of life….thank you Dolores!!!

*****out of 5





The Restless Romantics / A SoundCloud Sampler

“The Reckless Romantics were a power trio based out of Los Angeles, CA and lead by Raphael Ascanio. Fueled by beer, whiskey, marijuana, and Raphael’s lament, the trio existed and performed improvised renditions of Raphael’s regrets, failures and lamentations. The band is currently on hiatus until the drummer is out of jail.”

The Analysis—-

Drinking About You—-Wonderfully constructed in the way the best 80’s synth pop was, this takes me back to the New romantic movement of that time. The disembodied vocal…full of a slight pain and loneliness still manages to sound suave and relaxed. A remarkable throwback sound that is at the same time, quite modern.


For Aurora—-Literally reeking of the classic Morrissey/Marr compilations of the mid 80’s, the slight and exquisite jangly guitar sound is fantastic. The higher tuned guitar seems to lay right on top of the vocal…creating a wonderful blanket of sound that makes you want to snuggle deep into. Masterfully delivered…this is fantastic.


Demo—-This live recording really catches the energy and the raw feel of the band. The style is classic Joy Division to my ears…the bass leads the song…but the crashing drums gives off a remarkable energy. The vocal sound is fantastic for a live demo…the deep baritone literally wraps around my head. This band has really captured me….I anxiously await more material from this up and coming band.


**** out of 5